BWW Review: INNOMINATE at Catastrophic Theatre
INNOMINATE is a mixture of dance, puppets, images on a screen, live music, and daring staging to tell the story of creator Afsaneh Aayani as she immigrated from war torn Iran to the United States.
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INNOMINATE is a mixture of dance, puppets, images on a screen, live music, and daring staging to tell the story of creator Afsaneh Aayani as she immigrated from war torn Iran to the United States.
4th Wall finishes its amazing season with a remounting of their critically acclaimed production of Stepehn Adly Guirgis’ Between Riverside and Crazy.
Anyone looking for a light-hearted romp with verve to start off their summer would do well to make their way to Stageworks Theatre to see their delightfully fun production of Dirty Rotten Scoundrels.
As a young boy scout from San Antonio, one of the annual trips I always looked forward to was visiting NASA'S Johnson Space Center.
Everyone has those important artists they dream of seeing together, the genius writers who if locked in a room together would have some of the greatest conversations.
For a messily scripted white-comfort piece, Jersey Boys sure can make for an effective toe-tapping diversion from the ever-encroaching dread that is life in the 2020s.
The unconventional and oddball comedy from the Pulitzer Prize finalist, Madeleine George, sees the Greek god, Dionysus, reenter civilization disguised as a butch gardener, Diane.
These historic writings are coupled with the company’s signature lively staging and passion.
Jocelyn Bioh's play, School Girls; Or, the African Mean Girls Play, is one of the best examples of 21st-century theater.
With the classic comic Boom! and Pow!, Stages continues its excellent season with Inda Craig-Galvain's Black Super Hero Magic Mama.
As the curtain rises in Houston Grand Opera's production of Romeo and Juliet, Charles Gonoud's 1867 adaptation of the seminal Shakespeare play, the audience is transported into a realm of romance and passion, brought to life by the soaring score and gifted performers.
The Broadway classic is currently in residence at the Hobby Center and is a wonderful expression of both the beauties of our past and a great reminder that history repeats itself.
This sentimental value proved to be a benefit for Art Factory’s intimate production, which hits some satisfying notes amid some noticeable stumbles.
There's an unmistakable sadness to Peter Sinn Nachtrieb's Bob: A Life in Five Acts.
A jovial spirit permeates the Alley Theatre as people pack in for the opening night performance of Dead Man’s Cell Phone, MacArthur Genius Sarah Ruhl’s effervescent, acerbic and poignant play.
Fans of old school science fiction (particularly the thoughtful, novelistic kind that prefigured The Twilight Zone and Star Trek) should find much to enjoy the Classical Theatre Company’s adaptation of H.
The story goes that Stages staff member, Eboni Bell Darcy, was part of the discussion for the theater's reopening season.
Catastrophic Theatre’s THE BOOK OF GRACE makes good on the company’s promise of “we will destroy you” in the best way possible.
This spring, Brendan Bourque-Sheil's story of a woman dealing with life's impossible changes is one of Houston's best plays.
Liz Duffy Adams' Dog Act is as much a depiction of the future as it is a nostalgia play about theatre people.
What a gut punch of a play is Branden Jacob-Jenkins’s Gloria, and what a tight and well-paced rendition 4th Wall Theatre Company has offered.
They call Gander, Canada 'The Rock.
This production of The Cake may not be perfect, but what it lacks in thematic depth, it makes up for in confectionary charm and good intentions.
The prevailing theme of ISHIDA Dance’s new work You Could Release Me is love, and the many forms that love takes.
This take on Jane Austen's classic novel, adapted by Kate Hamil, adds a great deal of humor to the surroundings of the story.
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