Block St Theatre Co to Premiere FLAMINGO & DECATUR at Theater Wit

Block St Theatre Co to Premiere FLAMINGO & DECATUR at Theater WitYou know Las Vegas - spinning wheels, neon lights, slinky dresses. But do you really know the city and its almost two million inhabitants? Poker pro turned playwright Todd Taylor takes you inside the real Sin City in Block St Theatre Co's darkly comedic new play FLAMINGO & DECATUR, directed by Kevin Christopher Fox.

The world premiere production will play January 4 - February 18, 2018 at Theater Wit, 1229 W. Belmont Ave. in Chicago. Tickets are currently available at theaterwit.org, by calling (773) 975-8150 or in person at the Theater Wit Box Office. The press opening is Wednesday, January 10 at 8 pm.

FLAMINGO & DECATUR will feature Stephanie Bignault, Drew Johnson, Jason M. Shipman and Nathaniel Stahlke.

Set in a foreclosed residential property far from the glamour of the famed Las Vegas strip, FLAMINGO & DECATUR reveals a different side of Sin City. It's here we meet Jackson, a wily professional gambler struggling to stay afloat in the aftermath of the 2008 housing crash that wrecked the city's economy. Jackson thinks he's discovered a surefire way to trim living expenses - find one of the thousands of Vegas houses left vacant by foreclosure and start squatting there illegally with Ben, his online-poker-junkie roommate. But the pair soon finds that not only do they have to stay one step ahead of the law - they must also contend with their antagonistic next-door neighbor Simon, self-appointed guardian of neighborhood property values.

The production team for FLAMINGO & DECATUR includes: Joe Schermoly (scenic design), Chloe Patten (costume design), Alexander Ridgers (lighting design), Christopher Kriz (sound design), Jessica Mondres (props design), Annamarie Giordano (production manager) and Celeste Richard (stage manager).

ABOUT THE ARTISTS:

Todd Taylor (Playwright) As a playwright/producer and founding member of Block St, Todd has spearheaded the company's focus on bringing original new work to the stage. Block St productions of his plays include: Flamingo & Decatur, a dramatic comedy delving into the lives of Vegas gamblers, The Jefferson Bottles, a black comedy inspired by the Koch Brother wine swindle, and Butte, a historical drama based on the rise and fall of copper baron Augustus F. Heinze. Other full-length plays include Calculation, a historical drama based on the calculus priority dispute between Newton and Leibniz, and The Gravedigger's Art, a comedy about finding vocational identity. Originally from the Raleigh, NC area, before coming to dramatic writing Todd worked as a sportswriter for several newspapers, taught community college English and played poker professionally in Las Vegas. He holds a BA in English from Duke University, a MA in English from UNC Greensboro and an MFA in Drama from the University of Arkansas.

Kevin Christopher Fox (Director) Originally from Asheville, NC, Kevin is an actor and director based in Chicago for the past 25 years. Recent Chicago directing highlights include: Bakersfield Mist (TimeLine); the world premiere of Assassination Theater by Hillel Levin (Russell Lane, LLC at Museum of Broadcast Communications); the world premieres of Graveyard of Empires by Elaine Romero and The Gun Show by Em Lewis, Pull of the Moon, Accidental Rapture and The Book Club Play (16th Street Theater), Lay Me Down Softly and Hughie (Irish Theatre of Chicago/Seanachai), Widowers' Houses and Androcles and the Lion (Shaw Chicago), St. Crispin's Day (Strawdog), Arms and the Man and Betrayal (Oak Park Festival), The Last Days of Judas Iscariot (Gift Theatre Company), Beggars in the House of Plenty (Mary-Arrchie), Widowers' Houses (TimeLine) and his debut Buicks (Precious Mettle). Regional highlights: the world premiere of The Actuary by Steven Peterson (Peninsula Players); the world premieres of The Spiritualist by Robert Ford and Sundown Town by Kevin Cohea, The Fall of the House and MacBeth (TheatreSquared); Macbeth (Montana Shakespeare in the Parks, Shakespeare in the Schools, adapted and directed); The Study by Em Lewis (William Inge Festival and Center for the Arts). He has directed numerous new play development workshops for Chicago Dramatists, Inge Festival, TimeLine and TheatreSquared at the Arkansas New Play Festival.

Oh, the majestic Block St Theatre! Towering above the town square with its impressive turn-of-the-century brickwork facade and its understated. Wait, wait, OK, there is no actual physical theatre space on Block St (at least not yet anyway). But we chose that name because it represents the metaphorical heart of Fayetteville, Arkansas where Block St Theatre Co was born in 2015.

Like a lot of college towns (it's home to the University of Arkansas), Fayetteville supports a thriving community of artists, musicians, visual artists, writers and of course, theatre artists. Founded by a handful of grads from the U of A's theatre MFA program, Block St aims to provide a venue where some of Fayetteville's bounty of theatre talent can find its expression.

With a little imagination, we've been turning the absence of a permanent physical space from a limitation into an advantage. From a downtown art gallery to a speakeasy bar nestled in the theatre district to a black box on the U of A campus, there's no location in Fayetteville that's off limits to our brand of theatre. And this season, that perform-anywhere attitude is taking us all the way to Chicago!

We're about producing plays - both acclaimed classics and world premieres - that that are going to keep you riveted in your seat and make you feel and make you think and give you something to talk about after the show. We're about delivering every penny's worth for your entertainment dollar. We're about theatre for theatre's sake. For additional information, visit www.blocksttheatreco.org.


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