BWW Review: MARY POPPINS at Drury Lane Theatre
This holiday season, Drury Lane Theatre presents DISNEY AND CAMERON MACKINTOSH'S MARY POPPINS, the 2004 musical based on the stories of P.
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This holiday season, Drury Lane Theatre presents DISNEY AND CAMERON MACKINTOSH'S MARY POPPINS, the 2004 musical based on the stories of P.
Although Goodman Theatre is now producing A CHRISTMAS CAROL for the 42nd year, and although I have seen the production four times myself, it still has an immense capacity to tug at the heartstrings.
Firebrand Theatre's ALWAYS.
It's rare that modern theatergoers can catch the Chicago premiere of a ground-breaking play written more than a century ago, but TimeLine Theatre is offering this chance with its searing production of Githa Sowerby's RUTHERFORD AND SON.
Steppenwolf's world premiere production of LINDIWE, a collaboration between ensemble member Eric Simonson and acclaimed South African music group Ladysmith Black Mambazo, finds the most success in its musical moments.
There's nothing subtle about Lyric Opera's staging of Jake Heggie and Terrence McNally's contemporary opera DEAD MAN WALKING.
Tis' the season that many theaters turn to Dickensian fare, but at Marriott Theatre, young Oliver Twist rather than Tiny Tim takes the stage.
Finding a way to entertain and educate can be tricky.
In Broadway in Chicago and Emery Entertainment's AN EVENING WITH C.
With direction by Michael Weber, Porchlight Music Theatre's production of Andrew Lloyd Weber's SUNSET BOULEVARD provides one wild ride of a musical evening.
Olivier Award-winning British playwright Lucy Kirkwood pulls no punches when it comes to examining family dysfunction on stage.
THE BROTHERS SIZE is an artful exploration of the obligations put upon its characters.
A MAN OF GOOD HOPE reflects the resiliency and creativity of the human spirit at every turn, while giving audiences a taste of Isango Ensemble's original methods of theatrical storytelling.
Lyric Opera of Chicago opens its 65th season with Gioachino's Rossini's romantic comedy, THE BARBER OF SEVILLE.
A perfect night of theatre it ain't, but for Meghan Murphy's powerhouse diva and a communal bout of well-earned chuckles, SPAMALOT will leave you choosing wisely.
Terri McMahon's performance and Theresa Rebeck's script demonstrate that Sarah Bernhardt was not one to back down from a challenge, either on the stage or in life.
Chicago Shakespeare Theater's North American premiere of THE KING'S SPEECH is a wholly delightful theatrical affair, rife with British charm.
The first hints of autumn weather have barely touched Chicago, but with its season opener, Lifeline Theatre turns to that coziest of genres: the classic British murder mystery.
TINY BEAUTIFUL THINGS lives in that unique space between the everyday and the extraordinary.
Lucas Hnath's DANA H.
Steppenwolf Theatre Company's season opening production of Lauren Yee's THE GREAT LEAP combines the energy of the final moments of a major sporting event alongside moments of great intimacy and intensity for which the company is largely known.
Paramount Theatre's production of DISNEY'S NEWSIES THE MUSICAL, directed by Jim Corti, offers a spirited, heartfelt take on the popular Tony Award winner.
On Midsummer's Eve, two 35-year-olds drink alone in an Edinburgh dive bar.
Chicagoans, lend me your ears: SOMETHING ROTTEN! has landed in Lincolnshire (the one due north of Chicago, not the one due east of Liverpool), and Marriott Theatre's regional premiere is a must-see for fans of musicals, Shakespeare, and comedy.
THE BAND'S VISIT feels like an homage to the fleeting nature of live theater itself: a moment in time in which performers and audience are brought together to share a collective experience, all-encompassing yet passing swiftly and never to be created again.
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