BWW Review: Little Discoveries Yield Big Laughs in THE SNOWY DAY
Children's Theatre balls up four Ezra Jack Keats kids' books into a fast, fun-filled and funny 44 minutes with THE SNOWY DAY AND OTHER STORIES.
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Children's Theatre balls up four Ezra Jack Keats kids' books into a fast, fun-filled and funny 44 minutes with THE SNOWY DAY AND OTHER STORIES.
After 27 years in the wilderness, Frank Galati's award-winning stage adaptation of Steinbeck's GRAPES OF WRATH finally arrives - powerfully - in Charlotte
Matthew Bourne's adaptation of THE RED SHOES struggles to tell its story - and contour its mad impresario villain - in ballet form.
Young guitarist Pablo S inz Villegas burned with Spanish duende, assuring that Charlotte Symphony's first Classics Series concert at Knight Theater wouldn't be their last.
In a dazzling production that may challenge the small fry's small attention spans, Children's Theatre's MARY POPPINS sets a new standard for technical theatre in Charlotte.
If you can find the newly repurposed Goodyear Arts Center, you'll find that the new PaperHouse Theatre production of Lauren Gunderson's THE REVOLUTIONISTS is a dark comedy with a light self-effacing touch.
Taking over the key supporting roles of Charles Frohman and James Barrie's charismatic villain, Captain Hook, John Davidson rescues FINDING NEVERLAND from shipwreck.
Under the direction of Evan Ensign, the 20th anniversary edition of RENT has become a no-fly zone for self-absorbed rockstar posturing and strutting.
The Tony Award-winning music and orchestrations of THE BRIDGES OF MADISON are as beautifully rendered in CPCC Theatre's production as they were in the national tour, with better singing if you value clarity.
In 2014, THE CHRISTIANS seemed to be about a bunch of tedious church folk wrestling with their faith.
Notwithstanding the lingering leeriness I feel about going to see them, one-person shows can be memorable and truly special.
Make sure to bring your smartphone to the Charlotte Art League when you see EAT THE RUNT.
Linda Woolverton does a masterful job of modernizing - and feminizing - Verdi's libretto for A DA, but despite an excellent Theatre Charlotte cast, slogging through Sir Elton's parade of power ballads grows tedious.
BNS Productions has assembled a strong, deep, and engaging cast for August Wilson's JITNEY, and director Corlis Hayes keeps it chugging at a rush-hour pace.
Three Bone Theatre's fast-paced production of THE SUBMISSION brings out all of playwright Jeff Talbott's backstage comedy and drama - and helps gloss over its clumsy, implausible ending.
Shakespeare Carolina takes a bold step in their adaptation of Dumas's swashbuckling MAN IN THE IRON MASK, casting two women as the twin brothers who claim the title of Louis XIV.
Leaning toward spectacle and theatricality, Bartlett Sher's production of THE KING AND I took me by surprise with its emotional power.
Knight Theater and Abby Corrigan's darker, more vulnerable portrayal of Middle Allison make the big differences in the current touring version of FUN HOME.
While A CHORUS LINE shows signs of age at CPCC Summer Theatre, when it gets intensely personal, it still delivers a dramatic jolt.
CHARLOTTE SQUAWKS 13: CHARLOTTE, WE HAVE A PROBLEM does a better job targeting statewide and national scoundrels than delivering on its promise to face local issues, but there are genuine nuggets among the worthless trinkets - and an absolutely sensational new cast member.
Spoleto Festival USA has gone from last year's 40th anniversary geniality to its customary edginess, and Druid Theatre's WAITING FOR GODOT wonderfully keynotes that shift at Dock Street Theatre.
Physical comedy upstages Chekhovian pathos in Peter Quilter's THE ACTRESS, now at Spirit Square in a well-acted Three Bone Theatre production.
Under the direction of Corey Mitchell, Theatre Charlotte delivers one of their best productions in the past 30, with Joe McCourt delivering a Broadway-caliber performance as Huey Calhoun, the heart of MEMPHIS.
Shame and repression hinder homoerotic love in 1958, but it's easy, nasty love that's the bugbear when we cut to 2008 in Alexi Kaye Campbell's THE PRIDE.
With a brilliantly imagined final scene, Charlotte Ballet choreographer Sasha Janes captures the emotions, manias, and passions of WUTHERING HEIGHTS with surprising success.
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Here There Are Blueberries Three Bone Theatre (1/28-1/31) |
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Foothills Pops: Holiday Spectacular J.E. Broyhill Civic Center (12/04-12/04) |
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Masterworks: Romantic Masters P.E. Monroe Auditorium (5/22-5/22) |
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Rumpelstiltskin Flat Rock Playhouse (11/12-11/15) |
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The Stinky Cheese Man and Other Fairly Stupid Tales Creative Greensboro (10/22-10/25) |
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Six Degrees of Separation Theatre Charlotte (4/09-4/18) |
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The Rocky Horror Picture Show Spooktacular Tour with Barry Bostwick Carolina Theatre (10/17-10/17) |
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Masterworks: Splendid Tchaikovsky P.E. Monroe Auditorium (3/13-3/13) |
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Sister Act Flat Rock Playhouse (10/02-10/25) |
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Maytag Virgin by Audrey Cefaly Carolina Actors Studio Theatre (10/16-10/31) |