'Holy Cross Sucks' Rocks
I didn't necessarily know what I was getting into when I agreed to see the play, Holy Cross Sucks with its lone cast member Rob Nash. Was it going to one actor's opinions about the current state of the Catholic Church masked in jokes? Could it get political? My concerns however were thankfully washed away as I learned that this feared "satire" was actually billed as "a comedy about the tragedy of high school" and was an extremely entertaining play telling the perils of high school without every taking itself too seriously. No, instead, Rob Nash portrayed over 20 characters, all of which you can relate to or remember in some sense from your own high school experience, providing truly enjoyable theater. Let the memories of the '80's rush to the forefront of your brain as you settle in to watch Holy Cross's class of 1985 navigate through their high school years. Visualize the big hair, the fluorescent colors, the Prince posters that adorn every wall, the oversized T-shirts and glasses, Atari and Nerf balls. Now take it all away and put yourself in a theater with only one classroom themed backdrop, very few props and only one actor dressed in a plain T-shirt and pants. That is all you are allowed to work with to envision this school and the characters that embody the class of 1985 at Holy Cross. On paper, this sounds difficult, but in person at the theater, you are wowed by the performance of Nash as he effortlessly introduces you to an array of characters neatly categorized as "the nerd," "the slut," "the homo," "the fat kid" and "the punk" among others. Introducing these characters in such a stereotypical and over-the-top fashion lets you flashback to your yearbook and pick out fellow classmates who easily fall into these designated buckets. Although it is a bit tough at first to follow the storyline of who's who, you quickly realize that Nash has assigned individual gestures, some noticeable, some subtle, to each character in addition to their own distinctive voice. These individual traits serve as guidelines to determine who is speaking when, should you ever get lost in the dialogue.
Photo credit: Richard DiBella

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