BWW Review/Excerpt/Giveaway: MY OXFORD YEAR by Julia Whelan
"The idea that I could have missed him in this life by a matter of years, two small insignificant years, an infinitesimal moment in the history of the earth, a geological blink, paralyzes me."
~MY OXFORD YEAR
Julia Whelan is well-known as an award-winning audiobook narrator, having narrated over 200 books such as GONE GIRL by Gillian Flynn, YEAR ONE by Nora Roberts, I'LL GIVE YOU THE SUN by Jandy Nelson, FAR FROM THE TREE by Robin Benway, THE WIFE BETWEEN US, by Greer Hendricks, and many more. According to her biography, "Whelan is repeatedly featured on Audiofile Magazine's annual Best Of lists. Among other honors, she was named Audible's Narrator of the Year in 2014 and is a Grammy-nominated audiobook director. She derives her distinctive narration style from her passion for literature and her decades of acting experience." She is also an actress, starring as Grace Manning in ABC's critically-acclaimed Once and Again and the title character in Lifetime Movie Network's original movie The Secret Life of Zoey, among other projects. She stopped acting to go to college, but has recently returned to the field. Now, with the release of MY OXFORD YEAR, she can add "published author" to her impressive list of credentials.
Even though the book has just come out, there has been a major motion picture deal in development with Temple Hill Entertainment since 2015. The deal, for a movie entitled Oxford, states on Tracking Board, Screen Gems and Temple Hill Entertainment are developing the romantic drama, OXFORD, with Supergirl star Melissa Benoist currently circling the female lead and an offer out to Divergent star Theo James for the male lead. The story follows a junior year college student, Allison Gallagher, who studies abroad in England, where she falls in love with her young British professor Jamie Davenport. The script was originally written by Friends With Benefits scribes David A. Newman and Keith Merryman, with a rewrite by Allison Burnett. Medeni Griffiths and Julia Whelan have written the current draft. Temple Hill's Marty Bowen and Wyck Godfrey will produce, Scott Strauss, Clint Culpepper and Eric Paquette will oversee the project for Screen Gems, and Tracey Nyberg will oversee for Temple Hill.
Obviously, in the three years since the deal was first created, many things about the script have changed, including the name of the leading lady, no longer Allison Gallagher, but now Ella Durrant. Sam Heughan (Outlander) has also been tossed around as a contender for the leading role, but no actors are securely attached to the project as of yet. It will be interesting to see how close the finished movie is to the book, since the original screenplay wasn't written by Whelan. In fact, she won a contract to revise the first screenplay, which she then turned into a novel, while also blending emotions from the way she interacted with events in her own life. At the end of MY OXFORD YEAR, there's a special essay from Whelan talking about what the book and the process have meant to her and giving a behind-the-scenes experience readers aren't often treated to regarding how a book comes to life.
MY OXFORD YEAR follows 24-year-old Ella Durran as she receives a Rhodes Scholarship and goes off to Oxford University. As soon as she arrives in England, she receives a phone call offering her the position of a lifetime: a place on the campaign team for the woman who many become the first female President of the United States. Durran's dream is to work in politics, and she supports the candidate, but she doesn't want to give up the Oxford experience she's been dreaming about since she was a freshman in high school. She offers to work remotely for the year she's at Oxford and balances work and schoolwork admirably.
Ella always thought she'd get her experience and go home to the perfect dream job. She never thought that she might fall in love or that her future might take a twist she never saw coming.
Ignore the cheery cover that brings other studying-in-England novels such as THE ROYAL WE by Heather Cocks and Jessica Morgan to mind. The book isn't quite so sweet and easy-going. I think I made that comparison because it was being hyped as the perfect book leading up to The Royal Wedding of Prince Harry and Meghan Markle on May 19th.
But just because it's set in England doesn't mean it features royalty. In fact, the book takes a more serious turn that makes it perfect for fans of authors such as Nicholas Sparks and Jojo Moyes.
It's hard to talk about a lot of the plot points without spoilers. Instead, I'll focus on the characters. Oxford fundamentally changes Ella in ways she wasn't expecting, especially due to her interactions with Jamie Davenport. When she first meets Jamie, she doesn't like him. At all. When she discovers that she's going to be her fill-in professor, she's horrified. Yet, she's also attracted to him in a way she can't hide, and the two wind up in a "no strings" relationship...that invariably shifts into something more. The two are super smart and their intelligence appeals to one another. What started as physical attraction and chemistry leads to a strong intellectual connection and the two grow to become close friends. When Ella finds out about Jamie's past and the way that it's bleeding into his future, their relationship will be tested like never before and she really has to do some soul-searching to decide what she wants in life. Jamie, on the other hand, starts out as more of a mystery. Readers don't know much about him beyond surface details, but unlock more information the further into the book we get--and will likely wind up flipping back to earlier scenes to read them through new eyes once those moments are explained later on.
MY OXFORD YEAR is the perfect book for anyone who has ever dreamed about going to Oxford and experiencing the pub scene, the classes, and the friendships that ensue, or even if you just love experiencing everyday British life second hand. Ella's journey changes her, and it just may change readers as well.
Interested to learn more? Check out the first chapter below and enter to win a copy of MY OXFORD YEAR!
While the chaffinch sings on the orchard bough
In England - now!
Home-Thoughts, from Abroad - Robert Browning, 1845
The customs agent beckons the person in front of me and I approach the big red line, absently toeing the curling tape, resting my hand on the gleaming pipe railing. No adjustable ropes at Heathrow, apparently; these lines must always be long if they require permanent demarcation.
My phone rings. I glance down. I don't know the number.
"Hello?" I answer.
"Is this Eleanor Durran?"
"This is Gavin Brookdale."
My first thought is that this is a prank call. Gavin Brookdale just stepped down as White House Chief of Staff. He's run every major political campaign of the last 20 years. He's a legend. He's my idol. He's calling me?
"Sorry, I-I'm here," I stammer. "I'm just -
"Have you heard of Janet Wilkes?"
Have I heard of - Janet Wilkes is the junior senator from Florida and a dark horse candidate for President. She's 45, lost her husband twelve years ago in Afghanistan, raised three kids on a teacher's salary while somehow putting herself through law school, and then ran the most impressive grassroots senatorial campaign I've ever seen. She also has the hottest human-rights-attorney boyfriend I've ever seen, but that's beside the point. She's a Gold Star wife who's a progressive firebrand on social issues. We've never seen anyone like her on the national stage before. The first debate isn't for another two weeks, on October 13, but voters seem to love her: she's polling third in a field of twelve. Candidate Number Two is not long for the race; a Case of the Jilted Mistress(es). Number One, however, happens to be the current Vice-President, George Hillerson, who Gavin Brookdale (if the Washington gossip mill is accurate) loathes. Still, even the notoriously mercurial Brookdale wouldn't back a losing horse like Wilkes just to spite the presumptive nominee. If nothing else, Gavin Brookdale likes to win. "Of course I've heard of her."
"She read your piece in The Atlantic. We both did. 'The Art of Education and the Death of the Thinking American Electorate.' We were impressed."
"Thank you," I gush. "It was something I felt was missing from the discourse -"
"What you wrote was a philosophy. It wasn't a policy."
This brings me up short. "I understand why you'd think that, but I -"
"Don't worry, I know you have the policy chops. I know you won Ohio for Janey Bennett. The 138th for Carl Moseley. You're a talented young lady, Eleanor."
"Mr. Brookdale -"
"Call me Gavin."
"Then call me Ella. No one calls me Eleanor."
"Alright, Ella, would you like to be the education consultant for Wilkes' campaign?"
"Yes!" I bleat. "Yes, of course! She's incredible -"
"Great. Come down to my office today and we'll read you in."
All the breath leaves my body. I can't seem to get it back. "So... here's the thing. I-I'm in England."
"Fine, when you get back."
"... I get back in June."
"Are you consulting over there?"
"No, I have a... I got a Rhodes and I'm doing a -"
Gavin chortles. "I was a Rhodie."
"I know, Sir."
"What are you studying?"
"English Language and Literature 1830 to 1914."
"Because I want to?" Why does it come out as a question?
"You don't need it. Getting the Rhodes is what matters. Doing it is meaningless, especially in Literature from 1830 to 19-whatever. The only reason you wanted it was to help you get that life-changing political job, right? Well, I'm giving that to you. So come home and let's get down to business."
A customs agent - stone-faced, turbaned, impressive beard - waves me forward. I take one step over the line, but hold a finger up to him. He's not even looking at me. "Gavin, can I call -"
"She's going to be the nominee, Ella. It's going to be the fight of my life and I need all hands - including yours - on deck, but we're going to do it."
He's delusional. But, my God, what if he's right? A shiver of excitement snakes through me. "Gavin -"
"Listen, I've always backed the winning candidate, but I have never backed someone who I personally, deeply, wanted to win."
"Miss?" Now the customs agent looks at me.
Gavin chuckles at my silence. "I don't want to have to convince you, if you don't feel -"
"I can work from here." Before he can argue, I continue, "I will make myself available at all hours. I will make Wilkes my priority." Behind me, a bloated, red-faced businessman reeking of gin, moves to squeeze around me. I head him off, grabbing the railing, saying into the phone, "I had two jobs in college while volunteering in field offices and coordinating multiple city council runs. I worked two winning congressional campaigns last year while helping to shape the education budget for Ohio. I can certainly consult for you while reading books and writing about them occasionally."
"Miss!" the customs agent barks. "Hang up the phone or step aside." I hold my finger up higher (as if visibility is the problem) and widen my stance over the line.
"What's your date certain for coming home?" Gavin asks.
"June 11th. I already have a ticket. Seat 32A."
"Miss!" The customs agent and the man bark at me.
I look down at the red line between my sprawled feet. "Gavin, I'm straddling the North Atlantic right now. I literally have one foot in England and one in America and if I don't hang up they'll -"
"I'll call you back."
What does that mean? What do I do? Numbly, I hurry to the immigration window, coming face to face with the dour agent. I adopt my best beauty-pageant smile and speak in the chagrined, gee-whiz tone I know he expects. "I am so sorry, Sir, my sincerest apologies. My Mom's -"
"Passport." He's back to not looking at me. I'm getting the passive-aggressive treatment now. I hand over my brand new passport with the crisp, un-stamped pages. "Purpose of visit?"
"For how long will you be in the country?"
I pause. I glance down at the dark, unhelpful screen of my phone. "I... I don't know."
Now he looks up at me.
"A year," I say. Screw it. "An academic year."
"Oxford." Saying the word out loud cuts through everything else. My smile becomes genuine. He asks me more questions, and I suppose I answer, but all I can think is:
I'm here. This is actually happening. Everything has come together according to plan.
He stamps my passport, hands it back, lifts his hand to the line.
When I was thirteen I read an article in Seventeen Magazine called, "My Once in a Lifetime Experience," and it was a personal account of an American girl's year abroad at Oxford. The classes, the students, the parks, the pubs, even the chip shop ("pictured, bottom left") seemed like another world. Like slipping through a wormhole into a universe where things were ordered and people were dignified and the buildings were older than my entire country. I suppose thirteen is an important age in every girl's life, but for me, growing up in the middle of nowhere, with a family that had fallen apart? I needed something to hold onto. I needed inspiration. I needed hope. The girl who wrote the article had been transformed. Oxford had unlocked her life and I was convinced that it would be the key to mine.
So I made a plan: get to Oxford.
After going through more customs checkpoints, I follow signs for The Central Bus Terminal and find an automatic ticket kiosk. The "£" sign before the amount looks so much better, more civilized, more historical than the American dollar sign, which always seems overly suggestive to me. Like it should be flashing in sequential neon lights above a strip club. $ - $ - $. Girls! Girls! Girls!
The kiosk's screen asks me if I want a discounted return ticket (I assume that means round trip), and I pause. My flight back to Washington is on June 11th, barely sixteen hours after the official end of Trinity term. I have no plans to return to the states before then, instead staying here over the two long vacations (in December and March) and traveling. In fact, I already have my December itinerary all planned. I purchase the return ticket, then cross to a bench to wait for the next bus.
My phone dings and I look down. An email from The Rhodes Foundation reminding me about the orientation tomorrow morning.
For whatever reason, out of all the academic scholarships in the world, most people seem to have heard of The Rhodes. It's not the only prestigious scholarship to be had, but it's the one that I wanted. Every year, America sends 32 of its most overachieving, uber-competitive, social-climbing, do-gooder nerds to Oxford. It's mostly associated with geniuses, power-players, global leaders. Let me demystify this: to get a Rhodes, you have to be slightly unhinged. You have to have a stellar GPA, excel in multiple courses of study, be socially entrepreneurial, charity-minded, and athletically proficient (though the last time I did anything remotely athletic I knocked out Jimmy Brighton's front tooth with a foul ball, so take that tenet with a grain of salt). I could have gone after other scholarships. There's the Marshal, the Fulbright, the Watson, but the Rhodies are my people. They're the planners.
The other finalist selected from my district (a Math/Econ/Classics triple-major and Olympic archer who had discovered that applying Game Theory to negotiations with known terrorists makes the intel 147% more reliable) told me, "I've been working toward getting a Rhodes since Freshman year." To which I replied, "Me, too." He clarified, "Of high school." To which I replied, "Me, too."
While, yes, the Rhodes is a golden ticket to Oxford, it's also a built-in network and the means to my political future. It ensures that people who would have otherwise discounted me - this unconnected girl from the soybean fields of Ohio - will take a second, serious look. People like Gavin Brookdale.
Going after things the way I do, being who I am, has alienated my entire hometown and most of my extended family. My mom hadn't gone to college and my dad had dropped out after two years because he'd thought it was more important to change the world than learn about it, and there I was, this achievement machine making everyone around it vaguely uncomfortable. She thinks she's better than everyone else.
Honestly, I don't. But I do think I'm better than what everyone, besides my dad, told me I was.
I wake up in a moment of panic when the bus I'd boarded back at Heathrow jerks to a stop, sending the book on my lap to the floor. Hastily retrieving it, I force my sleepy eyes to take in the view from the floor-to-ceiling window in front of me. I chose the seat on the upper level at the very front, wanting to devour every bit of English countryside on the way to Oxford. Then I slept through it.
Pushing through the fog in my head, I peer outside. A dingy bus stop in front of a generic cell phone store. I look for a street sign, trying to get my bearings. My info packet from the college said to get off at the Queens Lane stop on High Street. This can't be it. I glance behind me and no one on the bus is moving to get off, so I settle back into my seat.
The bus starts up again, and I breathe deeply, trying to wake up. I jam the book into my backpack. I'd wanted to finish it before my first class tomorrow, but I can't focus. I was too excited to eat or sleep on the plane. My empty stomach and all-nighter is catching up to me. The time difference is catching up to me. The last twelve years spent striving for this moment is catching up to me.
Inside my jacket pocket, my phone vibrates. I pull it out and see the same number from earlier. I take a deep breath and preemptively answer, "Gavin, listen, I was thinking, let's do a trial period of, say, a month, and if you feel that I need to be there -"
My throat tightens. "Please, just give me thirty days to prove that -"
"It's fine. I made it work. Just remember who comes first."
Elation breaks through the fog. My fist clenches in victory and my smile reaches all the way to my temples. "Absolutely," I say in my most professional voice. "Thank you so much for this opportunity. You won't be disappointed."
"I know that. That's why I hired you. What's your fee? FYI: there's no money."
There's never any money. I tell him my fee anyway and we settle on something that I can live with. The Rhodes is paying my tuition and lodging and I get a small stipend for living expenses on top of that. I decide right then that what Gavin's going to pay me will go directly into my travel budget.
"Now, go," he says, "Have fun. You've clearly earned it. There's a pub you should visit in the center of town. The Turf. See where one of your fellow Rhodes Scholars - a young William Jefferson Clinton - 'didn't' inhale."
"Ha, got it. Will do."
"Just take your phone with you. Your phone is an appendage, not an accessory. Okay?"
I nod even though he can't see me. "Okay. It's a plan." Just as I say this, the bus rounds a bend and there she is:
Beyond a picturesque bridge, the narrow two-lane road continues into a bustling main street, lined on each side by buildings with a hodge-podge of architectural styles, no room to breathe between them. Like the crowd at the finish line of a marathon, these buildings cheer me on, welcoming me to their city. Some are topped with sloped, slate roofs, others with battlements. Some of the larger buildings have huge wooden gates that look as if they were carved in place, a fusion of timeless wood and stone that steals my breath. Maybe those doors lead to some of the 38 individual Oxford colleges? Imagining it, dreaming of it all these years, doesn't do it justice.
I look skyward. Punctuating the horizon are the tips of other ancient buildings, high-points of stone bordering the city like beacons.
"The City of Dreaming Spires," I murmur to myself.
"Indeed it is," Gavin says in my ear. I'd forgotten he was still on the line.
That's what they call Oxford. A title well deserved. Because that means, before it was my dream or Seventeen Magazine girl's dream, it was someone else's dream as well.
ENTER TO WIN A COPY OF MY OXFORD YEAR!
MY OXFORD YEAR by Julia Whelan was published by William Morrow / HarperCollins on April 24, 2018.