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BWW Review: FIRE IN A DARK HOUSE Is More Timely Than Ever


The year was 1918. We were four years into World War 1. Anti-German notions swept across the country and preyed upon German-Americans, calling them spies, traitors, and as President Wilson once said, "hyphenated Americans" because their loyalty was divided.

Photo Flash: First Look at FIRE IN A DARK HOUSE at Whitefire Theatre


The Whitefire Theatre and Slowly I Turned Productions presents the world premiere drama FIRE IN A DARK HOUSE, about two star-crossed young lovers, their families and community, all thrown into turmoil as anti-immigrant fervor against German-Americans sweeps the nation and their Midwest town during World War I. The play, created by Mona Z. Smith and Traci Mariano, runs Thursdays at 8:00 pm, now throughNovember 15, at the Whitefire Theatre in Sherman Oaks, CA.

FIRE IN A DARK HOUSE To Premiere At Whitefire Theatre September 13


The Whitefire Theatre and Slowly I Turned Productions present a world premiere drama FIRE IN A DARK HOUSE, about two star-crossed young lovers, their families and community, all thrown into turmoil as anti-immigrant fervor against German-Americans sweeps the nation and their Midwest town during World War I. The play, created by Mona Z. Smith and Traci Mariano, runs Thursdays at 8:00 pm, September 13 - November 15, at the Whitefire Theatre in Sherman Oaks, CA.

Leonarda Bosch, Natasha R. Brown & More to Star in PROOF at Gene Frankel Theatre


Proof, the 2001 Pulitzer Prize and Tony Award-winning play by American playwright David Auburn will be presented for 8 performances only at the Gene Frankel Theatre (24 Bond Street - between Lafayette & Bowery). Produced by an ensemble of independent New York actors and artists, performances will begin on Thursday, February 21st and continue through Sunday, March 3rd.

Hyper Aware Theater Presents DIVORCIFICATION, 11/28-12/9


Hyper Aware Theater presents its newest work, DIVORCIFICATION: Medea Reconstructed, a twenty-first century take on Euripides' famed heroine. Set in a contemporary New York City apartment, with live views of downtown Manhattan, Hyper Aware's DIVORCIFICATION will have ten performances at The Access Theater.

Gene Frankel Theatre Presents CLASS A, 2/23-27


Cameron Moir's new drama, CLASS A, will receive its premiere this February at the historic Gene Frankel Theatre, running February 23rd-27th. Directed by Alyse M. Frosch, CLASS A centers on four addicts, each partnered with their drug of choice (personified as a separate character), and the conversations between these drugs and their respective addicts lead to startling conclusions and hilarious revelations. The production is presented by Valhalla Productions and will feature lighting design by Tom Wilson and costume design by Nina Vartanian. CLASS A is a play about drugs and addictions that have become the embodiments of us all. In the play, four addicts sit at separated class desks, each with two chairs centered downstage while Dorey, the drug dealer, pimp and teacher of the class takes her pupils and the audience through a journey exploring various aspects of these addicts' lives, eventually revealing their fate. An inquiry into the public and cultural space through which our notions of good, evil, right, wrong, joy and sorrow circulate, CLASS A is a powerful meditation on human emotion in the landscape of addiction and will feature an exciting array of avant garde costumes.

Gene Frankel Theatre Presents CLASS A, 2/23-27


Cameron Moir's new drama, CLASS A, will receive its premiere this February at the historic Gene Frankel Theatre, running February 23rd-27th. Directed by Alyse M. Frosch, CLASS A centers on four addicts, each partnered with their drug of choice (personified as a separate character), and the conversations between these drugs and their respective addicts lead to startling conclusions and hilarious revelations. The production is presented by Valhalla Productions and will feature lighting design by Tom Wilson and costume design by Nina Vartanian. CLASS A is a play about drugs and addictions that have become the embodiments of us all. In the play, four addicts sit at separated class desks, each with two chairs centered downstage while Dorey, the drug dealer, pimp and teacher of the class takes her pupils and the audience through a journey exploring various aspects of these addicts' lives, eventually revealing their fate. An inquiry into the public and cultural space through which our notions of good, evil, right, wrong, joy and sorrow circulate, CLASS A is a powerful meditation on human emotion in the landscape of addiction and will feature an exciting array of avant garde costumes.

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