Shari Barrett - Page 2

During the Roaring 1920s until its closing on July 27, 1959, West Hollywood’s landmark Garden of Allah Hotel on Sunset Blvd. hosted the Hollywood elite looking to have a great time socializing and mingling without the prying eyes of the media or autograph seekers in their faces, or their beds for that matter. I decided to speak with Romy Nordlinger, the playwright and performer of Garden of Alla in which she shares the life of Alla Nazimova, a Jewish immigrant from Tsarist Russia who became a Broadway and silent film superstar, visionary Hollywood director and producer, LGBTQIA trailblazer, and creator of the hotel which became world famous on many levels, both famous and infamous.

Certainly, those of us who have been (or currently are) school teachers, administrators, and counselors will recognize the clashes and motivations expressed in Burdick’s exploration of the challenges of pursuing a profession meant for those who deeply care about the welfare of students, even in the face of overwhelming odds. And caring parents and students will no doubt identify with trying to make the best out of what can only be described as a bad situation seemingly out of their control. In other words, this is a play everyone should see and thank your teachers in your hearts and minds afterwards.

Those of us who remember the 60s no doubt were fans of Roller Derby on television. But ever wonder what it was like behind-the-scenes when the rough and tough female skaters let their hair down? The new musical High Heels on Wheels, with lyrics and book by Leslie Sloan and music by Eliza Jane McNamara, is part of this month’s Hollywood Fringe Festival and shares the story of Doris Selander, the best carhop in town, who decides to try out for the open spot of the local derby team in 1965. Her life takes many directions once she makes the decision to follow her dreams to roller derby stardom, despite the roadblocks in her way. I decided to speak with Leslie Sloan about the process of bringing it to the Hollywood Fringe Festival.

As Gay Pride celebrations continue during the month of June, the Gay Men’s Chorus of Los Angeles (GMCLA) is presenting the Los Angeles Premiere of Disney PRIDE in Concert at the Walt Disney Concert Hall. In Disney Concerts’ first-ever choral production, Disney’s beloved songs will be reimagined in a celebration of Pride featuring 200 Chorus members performing nearly 50 classic Disney songs, with a 25-piece orchestra and stunning video projections. I interviewed Lou Spisto, Executive Director & Producer of GMCLA about the origination of the concert, how the Disney songs were chosen, and how the subjects of inclusion and acceptance will be represented.

Forty years ago, the Fountain Theatre presented the groundbreaking comedy/drama, Last Summer at Bluefish Cove by Jane Chambers, one of the first playwrights to depict love between women as happy, healthy, and well-adjusted. I decided to speak with the play’s director Hannah Wolf about the history and importance of the play, the challenges of presenting it outdoors, how she was selected to direct it, about the characters who make up the story, and why its message of acceptance speaks to the new generation of theater goers just as it did for those who saw Jean Smart in the original 1983-85 Fountain Theatre production.

The next production to take The Actors' Gang stage is The Darkness: Goddess Revealed, written and performed by Nick Gillie and directed by Dwain Perry. Presented as a special co-production in partnership with Black University and Okan Entertainment, the story is told through the perspective of three vastly different characters (played by Gillie) who enter the afterlife and meet sacred female beings called The We. But have they gathered to hear the new arrivals’ life stories or have a more spiritual lesson in mind? I was curious to hear about the genesis of the play, more about the characters, the purpose of The We in the storyline, and Nick Gille’s personal involvement with Black University.

Jerry Mayer, a nonagenarian from St. Louis has written and/or produced for many classic TV shows and specials. In 1986, his first play, Almost Perfect, debuted at Santa Monica Playhouse which has led to almost a dozen more - so far! I decided to speak with him about his latest comedy, Jews R 2 Much Fun, at the Santa Monica Playhouse as well as his long-running and extremely successful TV writing career.

In the spirit of their 40th season with its focus on Her Vision, Her Voice, Skylight Theatre Company is presenting the second of three new plays by female playwrights and directors, Elizabeth Dement's No Place Like Gandersheim, directed by Randee Trabitz. Opening on May 20, the play features an all-female creative and production team. I was curious to find out the inspiration for Dement's lead character Roz, the time-traveling aspect of the play, and what insights the playwright learned along the way about women in the entertainment industry.

Josh Welsh, President of Film Independent, directly oversees all Film Independent programming, including Bring The Noise: If These Walls Could Sing at The Wallis on May 18. The evening is planned as a celebration of renowned photographer and filmmaker Mary McCartney’s film, If These Walls Could Sing about the many music industry artists who recorded inside Abbey Road Studios in London, which is now streaming on Disney+. The evening at The Wallis will include a live orchestral performance of songs recorded at Abbey Road Studios conducted by Mark Graham, and a Q&A with Mary McCartney moderated by Academy-Award winning filmmaker Morgan Neville.

Los Angeles-based Blue13 Dance Company has been performing internationally for over 20 years, with their highly energetic modern dance style inspired by a variety of art forms native to the Indian subcontinent. On May 12-13, Blue 13 will be presenting a selection of five dances at The Wallis in Beverly Hills. I decided to speak with Blue 13's Artistic director, Achinta S. McDaniel (pictured) about her vision for these selections, especially how she plans to invite the audience to participate immersively and plans to address the current hot topics of invisible disability and addiction.

In his inimitable artistic style, actor and concert pianist Hershey Felder continues to bring the lives and music of famous composers, including Debussy, Beethoven, Berlin, Bernstein, Gershwin, Chopin, Liszt, Tchaikovsky, and Rachmaninoff, to stages around the world. When I heard he was bringing his final performances of George Gershwin Alone to The Wallis in Beverly Hills this April, I decided to speak with him about the decision to retire his popular production and what his vision for the future holds.

Michelle Elkin made her professional debut at the age of 8 in the movie musical Annie. Since then, her resume includes working in numerous film, television, commercial, and theater projects as a dancer and choreographer. After recently choreographing the teen musical 13 at Simi Valley Cultural Center, Michelle is returning to the venue as co-director (with Barry Pearl) and choreographer of Footloose: The Musical with book by Dean Pitchford and Walter Bobbie, music by Tom Snow and lyrics by Dean Pitchford and Kenny Loggins, running April 22 – May 14, 2023. I decided to speak with her since about the production as well as some of the iconic shows on which she has previously worked.

Tony Award winning actor and Second City alum Paul Sand is proving yet again that you are never too old to follow your dreams in the entertainment world. His resume includes being a Tony and two-time Drama Desk Award-winning actor, writer and director who has been working in film, television, and theatre for over 60 years. And now at the age of 91, he is excited to be directing the world premiere of The Pilot Who Crashed the Party, his off-beat homage to drawing room comedies of the ’30s, this time set in his beloved Santa Monica Mountains. I wondered what his secrets might be to having such an extraordinary lifetime of work and still be writing and directing at 91. So I decided to speak with him to find out!

John Farmanesh-Bocca is a multi-award-winning physical theatre director, the Founding Artistic Director of both Not Man Apart - Physical Theatre Ensemble (2005-2015) and Shakespeare Santa Monica (2003-2014). Now he has shifted gears to go on a search for America by directing the sensual, passionate, and delightfully funny Pulitzer Prize winning play Picnic by William Inge, with his version featuring an entirely Black American cast. I decided to speak with him about his vision for presenting the quintessentially American play and the unique challenges faced while shifting gears from physical movement to character development.

For seventeen years, the teaching artists of the Actors’ Gang Prison Project have been creating transformational opportunities for incarcerated men and women. Their latest workshop production, (Im)migrants of the State, is performed by an ensemble of their alumni with over 240 years of combined incarceration who have found their way to freedom and now want to share their stories with audiences. I decided to speak with its co-directors, Jeremie Loncka, who also serves as the Director of Programs for the Actors’ Gang’s Prison Project, and ensemble member Rich Loya, about their vision for the project and how it came into being with the two of them at the helm.

As a fan of Shakespeare and immersive theatre productions, I was intrigued when I heard that The Shakespeare Center LA and After Hours Theatre Company were set to present the premiere of The Tempest: An Immersive Experience, a fully reimagined audience-participation performance based on William Shakespeare's tale of family members caught up in a storm and shipwrecked on an isolated Mediterranean island. So I decided to speak with the production's director Ben Donenberg, Shakespeare Center LA Artistic Director, Graham Wetterhahn, the Producing Artistic Director at After Hours Theatre Company, and Sara Beil one of the producers for After Hours who created the immersive design, about their vision for an immersive way to include audience members in the experience of Shakespeare's tempestuous play.

The soon-to-open production of the Neil Simon musical Little Me at Manhattan Beach Community Church Theater (MBCC), the longest running theater in the South Bay since 1956, is directed by Paula Kelley with choreography by Angela Asch. Originally scheduled to open in the Spring of 2020, I decided to speak with the director about the production’s three-year delay and how she envisions presenting a musical full of comic vignettes featuring such a large cast, especially since it was written specifically for Sid Caesar to play multiple roles as all the heroine’s husbands and lovers.

Back in 2015, I caught a solo performance play Mutant Olive, created and performed by Mitch Hara. I decided to speak with him about his revamped play, Mutant Olive 2.0, soon to begin performance at the Hudson Theatre in Hollywood, to ask about the new show, it’s title, and what’s been going on during the 8 years since Mutant Olive in its original form premiered.

BroadwayWorld spoke with Kari Hayter, a professional director and educator based in Southern California, who is directing tick, tick… BOOM! for International City Theatre in Long Beach, running February 17 through March 5, on her vision for the production and how its themes speak to not only artists but everyone reaching to achieve their dreams.

Herman's Hermits featuring lead singer Peter Noone formed in Manchester in 1964 and then took the world by storm during the Beatles-inspired British Invasion era. The group's success continues internationally, with the group touring to entertain not only fans from the 1960s but their children and grandchildren as well. So when I heard Herman's Hermits was set to appear at the Saban Theatre in Beverly Hills on January 27, I decided to speak with Peter about the group's beginning and how life on the road has kept the band going for so many years.