"[An] explosive, often brilliant work about America, narrative, the Middle East and identity."- Time Out New York
"...funny, moving, postmodernist-in-a-good-way... Like Scheherazade's tales, 1001 is endlessly compelling, and also endless (again, in a good way)..."- Boston Globe
"Jason Grote is one of a generation of brainy new American dramatists - including Tracy Letts and Will Eno - who understand that to reach new audiences, political theater needs to move beyond moral indignation and outrage, past spoon-feeding an attitude. One key to going forward is looking backward into literature, fable and allegory." - LA Weekly
"...a wild and beautiful glimpse at the yarns that shape our lives...Even if it isn't always true, the story we keep telling -- about the power of love, violence, and death -- is a comfort. Grote tackles that concept with gripping imagination, achieving a cosmic scope by eliminating the barriers between worlds." - Variety
"Grote's Orientalist fantasia...conjures a storybook world that dissolves, at a moment's notice, into an apocalyptic, 21st-century landscape. Where to begin to describe this seductive if smartalecky, nonlinear play? ...[ 1001] doesn't preach, and it doesn't underestimate the audience's intelligence." - Washington Post
