Tara Bennett - Page 2

Tennessee Williams Theatre Company’s CAT ON A HOT TIN ROOF, now playing at the Marquette Theatre in New Orleans, does exactly that. It’s electric. It’s guttural. And it’s one of the boldest things I’ve seen TWTC do, and that’s saying something.

From September 18–21, 2025, OVO, the internationally acclaimed production inspired by the fascinating world of insects, will take over the Smoothie King Center in New Orleans. Audiences will get the chance to experience the show’s bold new incarnation, complete with new acrobatic acts, redesigned sets, vibrant costumes, original characters and reinvented music.

If you’ve ever wondered what would happen if The Sopranos ran away and joined the circus, look no further than CLOWN BAR 2. The NOLA Project’s latest immersive experience is absurd, raunchy and riotously funny—with just enough heart beneath the greasepaint to make you unexpectedly emotional about murder clowns.

As THE WIZ celebrates its 50th anniversary, few performers embody its legacy and evolution quite like Alan Mingo Jr., who originated the title role on the pre-Broadway tour, lit up the Broadway stage and now brings his bold, reimagined Wiz to audiences across the country.

What happens when the written word becomes a lifeline? In TINY BEAUTIFUL THINGS, Crescent City Stage delivers a stirring answer, offering audiences not just a play, but an experience in empathy and shared vulnerability.

Ballets with a Twist, the New York-based company known for its inventive fusion of dance and pop culture, is set to make its Louisiana debut with COCKTAIL HOUR: THE SHOW on May 1 at the Rosa Hart Theatre. As part of the 2025 Banners at McNeese State University’s cultural season, this production promises a night of glamour, humor and immersive storytelling like no other.

There’s a moment in ORPHEUS DESCENDING when Valentine Xavier, tall, lanky, with enough charisma to make a statue blush, enters a dry goods store in a dying Mississippi town, and you just know something is about to combust.

Edward Albee’s WHO’S AFRAID OF VIRGINIA WOOLF? is a raw, relentless, and deeply unsettling theatrical titan. Since its debut in 1962, it has held its place as one of the most harrowing portraits of marital discontent and social decay in American theatre. The play dares its audience to sit through nearly three hours of verbal warfare and emotional manipulation as it unflinchingly examines middle-class disillusionment. And audiences keep coming back for more.

For decades, THE NUTCRACKER has been a cherished holiday tradition, enchanting audiences with its timeless tale and dazzling performances. For the Talmi family, however, this production is more than just a seasonal classic—it's a labor of love that spans generations. In this exclusive interview with BroadwayWorld, producer Dan Talmi takes us behind the scenes of THE NUTCRACKER MAGICAL CHRISTMAS BALLET offering insights into its origins, the creative dynamics of a family-run enterprise and the innovative elements that set their production apart.

As the holiday season kicks off in New Orleans, beloved traditions like Christmas in the Oaks and festive strolls through the city’s dazzling light displays take center stage. This year, Crescent City Stage is adding a new tradition to the mix with Patrick Barlow’s imaginative adaptation of A CHRISTMAS CAROL.

BroadwayWorld.com recently had the chance to chat with Madison Mosley, who is taking on the iconic role of Lydia in the national tour of BEETLEJUICE, which will be playing at the Saenger Theatre in New Orleans from November 12-17.

Dorothy Parker, the sharp-tongued wit of the Jazz Age, remains one of America’s most fascinating literary figures. In WIT & WRATH: THE LIFE & TIMES OF DOROTHY PARKER, Claudia Baumgarten brings this iconic figure to life in a one-woman performance that not only celebrates Parker’s legendary humor but also reveals the vulnerability and inner turmoil hidden behind her biting social commentary.

This week, GIRL FROM THE NORTH COUNTRY takes the stage at the Saenger Theatre, bringing its powerful Depression-era story to New Orleans.

It’s official. Le Petit Theatre’s MURDER FOR TWO is the can’t-miss show of the year!

The Tennessee Williams Theatre Company has launched the spooky season ahead of schedule with their production of PENNY DREADFULS: The Remarkable Rooming-House of Madame Le Monde.

Crescent City Stage is bringing a contemporary take on a theatrical classic to life with its current production of A DOLL' S HOUSE, adapted by playwright Amy Herzog. Known for her character-driven storytelling, Herzog reimagines Henrik Ibsen's 19th-century masterpiece for today's audiences, offering a fresh yet faithful interpretation of this enduring exploration of love, identity and liberation.

For almost a decade, anticipation has simmered among NOLA theatre enthusiasts, waiting for The Tennessee Williams Theatre Company to tackle one of the playwright’s most iconic works, A STREETCAR NAMED DESIRE, that has left an indelible mark on theatre.

On Thursday, July 18, at 7 p.m., Le Petit Theatre will host a public reading of Louisiana-native playwright and producer Kelley Nicole Girod’s play “A Body of Water.”

Rivertown Theaters for the Performing Arts is presenting the regional premiere of the pop culture hit MEAN GIRLS! Get ready to dive into the world of North Shore High with the sharp wit, catchy songs and powerful message about kindness from the hit cult classic by Tina Fey.