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OPERA THEATER REVIEWS

The latest reviews and critic recommendations from Opera
BWW Review: Works Old and New Show THEA MUSGRAVE Still the Life of the Party

BWW Review: Works Old and New Show THEA MUSGRAVE Still the Life of the Party

by Richard Sasanow — May 29, 2018
Now into her 10th decade, the venerable composer Thea Musgrave is still full-steam ahead. The Scotch-born musician celebrated her 90th birthday last night (May 27) at a New York concert with world premieres, US premieres and NY premieres....
BWW Review: The Washington National Opera's WNO GALA Pays Tribute to Leonard Bernstei

BWW Review: The Washington National Opera's WNO GALA Pays Tribute to Leonard Bernstein

by Sam Abney — May 25, 2018
As both a celebration of the Washington National Opera and a culmination of the John F. Kennedy Center for the Performing Arts' Leonard Bernstein at 100 celebration, last weekend's Opera Gala definitely found success. While the evening had its share of disappointments (Titus Burgess of Unbreakable K...
BWW Review: TRAVIATA Triumphs at Opera Theatre of St. Louis

BWW Review: TRAVIATA Triumphs at Opera Theatre of St. Louis

by Steve Callahan — May 22, 2018
Of all the composers in the world Giuseppe Verdi is by far the most popular. Of all the operas in the world his 'La traviata' is by far the most frequently performed. Have you missed out on this mega hit? You can fill in that cultural gap with the splendid production now offered by Opera Theatre of ...
BWW Review: THE PARK AVENUE CHAMBER SYMPHONY PERFORMS MAHLER'S 1ST SYMPHONY at The Ch

BWW Review: THE PARK AVENUE CHAMBER SYMPHONY PERFORMS MAHLER'S 1ST SYMPHONY at The Church Of The Good Shepard

by Peter Danish — May 18, 2018
BWW Review: THE PARK AVENUE CHAMBER SYMPHONY PERFORMS MAHLER'S 1ST SYMPHONY at The Church Of The Good Shepard...
BWW Review: SAN DIEGO OPERA'S ONE AMAZING NIGHT at The Balboa Theater

BWW Review: SAN DIEGO OPERA'S ONE AMAZING NIGHT at The Balboa Theater

by Ron Bierman — May 17, 2018
The San Diego Opera's last concert this season was billed as 'One Amazing Night.' The program was originally scheduled to feature soprano Lise Lindstrom and tenor Rene Barbera, but Barbera was released from his commitment when he was offered a Teatro alla Scala debut as Ernesto in a new production o...
BWW Review: It May Not Be Celestial but AIDA Reigns in Brooklyn at Feisty Regina Oper

BWW Review: It May Not Be Celestial but AIDA Reigns in Brooklyn at Feisty Regina Opera

by Richard Sasanow — May 16, 2018
While New York waits for Netrebko's house debut as Aida to the Met next year, we always have…Brooklyn? If you hurry, you can catch next weekend's matinees--it's a local company that knows its audience and schedules accordingly--at the feisty Regina Opera Company, which is featuring a surprisingly ...
BWW Review: The Bantam of the Opera Strikes Again!

BWW Review: The Bantam of the Opera Strikes Again!

by Steve Callahan — May 15, 2018
For several seasons I've searched for a term to describe Gateway Opera. In a city flush with larger companies-Opera Theater St. Louis, Union Avenue Opera, and Winter Opera-which offer truly 'grand opera', what can one call this little company which gives us such delicious bite-sized treats? They're...
BWW Review: THE PEARL FISHERS at Adelaide Festival Theatre

BWW Review: THE PEARL FISHERS at Adelaide Festival Theatre

by Barry Lenny — May 14, 2018
State Opera have a winning production in The Pearl Fishers....
BWW Review: Oratorio Society Gives SANCTUARY to the Underground Railroad at Carnegie

BWW Review: Oratorio Society Gives SANCTUARY to the Underground Railroad at Carnegie Hall

by Richard Sasanow — May 10, 2018
The world premiere performance of SANCTUARY ROAD (subtitled “An Oratorio Based on the Writings of William Still, a Conductor for the Underground Railroad”), by composer Paul Moravec and librettist Mark Campbell, performed by the Oratorio Society of New York under Kent Tritle, burst forth from th...
BWW Review: Sondra Radvanovsky Reigns Supreme in the COC's ANNA BOLENA

BWW Review: Sondra Radvanovsky Reigns Supreme in the COC's ANNA BOLENA

by MacKenzie Holland — May 7, 2018
The title role is one of the most challenging soprano roles in the repertoire. Lucky for the Canadian Opera Company, they have one of the world's greatest sopranos leading their cast - Ms. Sondra Radvanovsky....
BWW Review: No Babying the Audience at BAMBINO, the Opera for Toddlers, at the Met

BWW Review: No Babying the Audience at BAMBINO, the Opera for Toddlers, at the Met

by Richard Sasanow — May 7, 2018
No one in the audience was on Facebook or Twitter during Lliam Paterson's opera BAMBINO at the Met's List Hall--a rare occurrence for the company these days--on Friday May 4. In fact, no one looked at a cell phone at all during the performance. And nobody fell asleep--even though the opera was writt...
BWW Review: 'Orange' is the New FIDELIO from Heartbeat Opera at NY Opera Fest

BWW Review: 'Orange' is the New FIDELIO from Heartbeat Opera at NY Opera Fest

by Richard Sasanow — May 5, 2018
Despite some great music, nobody ever said that Beethoven's FIDELIO is an easy opera to love. Yet, the reduced, revised and reconfigured 90-minute version that Heartbeat Opera premiered the other night--as part of this year's NY Opera Fest from the New York Opera Alliance--showed some fearless work ...
BWW Review: COC's THE NIGHTINGALE AND OTHER SHORT FABLES is a Magical Night at the Op

BWW Review: COC's THE NIGHTINGALE AND OTHER SHORT FABLES is a Magical Night at the Opera

by MacKenzie Holland — May 3, 2018
The word most-associated with Robert Lepage's THE NIGHTINGALE AND OTHER SHORT FABLES is 'magic'. And like 'magic,' you need to see it to believe it. Words simply do not do it justice....
BWW Review: Walking the Tightrope at Met's National Council Auditions Finals Concert

BWW Review: Walking the Tightrope at Met's National Council Auditions Finals Concert

by Richard Sasanow — May 1, 2018
Can you imagine coming out on the stage of the Metropolitan Opera--facing an audience of about 4000 and be ready to sing without really much of a chance to warm up? That takes guts--and it's what the nine finalists in the Met's National Council Auditions Grand Final Concert did on Sunday, April 29. ...
BWW Review: Going Down Under with JOHN HOLIDAY in the Crypt

BWW Review: Going Down Under with JOHN HOLIDAY in the Crypt

by Richard Sasanow — April 30, 2018
John Holiday is a countertenor for people who don't usually appreciate countertenors--or think of them as “an acquired taste.” Holiday is definitely not that. He has a gorgeous, expressive voice, that somehow balances sweetness and power, whether he's singing Baroque, gospel, American songbook o...
BWW Review: At the Met, LAMMERMOOR is Filled with Crazies--and Not Just LUCIA

BWW Review: At the Met, LAMMERMOOR is Filled with Crazies--and Not Just LUCIA

by Richard Sasanow — April 30, 2018
Donizetti's LUCIA DI LAMMERMOOR--the story of a fragile young woman, Lucia, who's caught in a feud involving her family, the Ashtons, and the Ravenswoods--is one of the mainstays of the repertoire at major opera houses around the world, famed particularly for its mad scene. It's long been a favorite...
BWW Review: A Poet's Love and the CYCLES of Lawrence Brownlee at Carnegie's Zankel Ha

BWW Review: A Poet's Love and the CYCLES of Lawrence Brownlee at Carnegie's Zankel Hall

by Richard Sasanow — April 26, 2018
On the surface, the two major works on Lawrence Brownlee's recital at Carnegie's Zankel Hall might seem not to have much in common. The first, Robert Schumann's “Dichterliebe (A Poet's Love),” was written around 1840; “CYCLES OF MY BEING,” by Tyshawn Sorey and Terrance Hayes, a couple of Mac...
BWW Review:  Have You Met Ms. BULLOCK? JULIA, That Is, At Carnegie's Weill Recital Ha

BWW Review: Have You Met Ms. BULLOCK? JULIA, That Is, At Carnegie's Weill Recital Hall

by Richard Sasanow — April 23, 2018
When the radiant, intellectual soprano Julia Bullock stepped on stage Carnegie Hall's intimate venue, Weill Recital Hall (just 268 seats), to wild applause, I felt like I was the only one hearing her “live” for the first time. Everyone else there seemed to have a personal relationship with her a...
BWW Review: TURANDOT at Metropolitan Opera

BWW Review: TURANDOT at Metropolitan Opera

by Milette Shanon — April 21, 2018
The Met's production of Turandot delivers a visual blast from the moment the curtain rises. The gilded set is probably one of the most brilliant, opulent, and dense sets of any opera. It really is gorgeous. Likewise, the chorus is strong and magnificent. The memorable combination takes this somewhat...
BWW Review: TROUBLE IN TAHITI AND GALLANTRY at Center Stage Theater

BWW Review: TROUBLE IN TAHITI AND GALLANTRY at Center Stage Theater

by Anna Jensen — April 18, 2018
A rare treat this weekend only, Opera Santa Barbara presents an evening of one-act comic operas in the intimacy of Center Stage Theater. Leonard Bernstein's Trouble in Tahiti will be performed along with Douglas Moore's broadly comic work, Gallantry. Both showcase the talents of Opera Santa Barbara'...
BWW Review: French Creampuff CENDRILLON Finally Reaches Met with DiDonato

BWW Review: French Creampuff CENDRILLON Finally Reaches Met with DiDonato

by Richard Sasanow — April 18, 2018
The Met's new CENDRILLON is a Cinderella of a production, finally allowing Massenet's take on the classic tale of the girl from the cinders who finds her Prince Charming to reach the Met's stage 119 years after its premiere at the Opera-Comique in Paris....
BWW Review: City Opera's AMORE DEI TRE RE Gets the Kiss of Death

BWW Review: City Opera's AMORE DEI TRE RE Gets the Kiss of Death

by Richard Sasanow — April 16, 2018
Italo Montemezzi's L'AMORE DEI TRE RE, which played four performances at City Opera's Rose Theate this weekend, was greeted as a masterpiece when it premiered at La Scala in 1913 proved popular for years at the Met. Today, I'm not sure that even Anna Netrebko and Jonas Kaufmann as the lovers could k...
BWW Review: THE FLYING DUTCHMAN at Theater Erfurt - This DUTCHMAN finally takes fligh

BWW Review: THE FLYING DUTCHMAN at Theater Erfurt - This DUTCHMAN finally takes flight on the wings of Kelly God's magnificently sung Senta

by Mark Janicello — April 16, 2018
Theater Erfurt's General Director, Guy Montavon was responsible for nearly turning THE FLYING DUTCHMAN, (Der fliegende Hollander) Richard Wagner's technicolor, romantic dream of an opera into a black, white and grey nightmare. The story of the Dutchman, Wagner's tragic 'pale Sailor' cursed by Satan...
BWW Review: A Tantalizing Taste of Kaufmann's TRISTAN, Nylund's ISOLDE with Boston Sy

BWW Review: A Tantalizing Taste of Kaufmann's TRISTAN, Nylund's ISOLDE with Boston Symphony under Nelsons at Carnegie

by Richard Sasanow — April 13, 2018
It's hard for opera singers to keep off the radar when they're dipping their feet into a new role--particularly if the role is Tristan in Wagner's great opera, or if your name is Jonas Kaufmann. Yes, the first of the Boston Symphony's string of TRISTAN UND ISOLDE, Act II concerts was on their home t...
BWW Review: A Capella or Not, Oxford's Cathedral Choir Shows Fine Touch of Conductor

BWW Review: A Capella or Not, Oxford's Cathedral Choir Shows Fine Touch of Conductor Darlington at NY's St. Thomas 5th Ave.

by Richard Sasanow — April 11, 2018
I must admit that Christ Church Cathedral Choir--performing at New York's St. Thomas Church 5th Avenue last week to kick off a final tour with retiring Music Director/conductor John Darlington--knocked my socks off with the first part of its program. The men and boys of the choir--a 500-year-old ins...
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