Christopher Bosen

Here's hoping you had a splendid Thanksgiving holiday weekend and that you're settling in for another action-packed season of events and shows to make Christmas 2018 sparkle even more! Looking ahead, you'll find a number of new productions on tap for your entertainment pleasure, thanks to the efforts of theater companies all over Middle Tennessee. Here's our calendar for November 26, 2018, to help you plot your course through the end of the year...

Looking ahead, you'll find a number of new productions on tap, including a whole slew of holiday favorites, for your entertainment pleasure, thanks to the efforts of theater companies all over Middle Tennessee. Here's our calendar for November 12, 2018, to help you plot your course through next February...

Looking ahead, you'll find a number of new productions on tap for your entertainment pleasure, thanks to the efforts of theater companies all over Middle Tennessee. Here's our calendar for November 5, 2018, to help you plot your course through the end of the year...

Sharply written dialogue and an engaging story as relevant as any you are likely to see onstage nowadays are the hallmarks of Molly Smith Metzler's Cry It Out, now onstage through August 18 at Nashville's Darkhorse Theater in a superbly acted production from SistaStyle Productions and Three in a Tree Productions.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Eviscerating modern manners and mores with surgical skill and startling focus, playwright Yasmina Reza's God of Carnage is among the most popular contemporary stage comedies of the early 21st century. Now onstage in an altogether agreeable, yet unsettling, production from Nashville's 4th Story Theater at West End United Methodist Church, the play - a searing indictment of pretentiousness and political correctness among the upper crust - remains just as provocative and entertaining as it has always been.

Hear ye, hear ye…Music City Confidential is back! Which means, of course, that I've heard an awful lot of scuttlebutt since last week's column went live on the interwebs - or, more likely, that I am trying to avoid boring and mundane stuff like packing - I'll let you decide what my motivation truly is...

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Winter's apparently over - it's in the mid-70s, balmy and windy, as we write this - and even before Spring pops up all over, there's an amazing amount of good theater to be found in the Nashville area. In fact, there's so much to choose from that you have absolutely no excuse staying alone in your room. Instead, in the wise and wonderful words of Sally Bowles, life is a cabaret and you're far more likely to find that out in the darkened confines of a theater, where magic and mayhem is bound to happen.

Among offerings this month are Christopher Durang's The Actor's Nightmare, a short comic play directed by Kristin Parsons. It involves an accountant named George Spelvin, who is mistaken for an actor's understudy and forced to perform in a play for which he doesn't know any of the lines. Patrick Kramer stars as George, with Bethany Champion as Meg, Tammy Sutherland as Sarah, Jenni Cadaret as Ellen and Douglas Goodman as Henry.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Nashville's acclaimed Sideshow Fringe Festival gets under way next Thursday, so what better way to get ready for this year's event than by looking back at 2014's opening night events, captured in a series of photographs by Wesley Duffee-Braun. If 2014 looked this good...what does 2015 have in store?

Playhouse Nashville has quickly established itself in the local theatre landscape on the strength of productions described by reviewers as "wickedly funny" (SEXTAPE & OTHER STORIES), "stunning" (DEVIL SEDAN), and "devastatingly honest" (ULTRASOUND). That well-earned reputation for eliciting memorable performances from talented actors working on original material continues with the newly announced ensemble for SCARECROWS WILL NEVER SEE THE SUNSET.

Nashville audiences that embraced Playhouse Nashville's inaugural season of fully produced original plays by local writers will have even more to experience this year beginning in April with Garret Schneider's ULTRASOUND starring Cori Anne Laemmel, Rebekah Durham, and Laura Crockarell.

George C.Wolfe's THE COLORED MUSEUM is a satirical play that gives new meaning and perspective on being black in contemporary America. The play consists of eleven 'exhibits' that re-explore and undermine stereotypes of what it means to be black. The play tackles issues such as oppression, stereotypes, and self-identity with a satirical twist, and examines the strong desire and struggle for African Americans to release centuries of oppression.

George C.Wolfe's THE COLORED MUSEUM is a satirical play that gives new meaning and perspective on being black in contemporary America. The play consists of eleven 'exhibits' that re-explore and undermine stereotypes of what it means to be black. The play tackles issues such as oppression, stereotypes, and self-identity with a satirical twist, and examines the strong desire and struggle for African Americans to release centuries of oppression.

It's been a busy year in Nashville theater in 2012, with audiences treated to a whole slate of theatrical offerings spanning multiple genres-from productions of time-honored classics to new and original contemporary works, from dramas to comedies, from straight plays to musicals-and giving local theater-goers more opportunities than ever before to be challenged by the onstage magic created by some of Tennessee's most talented and gifted artists.

Playhouse Nashville's popular Ten Minute Playhouse continues at Street Theatre tonight with staged readings six more new plays by Middle Tennessee writers including well-known Nashville playwrights from the Writer's Stage and the Tennessee Repertory Martha Ingram New Works Project.

Chris Bosen and Nate Eppler, the curators of The Ten Minute Playhouse-named one of the Top 11 Theatrical Events of 2011 by The First Night Honors-have been invited by Street Theatre Company to present new programming in-residence during the 2013 season.