Review: THE COUNTER at The Umbrella Arts Center
What did our critic think of THE COUNTER at The Umbrella Arts Center?
The latest reviews and critic recommendations from Boston.
What did our critic think of THE COUNTER at The Umbrella Arts Center?
Katori Hall’s thought-provoking drama, “The Mountaintop,” being presented by Front Porch Arts Collective in collaboration with Suffolk University’s Modern Theatre, where it is being staged through October 12.
What did our critic think of OUR TOWN at Lyric Stage Company Of Boston? What makes all worthwhile productions of “Our Town,” like this one, work is what makes the play itself endure.
Directed by Isadora Wolfe this production is rather unusual and quite unique.
Despite a few slower moments, the 90-minute production (presented without intermission) is quite delightful.
When it comes to grieving and loss, closure can be elusive.
Paul Melendy doesn’t just walk out on stage at the start of “Featherbaby” – the riotous David Templeton play about a potty-mouthed parrot now being given its co-world premiere in conjunction with the Don Fulton New Works Project at Greater Boston Stage Company in Stoneham through September 2
Train travel has inspired music and movies, from songs like “I Thought about You,” “Chattanooga Choo Choo,” “My Baby Takes the Morning Train,” and the beloved Boston classic “Charlie on the M.
I found MOTHER PLAY devastatingly powerful.
What did our critic think of THE WIZ at Citizens Opera House?
While on the surface, a play with basketball and one of its prominent players may seem a bit odd, KING JAMES proves to be a deep exploration of male friendship, its complexities, and how sports can bring people together and create a bond that goes beyond just grabbing a beer and watching the game.
When “Grease” premiered in 1971, the Jim Jacobs and Warren Casey musical about working-class teenagers at a Midwestern high school in the late 1950s was a gritty satire, first performed at a Chicago nightclub.
While there ae certainly plenty of laughs to be had, there is also much pain and tragedy as major milestones in her life unfold.
Over the eight years I have been covering regional productions for BroadwayWorld.
In the vernacular of the production, everything about it is quite satisfactory.
A Broadway star is not likely to be found running lines with the understudy.
Tony Award winners Sutton Foster (“Anything Goes,” “Thoroughly Modern Millie”) and Kelli O’Hara (“The King and I”) – each acclaimed as a Broadway performer and song-and-dance artist of the first order – are also known for solo concert appearances.
Due to scheduling conflicts, I was able to avail myself of only a small sampling of the W71 events during the first weekend of programming.
Epstein, who noted he and Coleman have collectively directed more than 20 productions of ROMEO AND JULIET, said this production explores the pursuit of delight within a difficult and warring world.
The eleven original songs are pleasant, reminiscent of pop / folk rock, and had my head nodding throughout.
What did our critic think of EVITA at Reagle Music Theatre Of Greater Boston? In act two of the Andrew Lloyd Webber and Tim Rice musical “Evita,” a beleaguered Eva Perón pleads “You Must Love Me.
Workplace relationships have provided the fodder for plays, movies, and television shows for generations.
Sirius XM Radio Broadway Host Seth Rudetsky and Tony Winner Jessie Mueller were on the Boyd-Quinson MainStage at Barrington Stage Company last night as part of BSC’s 2025 Summer Concert Series.
Over the course of the immensely entertaining and enjoyable, frenetically paced, roughly hour and a half presentation (without intermission), I smiled, nodded, laughed a great deal, cried to a much lesser degree, and felt seen, heard, and understood.
I confess, it was difficult to leave the house on a truly glorious summer Sunday to attend the opening of Lerner & Loewe’s Camelot.
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