BWW Review: Actor's Bridge Ensemble's THE NETHER
Leave it to the ambitious and creative people of Nashville's Actors Bridge Ensemble to continue the celebration of the company's 20th anniversary season with the presentation of a new and compelling play – The Nether by Jennifer Haley – which ushers audiences into the dystopian world that has ev...
BWW Review: Belmont University Musical Theatre's WHITE CHRISTMAS
All this yuletide revelry to which I am alluding comes courtesy of BUMT's latest production: Irving Berlin's White Christmas, the onstage updating of the 1954 film version that features a score of the master musician's finest songs as it tells the story of two song-and-dance men and their female cou...
BWW Review: Nashville Rep's A CHRISTMAS STORY
In a city like Nashville, where art and creativity thrives, there really is nothing more heartwarming and welcome at this time of year than the onstage theatrical traditions we have come to love, like Nashville Repertory Theatre's annual production of A Christmas Story, the stage iteration of the cl...
BWW Review: Gaslight's MR. JINGLE'S CHRISTMAS CLAUSE
Theater during the holiday season tends to be something of a mixed bag: multiple productions of A Christmas Carol, countless stagings of It's A Wonderful Life, numerous renditions of The Nutcracker and a sampling of original revues that include songs suitable for the season and heart-tugging and oft...
BWW Review: Bushfield's YULE, Y'ALL at Chaffin's Barn
You can be certain that during this time of year, I'm making my way to various and sundry theaters to witness the latest Christmaslike offerings from companies large and small, but after last season's A Country Christmas, Carol - playwright/actress Lydia Bushfield's uniquely fun take on the Charles ...
BWW Review: Springhouse Theatre's THE MARVELOUS WONDERETTES
How wonderful is it that a song can usher in all sorts of memories - perhaps of your first kiss, driving in a car along a dusty country road, or of people once-loved, still-loved, who are no longer a part of your life - to flood your mind, fill your heart and to transport you, as if by magic, to som...
BWW Review: BULLETS OVER BROADWAY is Boffo in Music City
Gimme a chorus line of gorgeous girls with gams up to here, a tap-dancing mob of darkly handsome wise guys, a serious lady of the theater whose teeth marks may be found all around a stage set - place them amid a whimsical and altogether unbelievable plot as thin as the best of the old-time movie mus...
BWW Review: ACT 1's AUGUST: OSAGE COUNTY
Might I offer some perhaps unsolicited advice? If you are dreading the upcoming holidays - Thanksgiving is just under three weeks away and Christmas is fast on its heels - and the typical upheaval precipitated by a trip 'over the river and through the woods' into the bosom of your family's particula...
BWW Review: Davis Shines as THE BELLE OF AMHERST
Caroline Davis' tour-de-force performance as American poet Emily Dickinson distinguishes the current production of William Luce's The Belle of Amherst - onstage through November 22 at The Filming Station Downtown, in a delightful revival helmed by veteran director Melissa Carrelli - and, clearly, is...
BWW Review: Circle Players' OF MICE AND MEN
In Of Mice and Men, writer John Steinbeck relates the tale of two lifelong friends whose hard-scrabble lives are played out against the backdrop of the Great Depression: two men whose bleak existence is made even more challenging by the cruel realities of the world at that time. Since its publicatio...
BWW Review: Lipscomb University's INTO THE WOODS
If you need something to prod you toward making reservations to see Lipscomb University's staging of the near-legendary Into the Woods - although we find it hard to believe anyone could not want to hear that wondrous score once more - we are happy to give you that prompt: Sarah Zanotti's performance...
BWW Review: Vasterling's DRACULA From Nashville Ballet
Darkly sensual and broodingly sexy, Paul Vasterling's balletic interpretation of Bram Stoker's legendary anti-hero Dracula (first presented in 1999 and revived in 2007) remains as potent and as stirring as ever, richly conceived and beautifully performed by the dancers of Nashville Ballet, who offer...
BWW Review: CINDERELLA Captivates in Music City Debut
Sumptuously designed, beautifully staged and wonderfully sung, Rodgers + Hammerstein's Cinderella isn't the same show you may recall from childhood hours spent in front of a television or from scores of regional theater productions since, but with a new and refreshingly timely book by Douglas Carter...
BWW Review: Keeton Theatre's THE MUSIC MAN
If you were to ask me to list my five favorite musicals (or even my top ten), there is a very good chance I would not include Meredith Willson's The Music Man among my chosen favorites. But then I see another production of that particular Willson tribute to Americana that features a fast-talking sal...
BWW Review: Arts Center of Cannon County's 12 ANGRY MEN
Led by a pair of stellar performances from Aaron Solomon and Darryl Deason, Arts Center of Cannon County's production of Reginald Rose's 12 Angry Men retains its crackling intensity some 61 years after it premiered on television and 58 years since the acclaimed film version starring Henry Fonda and ...
BWW Reviews: ACT 1's Dismal DEATHTRAP
And that, gentle readers, is just the first problem with ACT 1's season-opening production of Ira Levin's Deathtrap, a sturdy, if perhaps shopworn, theatrical thriller now onstage through October 17 at Darkhorse Theater. Directed and produced by Susan Cole, Deathtrap features a notable cast of exper...
BWW Review: Lauren Gunderson's THE TAMING From TWTP
It's all in the timing. No matter if you're delivering a joke, performing a new play or just putting something noteworthy out into the ether, the key to success is often just a matter of good timing. Case in point: the recently crowned Miss America 2016 came into the pageant as Miss Georgia - and in...
BWW Review: Studio Tenn's Exquisite GYPSY Revival
Nan Gurley's stunning performance of Mama Rose is reason enough to see Studio Tenn's 2015-16 season opening production of Gypsy - the legendary backstage musical about the rise to stardom of Gypsy Rose Lee - but there is so much more to be found in director Matt Logan's sumptuously appointed show th...
BWW Reviews: DIRTY DANCING Mambos Onto The TPAC Stage
You don't have to be an aficionado of Dirty Dancing, the 1987 film starring Patrick Swayze and Jennifer Grey as a mismatched romantic duo brought together by some sexy dance moves at a Catskills resort, to find yourself loving every moment of Dirty Dancing, The Classic Story On Stage, now ensconced ...
BWW Review: Nashville Rep's RAPTURE, BLISTER, BURN
An exciting and incisive script, enacted by an ensemble of Nashville's finest actors under the direction of a confident, focused woman who knows how to make compelling theater come to life with style and aplomb…that's what we've come to expect from Nashville Repertory Theatre over the past thirty-...
BWW Reviews: ARSENIC AND OLD LACE at Chaffin's Barn
Arsenic and Old Lace, Joseph Kesselring's iconic stage comedy cum murder mystery that plays on the pop culture aspects of life in 1940s Brooklyn, has been around so long - and produced so often - that you might, at first blush, consider it just another title from theater's storied past, one that see...
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