Dawn Derow Coming to Metropolitan Room This Summer
By: Tyler Peterson May. 07, 2015
Hot off her 2015 MAC Award win The Sexy Sass Coloratura is laughing like Adele from " Die Fledermaus," "its so funny ha ha ha," and it will be funny and glorious when she recreates that famous aria and many more in her critically acclaimed show LEGIT (A Classical Cabaret) Directed by Lina Koutrakos, with Music Direction by Mark Janas with Special Guest Operatic Tenor Christopher Yoon and multi-Award winning songstress Celia Berk.
Dawn says, "I'm adding more of me to the classic opera coloratura characters, so the show will be less of a classical recital and more of a fun filled cabaret with my favorite opera arias and kick ass high notes!" #LegitCabaret
DAWN DEROWLEGIT - A CLASSICAL CABARET MAY 26, 2015 at 7 PM
June 19, 2015 at 9:30 PM TICKETS $25
2 Beverage Minimum METROPOLITAN ROOM
34 West 22nd St., New York, NY 10010
Phone: 212-206-0440
For tickets: http://metropolitanroom.com/event.cfm?id=187058&cart "An hour of some of the most beautiful music ever written, splendidly sung by Dawn Derow. Also, a fine actress, she delivers multidimensional interpretations that are vibrant with character. I love this show.." -Roy Sander, critic for BistroAwards.com Originally hailing from Cape Cod, MA, Dawn Derow, began performing at the age of 8 . Dawn The New was hired to be Guest Entertainer and Principal Singer for Norwegian Cruise Line s, where she performed several cabaret shows and concerts, her most popular one featuring the music of Karen Carpenter. Some of her theatrical credits include Diana Steed in The Human Comedy and Cosette in a concert version of Les Miserable where she played opposite American Idols; Constantine Maroulis as Marius, and made her Brooklyn debut as Antonia in the musical classic, Man of La Mancha with the Gallery Players in 2008. Her CD, Music 4 Two with Sean Harkness, was released in January, 2013 and nominated for a 2014 MAC Award. This year, in 2015 she took home the MAC AWARD for Best Revue, with Kathleen France, Lennie Watts as Director, Andrew Sotomayor as Musical Director for their work on REVOLUTION. Dawn continues to sing in various piano bars and small venues around Manhattan, such as Metropolitan Room, Core Club, Birdland, The Cutting Room, Somethin' J azz Club, the Friar's Club, & Joe's Pub. For more information on her upcoming engagements and recordings, visit website www.dawnderow.com and for any fitness related needs ; www.divinebodybalance.com
About Lina Koutrakos; As a solo singer all of her adult life, she has had her share of public successes and early on, made some public mistakes. Though Lina's reviews have applauded her "one-in-a-million voice," it's the continual raves about her stage presence, her honesty, truth-telling and power that have set her apart. Described as a "force of nature," she started to offer other singers her techniques, sharing with them how she translated to audiences in a way that got her those particular accolades in the form of teaching and coaching. As a multi award-winning New York City director her successes continued to grow in this area and she began traveling, teaching performance workshops for solo singers throughout the United States. About Mark Janas; He began his piano studies at age of three, composed a sonatina at 5, and by high school was conducting the Hammond Area Youth Orchestra. At Indiana University he studied with pianist Karen Shaw, composer Bernhard Heiden, and conductors Jan Harrington and Tibor Kozma, among others. While a senior at Indiana, he was chosen by Leonard Bernstein to conduct at Bernstein festivals in Israel and Austria. He was twice Bernstein's assistant, for concerts with the New York Philharmonic and Boston Symphony Orchestras. After receiving a bachelor of music degree from Indiana University and a brief stint as associate conductor of Texas Opera Theatre, he acquired a master's degree in orchestral conducting at Rice University, while simultaneously founding and conducting a professional group, Orchestra Texas. In 1982, he was a conducting fellow at the Los Angeles Philharmonic Institute, studying with Bernstein, Tilson Thomas, Hogwood, and Blomstedt. In 1984, he jumped the fence to musical theater, composing a score for a historical drama The Lone Star, later recorded in London with members of the LSO, and later conducted the Houston Symphony in a performance of a Suite from the work. Janas music directed the world's largest production of "Hello, Dolly!," creating all-new arrangements for its star, Marilyn Maye. He performed all over the United States as associate conductor for two national tours of "Les Miserables," as well as music directing for the Yale Repertory Theatre, Hippodrome State Theatre, Arkansas Repertory Theatre, and New Dramatists, to name a few. He music directed the Chautauqua Opera Cabarets in 1998 and more recently has performed and released a CD with 2001 Best Debut BackStage Bistro and MAC award winner Julie Reyburn. Performances with Maree Johnson took him to Australia, and last summer two New York readings of his original musical, PoeSCrypt, were very well received; a recording of the work is currently in process. Mr. Janas won the 2002 BackStage Bistro Award for Outstanding Achievement in Musical Direction, and, having taught before at Yale, Barnard, Concordia, and NYU, as well as his Acting The Song class with colleague Andy Gale. Co-Host of The Salon www.markjanasthesalon.com .
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