The Four Temperaments at New York City Ballet - David H. Koch Theater

Dates: (9/24/2013 - 5/31/2014 )

Theatre:

New York City Ballet - David H. Koch Theater

20 Lincoln Center
New York,NY NY 10023

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Phone: 212-496-0600

Tickets: $29.00 - $159.00

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Cast Creative Edit

The score for this ballet was commissioned by George Balanchine from Paul Hindemith in 1940. The ballet, together with Ravel’s opera L’Enfant et les Sortilèges, constituted the opening program of Ballet Society (the direct predecessor of the New York City Ballet) on November 20, 1946. In Complete Stories of the Great Ballets, Balanchine wrote of the ballet that it “is an expression in dance and music of the ancient notion that the human organism is made up of four different humors, or temperaments. Each one of us possesses these four humors, but in different degrees, and it is from the dominance of one of them that the four physical and psychological types — melancholic, sanguinic, phlegmatic, and choleric — were derived …. Although the score is based on this idea of the four temperaments, neither the music nor the ballet itself makes specific or literal interpretation of the idea. An understanding of the Greek and medieval notion of the temperaments was merely the point of departure for both composer and choreographer.”

An accomplished pianist, Balanchine commissioned the score because he wanted a short work he could play at home with friends during his evening musicales. It was completed in 1940 and had its first public performance at a 1944 concert with Lukas Foss as the pianist.

Cast and Creative team for The Four Temperaments at New York City Ballet - David H. Koch Theater

Choreography by: George Balanchine
Music by: Paul Hindemith

Original Cast
Beatrice Tompkins, José Martinez, Elise Reiman, Lew Christensen, Gisella Caccialanza, Francisco Moncion, William Dollar, Georgia Hiden, Rita Karlin, Mary Ellen Moylan, Fred Danieli, Todd Bolender, Tanaquil Le Clercq

Costumes by
Kurt Seligmann (from 1951, performed in practice clothes and without scenery)
Set by
Kurt Seligmann
Lighting by
Mark Stanley

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