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UK / West End Opera News Coverage — Page 4

The latest news on performances of Opera in UK / West End.

Review: SUOR ANGELICA, London Coliseum Interview

Review: SUOR ANGELICA, London Coliseum

by Michael Higgs — September 30, 2024

Annilese Miskimmon reimagines the tragic tale against the backdrop of a convent in 1960s Ireland in an unsettling production with some outstanding performers that combine with Puccini's haunting score in a compelling production.

Review: ACIS AND GALATEA, Opera Holland Park Interview

Review: ACIS AND GALATEA, Opera Holland Park

by Michael Higgs — July 21, 2024

Opera Holland Park’s staging of Handel’s beloved Acis and Galatea is a smashing success that finds just the right balance between musical finesse and tongue-in-cheek comedy.

Review: MADAMA BUTTERFLY, Royal Opera House Interview

Review: MADAMA BUTTERFLY, Royal Opera House

by Franco Milazzo — July 15, 2024

There’s a singular simplicity in Madama Butterfly that draws in audiences year after year, decade by decade like moths to a flame: a man loves and leaves a woman; she gives up everything for him.

Review: TOSCA,  Royal Opera House Interview

Review: TOSCA, Royal Opera House

by Franco Milazzo — July 02, 2024

Fronted by some fresh faces, Jonathan Kent’s cinematic take on the Puccini masterwork Tosca returns for its seventeenth run at Covent Garden.

Review: DUKE BLUEBEARD'S CASTLE, London Coliseum Interview

Review: DUKE BLUEBEARD'S CASTLE, London Coliseum

by Gary Naylor — March 22, 2024

English National Opera closes its troubled, but successful, 2023-24 season with Bartok's curious compelling slice of psychodrama beautifully played by its orchestra

Review: THE BARBER OF SEVILLE, Wilton's Music Hall Interview

Review: THE BARBER OF SEVILLE, Wilton's Music Hall

by Franco Milazzo — March 18, 2024

In the week when an Arts Council England report lambasted the current state of opera and questioned its relevance to wider society, Charles Court Opera’s The Barber Of Seville stands as a stern rebuff to those who consider this art form to be dated and irrelevant.

Review: JENŮFA, London Coliseum Interview

Review: JENŮFA, London Coliseum

by Franco Milazzo — March 15, 2024

Opera is not short of stories where women are violated and abandoned by the men in their lives but Leoš Janáček’s Jenůfa is an especially cruel tale.

Review: THE FLYING DUTCHMAN, Royal Opera House Interview

Review: THE FLYING DUTCHMAN, Royal Opera House

by Michael Higgs — March 01, 2024

Albery’s revival of his Flying Dutchman simply works: with a great cast and a smooth atmosphere created by a dreamlike ship-inspired set, it all builds towards a Gesamtkunstwerk that Wagner might have enjoyed himself.

Review: THE DUCHESS OF PADUA, The Space Interview

Review: THE DUCHESS OF PADUA, The Space

by Michael Higgs — February 22, 2024

Edward Lambert's Duchess of Padua is packed full with stunning music that brings Oscar Wilde's early melodramatic epic of love and revenge to life.

Review: MANON, Royal Opera House Interview

Review: MANON, Royal Opera House

by Michael Higgs — January 18, 2024

Kenneth MacMillan's Manon is a haunting exploration of desire and sexuality, contrasting pompous extravagance with the poverty of the masses.

Juliet Stevenson Joins the ENO's THE HANDMAID'S TALE Interview

Juliet Stevenson Joins the ENO's THE HANDMAID'S TALE

by Stephi Wild — January 17, 2024

This February, multi award-winning actress Juliet Stevenson makes a highly anticipated return to the West End in the English National Opera’s (ENO) acclaimed operatic adaptation of The Handmaid’s Tale.

Review: ELEKTRA, Royal Opera House Interview

Review: ELEKTRA, Royal Opera House

by Alexander Cohen — January 15, 2024

The Royal Opera House’s new production of Elektra could do with an extra pinch of Saltburn-esque depravity.



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