Anna Carvalho

Different Stages opens its 2019 - 2020 season with Mary Shelley's Frankenstein adapted by Patrick Sandford. Victor Frankenstein, a brilliant and ambitious young student, discovers the secret of creating life from the remains of the dead. But elation at his triumph is replaced by horror when he sees his monstrous creation. Abandoned by the one who made him, Frankenstein's Creature is left to a world that fears and rejects him, and soon his innocence turns to misery - and a murderous desire for revenge...

Different Stages opens its 2019 - 2020 season with Mary Shelley's Frankenstein adapted by Patrick Sandford. Victor Frankenstein, a brilliant and ambitious young student, discovers the secret of creating life from the remains of the dead. But elation at his triumph is replaced by horror when he sees his monstrous creation. Abandoned by the one who made him, Frankenstein's Creature is left to a world that fears and rejects him, and soon his innocence turns to misery - and a murderous desire for revenge...

For a two-week special event, The City Theatre Company presents the comedic satire Lysistrata. With wars raging, the distressed women of Athens take matters into their own hands, refusing to make love until there is peace. This social spoof, written in 411 BCE., is as relevant to modern concerns - and humor - of today as it was in ancient Greece.

All in all, MACBETH presented by Something For Nothing Theatre is an enjoyable evening of accessible theatre. Although the play falters in act two, the show itself is mostly well done. The talent of the women in this production is the undeniable force driving the show. While by no means are their characters innocent, one wonders if Macbeth would have fared better if he had listened to them a little closer.