BWW Review: A GENTLEMAN'S GUIDE TO LOVE AND MURDER at Osceola Arts
A musical about love? Nothing new there – from Broadway classics to modern musicals, love is often a prevailing theme for a night at the theatre.
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A musical about love? Nothing new there – from Broadway classics to modern musicals, love is often a prevailing theme for a night at the theatre.
Spot-on casting is nothing out of the ordinary at Theater West End, nor are tasteful set direction or an overall atmosphere of well-themed festivity.
“THE BODYGUARD on stage sounds fun,” I thought, “but is there really anybody in Winter Garden who can handle Whitney Houston songs for two whole hours?” It turns out there are at least two people up to the task, and The Garden’s got them both.
They say you can't teach an old dog new tricks, yet that is exactly what the intrepid team behind HEAD OVER HEELS sought to do.
Has anyone ever read you a fairytale? So goes the opening line of “Once Upon A Time” the best-known song from BKLYN THE MUSICAL, a show that you might not have heard of before (it played on Broadway in 2004) but one that, in the hands of the stellar team of performers and creatives at the Titusv
Twice, ONCE won awards I thought the competition deserved.
Yet, even with the hardships this theatre has gone through, and the uncertainty of the future, all involved with WHILE THE LIGHTS WERE OUT made sure to go out on that stage and give it their all.
In the world of musical theatre, there are some shows that feel fresh and new, no matter how many times you see them.
Louise’s long monologues between Patsy’s numbers aren’t nearly as timeless, but then her ability to talk about a single celebrity sighting for two whole hours is something I find both deeply and embarrassingly relatable.
Settings for musicals range from the rather ordinary to the extraordinary.
Stories have an amazing way of bringing to life experiences and concepts that otherwise might be too complex, too unfamiliar, or too uninteresting.
There are few stories that you can safely assume everyone around you has heard before.
Filling those water-walkin' sandals is Orlando native Eddie Ortega.
“Everything has its season, everything has its time.
In William Shakespeare’s beloved comedy, A MIDSUMMER NIGHT'S DREAM, a motley cast of characters find themselves in an idyllic forest filled with magic and wonder.
Fate couldn't have found a more fitting show for the Garden Theatre's 2020 return than one with a whole song about getting out of the house and hitting the town.
With COVID-19 still raging around the world, and cases still quite high here in Central Florida, one might believe that it will be some time before enjoying the thrill of live theatre once again.
a?oeThat's the worst thing I've ever seen,a?? said an elderly woman on her way out the door.
It's symptomatic of SPAMILTON's inconsistency: quite funny and thoughtful in one moment, down a rabbit hole the next.
A few weeks back, I attended the opening night of The Three Musketeers at Orlando Shakes.
The last time I attended a production at Osceola Arts, the stage had been transformed into 1899 New York City for a production of Newsies.
Ask anyone to describe the Three Musketeers, and you'll get the usual answers: three heroes, bound together in brotherhood, inseparable in the most dire circumstances.
A single-act show, it could use an occasional shot in the arm.
Why? Every time I answer that, I start to feel like the Genie in a?oePrince Alia?? when he's counting all those elephants, peacocks, and camels.
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