Nominated for 5 Tonys and only played a little over 100 performances? It looked VERY good!
Revival, please!
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
I saw it in San Francisco. It was the first time I saw Bill Irwin and I was just in awe of his incredible talent. The show was just mesmerizing. I would love to see this show revived and share this with my friends who missed it the first time out. Do you think it would have to be with Bill Irwin? His stamp on the show seems indelible. Who out there do you think could pull off this show?
"I would rather be with the people of this town than with the finest people in the world."--Fred Willard as Mayor Deebs in Roxanne
LARGELY NEW YORK was brilliant, but a little too weird for 80s Broadway audiences. As you may know, the Signature Theatre Company recently did an entire season featuring Irwin, but LARGELY wasn't part of it; although his earlier (equally brilliant) works THE REGARD OF FLIGHT and THE HARLEQUIN STUDIES were, as well as a new piece called Mr. Fox
"Inside every actor there is a Tiger, a Pig, an Ass, and a Nightingale. You never know which one is going to show up."
-John Michael Higgins in FOR YOUR CONSIDERATION
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle