Review: DON’T LOOK NOW at Bats Theatre

A show bringing authenticity and emotional truth to a wide range of characters

I can sometimes feel intimidated by productions that focus on the climate crisis. They often leave me wrestling with feelings of guilt and the uncomfortable awareness that I could be doing more. Don't Look Now,written by Angie Farrow, is different. Beautifully and skilfully crafted, it doesn't seek to shame or lecture its audience; instead, it leaves me thoughtful and reflective, contemplating the world we live in, where we are headed, and the role we each play within it.

This collection of seven short plays offers multiple perspectives on the climate change, each one distinct in style and voice, yet united by a shared sense of urgency and hope. While the climate crisis sits at the heart of these stories, much of the storytelling is grounded in relationships and the impact we have on one another. Farrow's writing understands that change does not happen in isolation; it ripples through families, friendships, and communities. It is particularly refreshing to see older characters at the centre of the action, not sidelined, but portrayed as passionate, inspiring individuals who become catalysts for change. The plays explore the personal cost of conviction, showing how a drive for change can strain and strengthen relationships with parents, spouses, and those closest to us. 

The set is minimalist yet effective. Constructed from repurposed materials, including wooden boxes and a stepladder, it cleverly reflects the production's themes of sustainability and resourcefulness. Whilst stark, it provides the perfect canvas for the performers, whose physicality and expressive work do much of the heavy lifting.

Under David O'Donnell's assured direction, the cast navigate the traverse staging with confidence and ease. Each performer is equally accomplished, commanding the space while bringing authenticity and emotional truth to a wide range of characters. The costume design is equally thoughtful. An earthy colour palette, combined with simple additions such as a shawl, a jacket, or a hastily arranged bun, allows actors to transform seamlessly from one character to the next. These subtle changes are enough to transport us into entirely different worlds, and the performances make every transformation believable.

Beautifully written and beautifully performed, Don't Look Now demonstrates theatre's ability to engage with difficult issues while remaining deeply human. Rather than leaving me overwhelmed, it left me curious, reflective, and moved. It is a production that lingers long after the final curtain, inviting us not just to think about the future, but to imagine how we might shape it together.

Don’t Look Now is on at BATS 16-20 June.