Review: A CHORUS LINE at Park Square Theatre

Park Square Theatre is celebrating its 50th season with a really solid, engaging production of A Chorus Line, running through June 14, 2026. It’s one of those shows that still lands emotionally no matter how familiar you are with it, and this staging keeps things focused on what matters most: the people onstage.

Directed by Stephen DiMenna, the production keeps a clean, no-frills approach that works in its favor. It also treats Michael Bennett’s original choreography with real respect. The movement is tight and energetic, especially in the opening audition sequence, where you really feel the pressure of everyone trying to stand out while still moving as one.

What makes A Chorus Line still hit after all these years is how personal it gets. Each dancer steps forward and shares something real — not just their background, but the emotional stuff that shaped them. This production understands that those moments are the core of the show, not just filler between dance numbers.

The cast does a strong job keeping those stories grounded. Camryn Buelow gives Sheila a sharp humor but also some nice vulnerability underneath it. Emily Scinto stands out as Cassie, especially in “The Music and the Mirror,” which feels intense and fully committed. Steven Rada brings real emotional weight to Paul’s story, one of the most quietly powerful moments in the show.

There’s also plenty of lighter energy in the mix. Leighann Bibb Colin gets big laughs as Val, and Chris Owusu brings warmth and easy charm to Richie. The ensemble overall works well together, which is essential here — this is a show where the group is just as important as any individual.

Musically, things are in good shape under music director Wesley Frye. Marvin Hamlisch’s score still feels sharp and emotional when it needs to, and songs like “At the Ballet” and “What I Did for Love” are delivered simply and sincerely, which is exactly right for this material.

The design keeps things simple in a good way. Benjamin Olsen’s bare rehearsal space puts all the attention on the performers, while lighting by Karin Olson supports the mood without distracting from it. Costumes by Mathew LeFebvre feel lived-in and real, like actual rehearsal clothes rather than stage costumes.

By the time you reach the finale, the emotional payoff is still there. After spending the show getting to know these dancers as individuals, watching them fold back into a single unified line feels both thrilling and a little heartbreaking.

If you’re thinking about seeing this production, it’s an easy recommendation. It’s the kind of show that pulls you in quickly and keeps you there — the dancing is sharp, the performances feel real, and the stories land with a kind of honesty that doesn’t fade after the curtain comes down. It’s also just a great chance to see a classic done well, with care and energy from top to bottom. In a season full of milestones for Park Square Theatre, this is one of those productions that really shows why A Chorus Line still matters — and why it still feels so exciting to watch.

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Best Featured Performer in a Musical - Top 3

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