Theater in Quarantine Debuts THE 7TH VOYAGE OF EGON TICHY Tonight

Theater in Quarantine debuts its most technically ambitious production to date on tonight, July 30, with The 7th Voyage of Egon Tichy, a slapstick science-fiction adventure adapted from Stanisław Lem's Star Diaries created with director Jon Levin and writer Josh Luxenberg (Sinking Ship's Drama Desk Nominated A Hunger Artist). When space traveler Egon Tichy's ship gets hit by a chunk of interstellar detritus, sending him careening into a minefield of time vortexes, a series of increasingly absurd events makes his chances of fixing things ever less likely, and even the simplest task becomes infinitely complicated.

Tune in below!

As New York City begins to reopen amid vital protests and the threat of a second wave looms, Theater in Quarantine remains dedicated to producing new live experiences while brick and mortar theaters remain closed.

Shortly after the coronavirus pandemic closed all theaters in mid-March, Gelb transformed a 2' x 4' x 8' closet inside his East Village apartment into a white-box theater. Gelb says, "When everything shut down, I set out to adapt to the digital form without sacrificing the integrity of the live event. How can we artfully push against the boundaries of this new social distance to theatrically embrace the limitations of remoteness? What we might consider our shared theatrical values? And how might we continue to collaborate responsibly even while we social distance?"

Starting on March 30, Gelb and his collaborators started releasing pre-recorded studies in movement, clown, camera orientation, and perspective - building towards more complex theatrical experiences. On April 23, they premiered Theater in Quarantine's first live-stream performance: an adaptation of Kafka's The Neighbor which has been followed by an unauthorized edit of Beckett's Krapp's Last Tape and collaborations with artists like Scott R. Sheppard (Underground Railroad Game), Nehemiah Luckett (Jazz Singer), and Ellen Winter (36 Questions).

"I often think about Peter Brook's invocation of the empty space when standing in front of my closet," says Gleb. "How can this utilitarian container, so uncomfortably small, so disproportionate in its aspect ratio, become a stage for the imagination? And it's here I find the central metaphor, and perhaps appeal, of the entire project - it's about as obvious as you might expect - that my attempts not only to make art in this confinement but to exist whatsoever, are not so dissimilar from what many of us are experiencing. There is frustration, and boredom, and lots of loneliness. But there is also great potential and for once an expanse of time that we have the chance to fill not with mere anxiety but with the thoughtful, rigorous creative impulse."

Please visit joshuawilliamgelb.com for more information and youtube.com/joshuawilliamgelb to stream all of the Theater in Quarantine original works.

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