The Storm - by Aleksandr Nicolaevich Ostrovsky

Billy hasn't even broken a sweat yet!

MADAME CLICQUOT: A Revolutionary Musical – Studio Cast Recording, which features highlights from the sweeping and romantic new stage musical, is available in streaming and digital formats now.

And so, since we enjoyed REGRETTING ALMOST EVERYTHING, we think you will too.

BRAINSTORM RECORDS, YELLOW SOUND LABEL and 35th PARALLEL PRODUCTIONS have announced that the second single from CLICQUOT: A Revolutionary Musical – Studio Cast Recording, which features highlights from the sweeping and romantic new stage musical, will be available on all streaming services on Monday, March 13. Get an exclusive first listen here!

The borders of conceivable electronic music have just been re-extended yet deeper into uncharted territory, with Weathering the Storm, the slow strata are all in contrast with the rhythm of strange metallic and spectral winds.

CLICQUOT: A Revolutionary Musical – Studio Cast Recording, which features highlights from the sweeping and romantic new stage musical, will be released on Friday, April 14.

Vincent Victoria Presents will begin their new season with the World Premiere of the film 'The Colored Folks Goodtime Hour'. The film takes a satirical and fictional look at a 1950's all black variety show and its controversial gay host Cherry Cola Pitts.

BALLYHOO MUSIC has announced that the second single from pop/jazz vocalist and songwriter LIAM FORDE, “Geraniums,” is available today, Friday, February 25. This will continue the rollout of Great to Be Here, his debut album of original pop/jazz songs due on Friday, March 25.

The original stage production We Have Iré recounts the stories of four Cuban-born artists who, after having immigrated and established a life in San Francisco, return to Cuba together. IRE Records announces the release of a cast album featuring new music from Grammy-winning Jazz artist Yosvany Terry on September 18.

Breaking Into Song asks what audiences can do to stay open minded and what creatives can do to make new musicals better. Examining both sides of the divide, Adam Lenson asks how those who both love and hate musicals can further expand the possibilities of this widely misunderstood medium.