ON A CLEAR DAY YOU CAN SEE FOREVER
– Equity Principal Auditions
Broadway/Production Contract $1,653/week minimum.
Dir: Michael Mayer
Prods: Tom Hulce, Liza Lerner, Ira Pittelman & Broadway Across America
Music: Burton Lane
Book/Lyrics: Alan Jay Lerner
New Book: Peter Parnell
Mus Dir: Larry Yurman
Choreo: JoAnn Hunter
Casting: Jim Carnahan & Stephen Kopel
1st reh: Fall 2011. 1st preview and opening dates TBA.
Equity Principal Auditions:
Wednesday, March 16, 2011 Ripley-Grier Studios
Friday, March 18, 2011 520 Eighth Avenue, 16th Floor
10 AM - 6 PM both days. New York City
Lunch from 1:30 – 2:30.
Please prepare a short, traditional music theatre song that best showcases your voice. Bring sheet music; accompanist provided.
Please bring a picture & resume, stapled back-to-back.
Seeking:
Melinda:
AVAILABLE ROLE. Mid 20s – early 30s. Dazzling, self-possessed 1940s jazz singer, with an incredible voice. Beautiful and fascinating. Must sing extremely well. Mix/belt.
Warren:
AVAILABLE ROLE. Late 20s – mid 30s. David’s handsome boyfriend. Nearly perfect, straight-arrow lawyer. Must sing well. Baritone/tenor.
The following roles have been cast (i.e. offers accepted; no auditions were held for these roles). Auditioning performers will be considered as possible replacements, should any become necessary, and for understudy positions.
Mark Bruckner:
CAST (Harry Connick, Jr.). 30s-40s. Dashing psychiatrist and professor who ends up treating David. Still in love with his deceased wife.
David Gamble:
CAST. Late 20s – early 30s. Quirky young florist’s assistant. Can’t commit to his perfect boyfriend Warren.
Muriel:
CAST. Late 20s – early 30s. David’s funny, boisterous and supportive best friend.
Sharone:
CAST. Late 30s – early 40s. Mark’s colleague and close friend. Warm and caring.
Anton / Kravis / Wesley:
CAST. 50s-60s. Anton: Owner of the flower shop in which David works. Kravis: Doctor at the institute. Wesley: Pianist in the 1940s.
Vera / Hatch:
CAST. 50s. Vera: Wealthy flower-shop customer. Hatch: Gossipy secretary.
Videos
