The latest reviews and critic recommendations from Off-Off-Broadway.
There isn't much that can be said or done in a minute - neither accomplished nor expressed in so short a time, especially in an era where the significance of each tick of the second hand is only in anticipation of the next moment, not having much importance in itself.
Kelly Kinsella gives a sharp, gritty, bona fida performance in her original one-woman show WHEN THOUGHTS ATTACK.
First produced over twenty years ago, Retro Production's rendition of THE BALTIMORE WALTZ breathes new life into Paula Vogel's original play.
Victor Lesniewski's new drama CLOVEN TONGUES has it all: humor, suspense, and a strong cast.
Orlando Bloom, park your motorcycle, and walk three blocks to a bar that used to be called Harley's, where there is a weird, well-acted, fun, immersive boozy bro party production of Shakespeare's tragedy that is, in several ways, more engaging and far more original than your Romeo and Juliet on Broa
The chance meeting between privileged Feldman and imprisoned Dwight sets in motion this well-acted if implausible play by Jonathan Caren that considers the nature of friendship, and attempts to offer us a glimpse at the class system in America.
The strength of this swift, well-cast modest Romeo and Juliet love story between an Israeli soldier and a Palestinian student is in the depiction of the two families, cleverly portrayed by the same actors in dual roles.
Waiting for Waiting For Godot is less a spoof of Beckett's play than it is a knowing comic riff on the life of an actor.
The Fringe Festival always delivers wide varieties of theater, theater that is presented quite differently than what is usually displayed in the mainstream scene.
If 'Someone To Belong To,' a musical about advertising copywriters in the 1960s, seems to be capitalizing on the popularity of 'Mad Men,' the story behind this Fringe show is actually far more interesting than that.
Rubble,' written by 'The Simpsons' long-time staff writer and producer Mike Reiss and starring 'Hollywood Square' Bruce Vilanch, has more one-liners than a comedian's stand-up routine, and not much more of a plot.
Rebecca Foresman's delightful play "Half: A Divorce Farce" has two performers playing six roles in a set of tour-de-force performances.
A show about Twitter fame, 'Bradley Cole' is a lively 80-minute musical at the Fringe Festival with 16 tuneful songs, an energetic cast, and a plot that applies the gloss of the Twitter-topical to what feels like a mash-up of every predictable show known to mankind: a romantic comedy, a coming-out s
The play from Bulgaria about two conjoined twins presents enough brutal twists and haunting turns to keep our attention, helped along by the bravura acting of the two-member cast
Dressed all in white, singing like angels and dancing like the devil, the 13 performers of "Gertrude Stein's Saints" are young, energetic, talented, and, let's face it, hot enough to be cast in Glee.
The most important thing to remember is an open mind when attending a production that would likely fall under the category of "performance art".
The Seeing Place Theater presents Shakespeare's Hamlet and Stoppard's 'Rosencrantz and Guildenstern Are Dead' in true repertory.
At Hand Theatre Company presents Joshua Conkel's hilarious and provocative new play 'I Wanna Destroy You', which takes and explodes the idea of the pet homosexual/gay best friend.
A Collection of Shiny Objects presents the premiere of 'queerSpawn' by Mallery Avidon, a play about a kid being bullied because of having lesbian mothers.
Flux Theatre Ensemble presents August Schulenberg's 'Honey Fist', a thoughtful and comic play about old friends and their secrets.
Flux Theatre Ensemble presents 'Sans Merci' a powerful and searing play by Johnna Adams, in an excellently realized production.
CAT ON MY HEAD PRODUCTIONS premiered Brooklyn College Alumni Tom Kelly's BLEACHED BLONDE BETTY.
The Actors Company Theatre (TACT) presents a revival of 'Happy Birthday' by Anita Loos (author of 'Gentlemen Prefer Blondes'), an utterly charming fizzy cocktail of fun from the 1940s.
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A Tom Lehrer Cabaret The Green Room 42 (7/29-7/29) |
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Oil & Whiskey The Bitter End, Laurie Beechman, Prohibition, The Rat NYC (7/15-8/12) |
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Rock Never Dies Hard Rock Cafe (5/29-8/30) |
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SAY MY NAME AMT Theatre (7/23-7/26) |
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Shangri-La-La, a comedy musical about Siegfried & Roy American Theatre of Actors (ATA) (7/25-7/26) |
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Shrek, the Musical! Emelin Theater (7/09-7/12) |
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That Math Show Theater555 (6/11-8/16) |
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The Mountaintop Springer Opera House (1/22-1/31) |
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Indigo Girls Chautauqua Amphitheater (9/10-9/10) |
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Evil Gays/Big Orgasms: Paris Adkins and Brooke Ferris Dixon Place (7/14-7/14) |
