FIGHT CITY to Make World Premiere at The Factory Theater This Summer

FIGHT CITY to Make World Premiere at The Factory Theater This Summer

The Factory Theater presents its latest production, the world premiere of Fight City. Written by Factory Theater's Artistic Director Scott OKen and directed by Jill Oliver, Fight City runs July 14 - August 26 at The Factory Theater, 1623 W. Howard St.

Previews are Friday, July 14 and Saturday, July 15 at 8 p.m. and Sunday, July 16 at 3 p.m. Opening night is Friday, July 21 at 8 p.m. The regular run's, July 21 - August 26, performance times are Fridays and Saturdays at 8 p.m. and Sundays at 3 p.m. Ticket prices are $10 for preview performances and $25 for regular run. Tickets may be purchased through Box Office by calling 866.811.4111 or by visiting

In the dystopian future of 2077, gender roles are reversed, guns and knives are all but eliminated, yet crime is still on the rise. The Central City Police Department has the most elite fighters in the region and they keep the peace by doling out hard-nosed justice. Officer Barb Davies (Jennifer Betancourt) is the most skilled fighter of them all, yet she has the most level head. Can she make sense of this new world or are we doomed to repeat the endless cycle of violence?

The cast for Fight City includes: Jennifer Betancourt (Barb Davies), Almanya Narula (Avory), Mandy Walsh (Margaret), Jen Bosworth (Quaife, Noone), Ashley Yates (Argent), Meredith Rae Lyons (White), Grace Odumosu (Richards), Linsey Falls (Terry), Josh Zagoren (Relf), Eric Frederickson (Verne/Steele), Jae K. Renfrow (Leo), Kim Boler (Erica), Susan Wingerter (Valentine), Megan Schemmel (Price, Thug), Brittany Ellis (Chandler, Thug) and Harrison Weger (Weatherfoot). Understudies are Colin Milroy, Josh Greiveldinger, Cory Griffith, Kim Fukawa, Elizabeth MacDougald, Josephine Longo, Dan Krall, Carla McDowell, and Sara Robinson.

The production team for Fight City includes: Jill Oliver (director), Scott OKen (playwright), Phil Claudnic (stage manager), Jermaine Thomas (assistant stage manager), Kevin Alves (assistant director), Manny Tamayo (production manager), Greg Caldwell (assistant production manager), Sarah Lewis (set designer), Carla Hamilton (costume designer), Emma Deane (lighting designer) Ben Zeman (sound designer), Holly McCauley (props designer), C.W. Van Baale (master electrician) Maureen Yasko (fight/violence designer) Chris Smith (fight/violence director) and Jason Moody (graphics designer).

Playwright Scott OKen has been the artistic director for the Factory Theater since 2007, and a member since 1996. This is his 10th play being produced by the Company. Previous written works include Toast of the Town, GI's in Europe and Easy Six (all co-written with Ernie Deak) and Namosaur!, Mop Top Festival and Top Shelf... He has also directed Factory shows, Siskel and Ebert Save Chicago, White Trash Wedding and a Funeral (2012 run) and most recently, Dating and Dragons. OKen has also appeared on stage in many Factory Theater productions over the years, and is thankful every day for this Company and the ensemble within.

Director Jill Oliver has been an Ensemble Member with the Factory Theater since 2011. She's pretty jacked to be directing her first full-length production for Factory after having directed the short 30 Days Down the Rabbit Hole for Abbie Hoffman Festival. Oliver normally wears the actor hat and has worked with other companies such as Artistic Home, A Red Orchid Theatre, Irish Theatre of Chicago, LiveWire Theatre, WaywaRD Productions and Shattered Globe. She is represented by Shirley Hamilton Talent. Oliver will also make her playwright debut with Lametown and the Adventures of Spirit Force Five at Factory next summer.

For almost 25 years, The Factory has created its shows from scratch, doing exactly the kind of theater they wanted to do. From writing workshops to the closing night bash, Factory shows are a unique experience that fits its exacting standards: original, bold, and full-tilt. Its shameless ensemble are ambassadors of a good time, making certain that Chicago remains heartily entertained. Go to for more.

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