Page: 1

Female Playwrights Charge Gender Bias By Theaters (NY Times)

Wanna Be A Foster Profile PhotoWanna Be A Foster Profile Photo
Wanna Be A Foster
Broadway Legend
Broadway Legend
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."

"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
Updated On: 10/25/08 at 11:42 AM
Vespertine1228 Profile PhotoVespertine1228 Profile Photo
Broadway Legend
Broadway Legend
I think part of the problem is that because of limited opportunities to begin with there are much fewer established female playwrights that have been writing for a long time. Off-Broadway companies tend to produce the same writers again and again. Adam Rapp (Playwrights Horizons/Rattlestick), Lee Blessing (Primary Stages), John Patrick Shanley (MTC), Neil Labute (MCC), Douglas Carter Beane (2nd Stage), Itmar Moses (MTC), Charles Busch (MTC), and David Henry Hwang (The Public) are just a few examples off the top of my head.

Then if the slots for newcomers are additionally limited to women, it gets even harder. That said, I worry a bit about the implication that because a play is written by a woman is somehow has an inherent higher artistic value. I hate to use them as an example because they work very hard, but I've seen most shows at The Women's Project on 55th Street in the past few years and the majority of them weren't great. (Although Aliens with Extraordinary Skills is if you're free today or tomorrow before it closes.)
Scarywarhol Profile PhotoScarywarhol Profile Photo
Broadway Legend
Broadway Legend
lildogs Profile Photolildogs Profile Photo
Broadway Legend
Broadway Legend
Do these women honestly think sexism is the reason their plays aren't produced?

Do producers really care what sex THE PLAYWRIGHT is?

You really think Tracy Letts' plays are only produced because he's a "boy Tracy?"

The theatre is the most open medium for minorities to express themselves. You won't find more people in power who are more amenable to diversity.

Write some plays or musicals that make money ladies, and you'll see demand for your own work rise.

logan0215 Profile Photologan0215 Profile Photo
Broadway Legend
Broadway Legend

idk why that got posted here...
I love America. Just because I think gay dudes should be allowed to adopt kids and we should all have hybrid cars doesn't mean I don't love America. [turns and winks directly into the camera] - Liz Lemon (Tina Fey) on 30 Rock
Updated On: 10/25/08 at 03:45 PM
sondheimgeek Profile Photosondheimgeek Profile Photo
Broadway Star
Broadway Star
While I understand their concern, they also need to think of...other possibilities as to why their plays aren't being produced.

For one thing, many writers write plays that aren't being produced because they won't make money. And it's not just plays written by females that aren't being produced for that reason, it's the same for males. If the play won't make money, or an audience can't connect, then it won't be chosen. It doesn't matter the gender, if there's no connection it won't work.

I always hear about how hard it is for women to get highly respected jobs. It's also hard for males to get certain jobs. It's hard for people of any color to get certain jobs. It's hard for people who don't have a higher education to get jobs, and it's hard for those who do have a higher education to get jobs.

It's hard for everyone, and the sooner we all put our reasons for why we aren't hired aside, and instead just work harder, we can hope to get the jobs we want.
"Light the candles! Get the ice out! Roll the rug up, it's today!"
B3TA07 Profile PhotoB3TA07 Profile Photo
Broadway Legend
Broadway Legend
Maybe they just can't write as well?