Upcoming Shows
Living in Oblivion, written and directed by Tom DiCillo, is a hilarious and inventive look at the chaos of moviemaking. Steve Buscemi, Catherine Keener, Dermot...
Part of the Coolidge Corner Theatre's May repertory series Take Two: Filmmaking in the Movies, this Mother's Day double feature pairs two Hollywood classics for...
American Movie is a documentary presented as part of the Coolidge Corner Theatre's May repertory series, Take Two: Filmmaking in the Movies, co-presented by MUBI....
Hollywood Shuffle is a debut feature from writer-director Robert Townsend, presented as part of the Coolidge Corner Theatre's May repertory series Take Two: Filmmaking in...
This double feature pairs Tim Burton's Ed Wood with Ed Wood's own Plan 9 from Outer Space, tracing the story of one of Hollywood's most...
The Blair Witch Project is part of the Coolidge Corner Theatre's May repertory series, Take Two: Filmmaking in the Movies, co-presented by MUBI. The film...
Cecil B. Demented is part of the Coolidge Corner Theatre's May repertory series, Take Two: Filmmaking in the Movies. The film follows a ragtag crew...
The Coolidge Corner Theatre presents a double feature pairing Adaptation and Synecdoche, New York, two films from the mind of Charlie Kaufman, as part of...
Irma Vep is part of the Coolidge Corner Theatre's May repertory series, Take Two: Filmmaking in the Movies, co-presented by MUBI. Olivier Assayas's international breakthrough...
The Stunt Man, screening in 35mm at Coolidge Corner Theatre, follows Vietnam vet Cameron (Steve Railsback) who stumbles upon a movie location shoot that has...
This double feature pairs two cinematic meditations on desire, ambition, and the art of making movies. French style meets existential Hollywood as Nouvelle Vague and...
Lars von Trier's sophomore feature Epidemic is a jet-black comedy of contagion and a subversive metacinematic provocation, born from a bet that he couldn't make...
by R. Scott Reedy - May 04, 2026
What did our critic think of GEM OF THE OCEAN at Actors' Shakespeare Project?...
by R. Scott Reedy - May 01, 2026
The musical “Swept Away” tells the story of four whalers shipwrecked off New Bedford in 1888, making it especially resonant for local audiences, who can experience the musical drama in a well crafted New England premiere at SpeakEasy Stage Company in the Virginia Wimberly Theatre at the Calderwo...
by Christopher Verleger - April 13, 2026
What’s the first thing that comes to mind when you say the name Eartha Kitt? Those of us who are even remotely familiar with the late singer-dancer-actress will most likely say Catwoman, the iconic feline femme fatale she portrayed in the 1967 season of the ‘Batman’ television series, or her o...
by R. Scott Reedy - April 14, 2026
Seven years ago, an already hot summer in Boston heated up even more during a pre-Broadway tryout of a truncated version of playwright Matthew Lombardo’s “Tea at Five” at the Huntington Theatre when its star, Academy Award winner Faye Dunaway, was fired after allegations that she physically an...
by R. Scott Reedy - April 11, 2026
What did our critic think of BREAKING THE CODE at Central Square Theater?...
by R. Scott Reedy - April 05, 2026
What did our critic think of ANGRY, RAUCOUS, AND SHAMELESSLY GORGEOUS at The Lyric Stage Company Of Boston?...
by R. Scott Reedy - April 02, 2026
As Dionne Warwick took the stage at Groton Hill Music Center in Groton recently, before she had sung a single word, she was met by a rousing standing ovation. It was clear from the get-go that the capacity audience knew they were in the presence of a legend....
by R. Scott Reedy - March 22, 2026
What did our critic think of SUFFS at Emerson Colonial Theatre?...
by R. Scott Reedy - March 18, 2026
Playwright Jordan Harrison’s 2025 drama “The Antiquities” – being given a fine New England premiere at SpeakEasy Stage Company at the Roberts Studio Theatre in the Calderwood Pavilion at the Boston Center for the Arts through March 28 – uses history to explore where things went wrong....
by R. Scott Reedy - March 13, 2026
What did our critic think of WAIT UNTIL DARK at Greater Boston Stage Company?...
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