Max Posner's THE TREASURER Extends Two Weeks Off-Broadway
Due to critical acclaim and popular demand, Playwrights Horizons has announced an extension of their world premiere production of The Treasurer, a new play by Max Posner (Judy). Commissioned by Playwrights Horizons, the play is directed by three-time Lortel Award winner David Cromer (The Band's Visit, Our Town, The Adding Machine).
Originally announced to play a limited engagement through Sunday, October 22, the production will now play a two-week extension through Sunday, November 5 at Playwrights Horizons' Peter Jay Sharp Theater (416 West 42nd Street). The production began previews September 6 and had its official opening on September 26.
The celebrated cast of The Treasurer features Marinda Anderson (Bella: An American Tall Tale, A Life, Far From Heaven at Playwrights; Every Good Girl), Pun Bandhu (Wit on Broadway, Plenty, Informed Consent, True and Solid Ground, Faust), Tony Award winner and Olivier Award nominee Deanna Dunagan (August: Osage County, Man and Superman, regionally in Other Desert Cities, James Joyce's The Dead) and Tony Award nominee and Obie Award winner Peter Friedman (Fly By Night, The Great God Pan, The Shaggs, After the Revolution, Circle Mirror Transformation, The Heidi Chronicles at Playwrights; Ragtime, The Open House, the recent Hamlet).
Ida Armstrong (Ms. Dunagan) is broke, lonely and fading fast. And she's spending all of her children's money, forcing her son (Mr. Friedman) to assume the unwanted role of The Treasurer: an arrangement that becomes untenable the more he questions his devotion to her. In this darkly funny, sharply intimate portrait, Max Posner chronicles the strained ties between a son and his aging mother, and the hell of a guilty conscience.
The production features scenic design by Lortel Award winner Laura Jellinek, costume design by David Hyman, lighting design by Tony Award winner Bradley King, sound design by two-time Lortel Award winner Mikhail Fiksel, projection design by Lucy Mackinnon and wig design by Leah J. Loukas. Production Stage Manager is Brett Anders.
THE TREASURER was commissioned by Playwrights Horizons with the support of Duke/Mellon Leading National Theaters.
Having opened the Playwrights Horizons 2017/2018 Season, and now in its final week on the Mainstage is FOR PETER PAN ON HER 70th BIRTHDAY, the New York premiere of a new play by two-time Pulitzer Prize finalist and Tony Award nominee Sarah Ruhl, directed by Obie Award winner Les Waters, featuring three-time Obie Award winner and Tony Award nominee Kathleen Chalfant in the title role, David Chandler, Ron Crawford, two-time Obie Award winner Lisa Emery, Tony Award nominee Daniel Jenkins and Keith Reddin (now through October 1). Following FOR PETER PAN... and The Treasurer will be MANKIND, the world premiere of a Playwrights Horizons commissioned new play written and directed by two-time Obie Award winner Robert O'Hara (December 2017); THIS FLAT EARTH, the world premiere of a new play by Lindsey Ferrentino, directed by Tony Award winner Rebecca Taichman (March 2018); DANCE NATION, the world premiere of a new play by Obie Award winner Clare Barron, directed by Obie Award winner Lee Sunday Evans (April 2018); and LOG CABIN, the world premiere of a new play by Pulitzer Prize finalist JorDan Harrison, directed by Tony Award and Obie Award winner Pam MacKinnon (June 2018).
ABOUT THE ARTISTS:
Max Posner's (Playwright) play Judy premiered Off-Broadway in 2015 (Page 73, directed by Ken Rus Schmoll). Recent productions include Snore (Juilliard, directed by Knud Adams), Sisters on the Ground (Playwrights Horizons Theater School at NYU, directed by Ken Rus Schmoll) and Gun Logistics (Drama League, directed by Knud Adams). He is the recipient of the Helen Merrill Emerging Playwright Award, the Heideman Award from Actors Theatre of Louisville, the P73 Fellowship and two Lecomte du Nouy awards from Lincoln Center. Max is a Sundance Institute Theatre Fellow, a two-time MacDowell Colony Fellow and was the Writer-In-Residence at Williamstown. He's an alumnus of the Soho Rep. Writer/Director Lab, Ars Nova's Playgroup, The Working Farm at SPACE on Ryder Farm and I-73. He contributed to John Early's episode of "The Characters" (Netflix) and is working on a libretto for the Brooklyn Youth Chorus with composer Ellis Ludwig Leone. Max's plays have been developed by Playwrights Horizons, Soho Rep., Page 73, Clubbed Thumb, Williamstown, Atlantic, Ars Nova, The Bushwick Starr, NYTW, American Theater Co., The Juilliard School and SPACE on Ryder Farm. He is a frequent volunteer at Manhattan's 52nd Street Project. He studied writing as an undergrad at Brown, and recently completed a two-year Lila Acheson Wallace Playwriting Fellowship at The Juilliard School. Max was born and raised in Denver and lives in Brooklyn.
David Cromer (Director). Recent credits include Man from Nebraska (Second Stage), The Band's Visit (Atlantic, opening on Broadway this fall); The Effect (Barrow Street Theatre), Come Back, Little Sheba (Huntington Theatre), Angels in America (Kansas City Rep) and Our Town at the Almeida Theatre in London. New York Credits include Women or Nothing at Atlantic, Really Really at MCC, The House of Blue Leaves and Brighton Beach Memoirs on Broadway, When the Rain Stops Falling and Nikolai and the Others at Lincoln Center Theater. Also at the Barrow Street Theatre, he has directed Tribes, Our Town and Orson's Shadow, as well as Adding Machine, which was a BST production at the Minetta Lane. Originally from Chicago, his credits there include Sweet Bird of Youth (The Goodman); A Streetcar Named Desire, Picnic and The Price (Writers Theatre); Cherrywood, Mojo and The Hot l Baltimore (Mary-Arrchie); The Cider House Rules (co-directed with Marc Grapey at Famous Door); and Angels in America (The Journeymen); among others. For Michael Ira Cromer (1966-2015).
Marinda Anderson (Allen, Others). Playwrights Horizons: Bella: An American Tall Tale, A Life, Far From Heaven. Other Off-Broadway: Sex of the Baby (Access Theatre), Macbeth (Lincoln Center Interactive Theatre), Obama-ology (Juilliard School). Regional: Airness (Humana), A Doll's House (Huntington), Three Sisters (Playmaker's Rep), Lady Day at Emerson's Bar and Grill (Berskshire Theatre Award nominee, outstanding female performance), Intimate Apparel (Dorset Theatre Festival), Fairfield (Cleveland Play House). TV: "Horace and Pete," "Gotham." BFA: Howard University MFA: NYU Graduate Acting Program. marindaanderson.com
Pun Bandhu (Jeremy, others). Playwrights Horizons debut. Broadway: Wit (MTC). Off-Broadway: Plenty (The Public). World Premieres: Informed Consent (Laufer, Primary Stages/EST), True and Solid Ground (Knable, Soho Rep.), Vengeance Can Wait (Braden, PS 122), Wellesley Girl (Pelsue, Humana Festival), The Bells (Rebeck, McCarter Theatre), Far East (Gurney, Williamstown), The Catch (Weitzman, Denver Center, Henry Award for Best Supporting Actor). Film: The Judge, Burn After Reading, Michael Clayton. TV: "Blue Bloods," "Blindspot," "Gotham," "Difficult People," "Law & Order(s)," "Elementary," "Nurse Jackie," among others. New Dramatists' Bowden Award for collaboration on new plays MFA: Yale School of Drama.
Deanna Dunagan (Ida Armstrong). Playwrights Horizons debut. Broadway: August: Osage County (Tony, Drama Desk Awards). Chicago: August: Osage County (Steppenwolf, Joseph Jefferson Award), Other Desert Cities (Goodman), Death Tax (Lookingglass), Marvin's Room (Shattered Globe), A Little Night Music (Writers), A Delicate Balance (Remy Bumppo, After Dark Award), James Joyce's The Dead (Court Theatre, Joseph Jefferson Award), A Lie of the Mind (ATC). Regional: The Revisionist (Annenberg Center), Bounce (Kennedy Center). Film: The Visit, The Pages (upcoming). TV: "The Exorcist," "The Strain," "House of Cards," "Unforgettable," "Prison Break." Deanna is an Artistic Associate at Lookingglass Theatre in Chicago.
Peter Friedman (The Son). Playwrights Horizons: After the Revolution, The Great God Pan (Amy Herzog); Circle Mirror Transformation (Annie Baker); The Shaggs (Gregory, Lang, Madsen); Fly By Night (Connolly, Mitnick, Rosenstock); The Heidi Chronicles (Wendy Wasserstein). Broadway: Ragtime (Ahrens, Flaherty, McNally), The Heidi Chronicles, Twelve Angry Men, The Tenth Man. Other Off-Broadway: Sundown, Yellow Moon (Bonds); Her Requiem (Pierce); The Nether (Haley); End Days (Laufer); Jacuzzi (The Debate Society); The Open House (Eno); The Hatmaker's Wife (Yee); Body Awareness (Baker, and her adaptation of) Uncle Vanya; Hamlet (The Public, 2017). Film: The Savages, Safe, Single White Female. TV: "High Maintenance," "The Muppet Show," "The Affair," "The Path."
Playwrights Horizons is dedicated to cultivating the most important American Playwrights, composers and lyricists, as well as developing and producing their bold new plays and musicals. Under Artistic Director Tim Sanford and Managing Director Leslie Marcus, Playwrights builds upon its diverse and renowned body of work, counting 400 writers among its artistic roster. In addition to its onstage work each season, Playwrights' singular commitment to nurturing American theater artists guides all of the institution's multifaceted initiatives: our acclaimed New Works Lab, a robust commissioning program, an innovative curriculum at its Theater School and more. Playwrights has been recognized with numerous awards and honors, including six Pulitzer Prizes, 13 Tony Awards and 39 Obie Awards. Prior artistic directors include André Bishop and Don Scardino. Robert Moss founded Playwrights Horizons in 1971 and oversaw its first decade, cementing the mission that continues to guide the institution today.
Notable productions include six Pulitzer Prize winners - Annie Baker's The Flick (2013 Obie Award, 2013 Susan Smith Blackburn Prize), Bruce Norris's Clybourne Park (2012 Tony Award, Best Play), Doug Wright's I Am My Own Wife (2004 Tony Award, Best Play), Wendy Wasserstein's The Heidi Chronicles (1989 Tony Award, Best Play), Alfred Uhry's Driving Miss Daisy and Stephen Sondheim and James Lapine's Sunday in the Park with George - as well as Ms. Baker's Circle Mirror Transformation (three 2010 Obie Awards including Best New American Play); Lisa D'Amour's Detroit (2013 Obie Award, Best New American Play); Samuel D. Hunter's The Whale (2013 Lortel Award, Best Play); Kirsten Greenidge's Milk Like Sugar (2012 Obie Award); JorDan Harrison's Marjorie Prime (2015 Pulitzer finalist); Lucas Hnath's The Christians (2016 Obie Award, 2016 Outer Critics Circle Award, 2015 Kesselring Prize); Robert O'Hara's Bootycandy (two 2015 Obie Awards); Adam Bock's A Life and A Small Fire; Taylor Mac's Hir; Danai Gurira's Familiar; Anne Washburn's Mr. Burns, a post-electric play; Sarah Ruhl's Stage Kiss and Dead Man's Cell Phone; Gina Gionfriddo's Rapture, Blister, Burn; Dan LeFranc's The Big Meal; Amy Herzog's The Great God Pan and After the Revolution; Bathsheba Doran's Kin; Edward Albee's Me, Myself & I; Melissa James Gibson's This (2010 Susan Smith Blackburn Prize finalist); Doug Wright, Scott Frankel and Michael Korie's Grey Gardens (three 2007 Tony Awards); Craig Lucas's Prayer For My Enemy and Small Tragedy (2004 Obie Award, Best American Play); Adam Rapp's Kindness; Lynn Nottage's Fabulation (2005 Obie Award for Playwriting); Kenneth Lonergan's Lobby Hero; David Greenspan's She Stoops to Comedy (2003 Obie Award); Kirsten Childs's The Bubbly Black Girl Sheds Her Chameleon Skin (2000 Obie Award); Richard Nelson and Shaun Davey's James Joyce's The Dead (2000 Tony Award, Best Book); Stephen Sondheim and John Weidman's Assassins; William Finn's March of the Falsettos and Falsettoland; Christopher Durang's Betty's Summer Vacation and Sister Mary Ignatius Explains It All For You; Richard Nelson's Goodnight Children Everywhere; Lynn Ahrens and Stephen Flaherty's Once on This Island; Jon Robin Baitz's The Substance of Fire; Scott McPherson's Marvin's Room; A.R. Gurney's Later Life; Adam Guettel and Tina Landau's Floyd Collins; and Jeanine Tesori and Brian Crawley's Violet.
Photo Credit: Joan Marcus