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SAINT MICHAEL'S PLAYHOUSE 2011 SEASON Equity Principal Audition - Saint Michael's Playhouse Auditions

Posted February 2, 2011
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SAINT MICHAEL'S PLAYHOUSE 2011 SEASON - Saint Michael's Playhouse

Saint Michael’s Playhouse 2011 Season

– Equity Principal Auditions

Saint Michael’s Playhouse Colchester, VT CORST zz $537/week minimum

Producing Artistic Dir: Chuck Tobin

Equity Principal Auditions:

Wednesday, February 23, 2011 – Musical Day Actors' Equity Association Audition Center

Thursday, February 24, 2011 – Musical Day 165 West 46th Street, 2nd Floor

Friday, February 25, 2011 – Dramatic Day New York City

9:30 AM - 5:30 PM all three days.

Lunch from 1 – 2.

For the Musical Days, please prepare a brief contemporary Broadway or pop song that shows off range and personality. Bring sheet music; accompanist provided. For Dramatic Day, please prepare a brief comic monologue.

All days: Please bring a picture and resume, stapled back-to-back.

All dates below are in 2011. Theatre states: “As a Resident Stock Theatre, we look to hire a company of actors to appear in as many consecutive productions as possible. Musicals and non-musicals will need to share many of the same actors.” All roles are available (i.e. not yet offered and accepted) unless otherwise specified.

THE DROWSY CHAPERONE Score: Lisa Lambert and Greg Morrison. Book: Bob Martin and Don McKellar. Dir/Choreo: Keith Andrews. 1st reh: 6/6. Runs 6/22-7/2.

Man In Chair:

40s-50s. Musical theatre aficionado.

Mrs. Tottendale:

40s-60s. The air-headed hostess of the wedding. G3 - Db5 (alto).

Underling:

40s-60s. Mrs. Tottendale's savvy butler. Ab2 - G4 (tenor).

Robert Martin:

20s-30s. The dashing, ever-cheerful groom. C3 - Ab4 (tenor).

George:

20s-30s. Robert's anxious best man. F3 - Bb4 (tenor).

Feldzieg:

40s-50s. Broadway producer. Db3 - Db4 (baritenor).

Kitty:

20s. Feldzieg's dim-witted companion. Bb3 - F5 (soprano).

Two Gangsters:

30s-40s. Posing as pastry chefs. Db3 - Gb4 (tenor).

Aldolpho:

European, 40s-50s. “Ladies man”. A#2 - G4 (bass/baritone + great falsetto).

Janet van de Graaff:

20s-30s. The famous bride. G3 - Eb (alto).

Trix:

Woman, 20s-30s. Brave and brash aviator. Ab3 - Eb5 (alto).

The title role is cast.

I’LL BE BACK BEFORE MIDNIGHT by Peter Colley. Dir: Gregory Ramos. 1st reh: 6/23. Runs 7/6-16.

Greg:

30s. University professor. Affable and intelligent, with an underlying need for control. Jan’s husband.

Jan:

20s-30s. Charming and slightly naïve. Brought to a remote farmhouse to convalesce following a recent nervous breakdown. Greg’s wife.

George:

50s-60s. Farmer.

Laura:

20s-30s. Strikingly attractive, vivacious and headstrong. Greg’s sister.

BOEING BOEING by Marc Camoletti. Dir: Kathryn Markey. 1st reh: 7/7. Runs 7/20-7/30.

Bernard:

30s. Energetic, flirtatious and charming bachelor. Completely satisfied with his situation.

Robert:

30s. School friend of Bernard’s. Naïve about the romantic side of life.

Gabriella:

Italian, 20s-30s. Sentimental, lusty flight attendant. Smart and suspicious.

Gloria:

20s-30s, from the Southern USA. Take-charge, cheerleader-type flight attendant.

Gretchen:

German, 20s-30s. Dominating, militant flight attendant. Madly romantic “valkyrie”.

The role of Bertha is cast.

THE MARVELOUS WONDERETTES by Roger Bean. Dir/Choreo: Keith Andrews. 1st reh: 7/21. Runs 8/3-8/13.

Note: All must be extremely skilled in close harmony and able to easily emulate styles of girl groups of the 1950s through 1970s.

Cindy Lou:

20s. Knows she’s the prettiest girl at Springfield High. Mezzo, belt/mix to E. Low: F. Sings lead on most songs.

Missy:

20s. Overachiever/smartest of the group, always in control. Belt/mix to high F, full belt to D, legit soprano to high B. Low: F.

Betty Jean:

20s. The slightly put-upon class clown, a tomboy, always vying for attention. Alto w/strong low range. Belt/mix to E, legit soprano. Low: F.

Suzy:

20s. Best friends with Missy. Happy-go-lucky one of the group. Mezzo alto, both simple and soul voice, belt mix to E. Low: F.

Theatre’s statement: “Actors with disabilities as well as actors of any race, age or ethnicity are encouraged to audition.”


www.saintmichaelsplayhouse.org

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