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BROTHER TOAD **Updated** - Kansas City Repertory Theatre Auditions

Posted: February 12, 2018

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BROTHER TOAD - NYC Appointments **Updated Seeking**
Kansas City Repertory Theatre

APPOINTMENTS

NYC Auditions to be held February 21, 2018

CONTRACT

LORT Non-Rep LORT D (Copaken Stage) // AEA minimum $676

SEEKING

Submissions from Equity members for the following roles:

RANDALL: Male, 30s, African-American. A quick-witted sports radio disc-jockey, devoted to his wife and newborn child. He is willing to do whatever it takes to protect them.

CHRIS / JACQUES, VAGRANT, BENJI: Male, 20s-30s, African American. CHRIS (Brother Toad) is athletic, fun-loving, and an advocate for lawful gun ownership. He’s an instigator when it comes to activism and standing up for his community. Will also play the following track in Welcome to Fear City. JACQUES has some anger issues and a great fashion sense. VAGRANT is middle-aged and not altogether stable. Benji is a handsome dude just trying to make a living.

INSTRUCTIONS

For consideration, email or mail picture and resume ASAP.

SUBMIT TO

klappercasting@gmail.com
Stephanie Klapper Casting
39 West 19th Street, 12th Floor
New York, NY 10011

PERSONNEL

Artistic Director: Eric Rosen;
Director: Melissa Crespo;
Playwright: Nathan Louis Jackson;
Casting: Stephanie Klapper Casting

OTHER DATES

1st Rehearsal: April 3, 2018
1st Preview: April 27, 2018
Opening: May 4, 2018
Closing: May 27, 2018

OTHER

Mellon Foundation KCRep Resident Playwright and Kansas City, KS resident, Nathan Louis Jackson (Sticky Traps, Broke-ology, When I Come to Die), brings us an arresting new play about two families from different stations in life as they search for answers to gun violence right here on our own city streets.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

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