A CHORUS LINE Submission - The Gallery Players Auditions

Posted June 22, 2018
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A CHORUS LINE - The Gallery Players

A CHORUS LINE - Submission Request

Gallery Players, The


CONTRACT

Showcase-NY Basic showcase stipend for AEA members; Non-union cast members unpaid

SEEKING

All roles available. Seeking triple threat performers, Equity and Non-Equity, with solid jazz and ballet technique.

INSTRUCTIONS

Please submit headshot and resume via e-mail to redluob@gmail.com.

SUBMIT TO


redluob@gmail.com

PERSONNEL

Producer: Dominic Cuskern
Director: Tom Rowan
Choreographer: Eddie Gutierrez
Musical Director: Taylor Masamitsu

OTHER DATES

Auditons and callbacks July 16-22, 2018
First Rehearsal: August 4, 2018
Performances September 8-30, 2018

OTHER

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

BREAKDOWN

ZACH Male, 30s-40s. Brilliant, driven director-choreographer; still a strong dancer. Commanding speaking voice and personality; incisive, curious, in control.

LARRY Male, 20s. Zach’s assistant. Authoritative presence; a beautiful, polished dancer.

DON Male, 26. Married dancer with kids. Handsome and athletic; from the Midwest.

MAGGIE Female, 25. Sweet, pretty girl-next-door from California. Sensitive, lyrical singer with strong high belt for “At the Ballet.”

MIKE Male, 24. From an Italian family in New Jersey. Engagingly confident; brash and scrappy. Very strong dancer for “I Can Do That” solo; compact build, acrobatics a plus.

CONNIE Female, 32, Asian. Petite dancer with great energy and a spunky sense of humor.

GREG Male, 32. Experienced gay, Jewish dancer from the Upper East Side. Stylish and sophisticated, with a dry, jaded sense of humor.

CASSIE Female, 32. Former featured dancer on Broadway, now auditioning for a chorus job after trying for an acting career in Los Angeles. Lovely, vulnerable actress with a strong voice. Phenomenal dancer for “The Music and the Mirror” solo.

SHEILA Female, 29. Statuesque veteran dancer; her outspoken, caustic sense of humor usually (but not always) masks her fears and insecurities. Strong actress; alto.

BOBBY Male, 25. Tall, attractive, with an offbeat, eccentric sense of humor. Physically inventive comic actor; from Buffalo.

BEBE Female, 22. New to New York from Boston; eager to please but insecure. Wry, self-effacing sense of humor. Belt voice.

JUDY Female, 26. From El Paso, Texas. Kooky, sexy, and a little ditsy but warm and likeable.

RICHIE Male, 27, African-American. Athletic, high-energy dancer with strong R&B falsetto range.

AL Male, 30. From the Bronx. Genial and outgoing, with a streetwise edge. Very loving and supportive of his new wife, Kristine. Strong baritenor voice for “Sing!”

KRISTINE Female, 22. Inexperienced and nervous; eager and full of energy. Great comic timing; performs the number “Sing!”

VAL Female, admits to 25. Open and friendly but ambitious, with a foul mouth and an uninhibited sense of humor. Owes her shapely figure to cosmetic surgery; sings “Dance: 10; Looks: 3.”

MARK Male, 20. The youngest auditionee, fresh-faced, naive, and eager. Boyishly handsome; strong dancer.

PAUL Male, 27. Puerto Rican, from Spanish Harlem. Shy and nervous; eventually opens up with the famous monologue about growing up gay and his early experiences in a drag show. Fine dancer and sensitive, honest actor.

DIANA Female, 27, born in the Bronx to Puerto Rican parents. Spirited and feisty, with great warmth and love for the theatre. Beautiful singing voice for “Nothing” and “What I Did for Love”


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

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