DUBLIN 2026: Review: ALL MY FRIENDS ARE IN AUSTRALIA, Mill Theatre
LEGROOM Collective's interactive two-hander captures a quintessential modern Irish dilemma, but thin characterisation and disjointed pacing keep its emotional weight out of reach.…
LEGROOM Collective's interactive two-hander captures a quintessential modern Irish dilemma, but thin characterisation and disjointed pacing keep its emotional weight out of reach.…
A surreal and beautifully acted adaptation of Blindboyboatclub's short stories at the Abbey Theatre that shines with theatrical ambition despite a taxing runtime.…
Star Fíonna Hewitt-Twamley reflects on eight years of performing Brian Foster's acclaimed solo play, humanizing street life, and taking the stage at Dublin's Gaiety Theatre.…
A smartly written, tense, and painfully relevant examination of belonging, identity, and the quiet frictions beneath Irish welcome.…
Eileen Walsh and Marty Rea deliver towering performances in Druid's striking production of Eugene O’Neill's final play at the Dublin Theatre Festival.…
An overstuffed narrative and unrefined musical score leave Xnthony's world-premiere pilgrimage musical struggling to deliver emotional resonance or consistent comedy.…
Fishamble's dual-timeline migration drama is handsome and full of noble intent, but a static staging keeps its emotional urgency at arm's length.…
Erica Murray’s witty, grounded world premiere at the Gate Theatre balances laugh-out-loud humor with deeply recognizable domestic tension.…
ANU Productions delivers extraordinary acting and thrilling, close-quarters boxing choreography in Cyclone, though its fragmented narrative structure makes the complete story hard to grasp.…
Brokentalkers and Andy Smith present a live, immersive gallery installation that resists standard theatrical classification at Dublin Theatre Festival.…