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Based on the adventures of Johnston McCully's legendary pulp hero, Armienta infuses his opera with the music and sounds of early-19th century Alta California, including flamenco, corrido, and mariachi, with all performed exquisitely by the 24-member POP Orchestra.
I spoke with Chicago born, Brooklyn-based director/choreographer Katie Spelman about her focus on the unique blend of fantasy, Golden Age musical style, and deep romantic themes of Lerner & Loewe’s Brigadoon she is helming at the Pasadena Playhouse.
Director Michael Michetti shares his vision for the production, what first drew him to it, and how elements of clowning are being used to highlight Ionesco’s surreal humor.
While harmonizing to perfection, Katis rules the piano with the sensitivity necessary to realistically perform King’s songs of self-awareness and the longing to find your place in the world, while Clews’ finger-picking expertise on guitar adds a real sense of introspective musical magic to Taylo
Pablo Picasso’s obsession with his work often destroyed those he professed to love.
Director Celia Mandela Rivera shares her background in theatre, what drew her to directing this play, her vision for the characters and staging it in Little Fish's intimate new space and why she thinks its exploration of love, fidelity, and friendship remains as fresh and provocative today as when i
The play takes place inside the home of Carlota and her three daughters where time seems to have stood still.
Astounding triple-threat talent is on display in big production numbers with attention-grabbing scenic elements by brilliant designers add to the artistic wonder of the entire production helmed by EWP Artistic Director Lily Tung Crystal, choreographed by Janelle Dote Portman, with music direction by
I spoke with Jason and Chuma about their involvement with the play, how they interpret their characters and the story, and what new insights they hope to audiences will gain.
Be ready to play your part to find out who can you trust and who wants to destroy The Liminary.
Here's what playwright Paul Webb shared about the world premiere of Warsaw, a moving meditation on survival, forgiveness, and the invisible threads that bind our lives together.
We never get a sense of what draws these two women to each other (other than sex), or what they have in common other than auditioning for acting work.
Olivia Dufault on her unconventional play, its genesis, why she decided to bring its world premiere to Los Angeles, and how she hopes audiences will react to what she calls a tale of “love, shame, and the human need for connection.
Darilyn Burtley brings the essence of Tina Turner's stunning stage presence to life!
I spoke with Julie about creating the women in this play who are deeply spiritual people who were raised in the Baptist church and have been wounded by it.
I spoke with Evelina Fernández about the play which blends intimate family drama with elements of magical realism to explore themes of memory loss, family dynamics, and the complexities of caring for aging loved ones.
Brilliantly directed by Mike Reilly, Casey Morris and Carolina Rodriguez are both impeccable in their roles as teacher and student, with Rodriguez’s Susan a true master at emotional game playing.
I spoke with actor Babak Tafti who plays Omid, the only male student in the class of Iranian students learning to speak English.
With a cast of ten actors portraying more than 26 characters, it was bold choice for the intimate theater.
What does it mean to live as your true, authentic self? I spoke with Level Up! playwright Gabriel Rivas Gómez on blending live performance with projection and inventive design to explore identity, family, and transformation.
