Review: THE HATMAKER'S WIFE at Theater J
Theater J closes new Artistic Director Hayley Finn’s first season on an enchanting high note.
Rachael F. Goldberg - Page 2
Review: LITTLE WOMEN at Capital One Hall
There’s unfortunately little about the current tour of 'Little Women' that will bring this show new audiences.
Review: REEFER MADNESS at NextStop Theatre Company
'Reefer Madness' is an incredibly smart and pointed show impersonating something far more pedestrian, and NextStop Theatre Company manages to capture this perfectly without ever feeling overproduced or trite.
Review: UNKNOWN SOLDIER at Arena Stage
'Unknown Soldier' is a beautifully performed show with a fascinating exploration of memory, love, and loss, but its main flaw is that it is a show seeking out answers to a mystery it not only fails to resolve, but further convolutes at every turn.
Review: PENELOPE at Signature Theatre
Signature’s production of 'Penelope' insists that Odysseus’ wife “has some things she wants to say.
Review: WHERE WE BELONG at Folger Theatre
'Where We Belong' is a beautiful production, with a gorgeous script and an entrancing quality that can be attributed to the best of theatrical experiences.
Review: AS YOU LIKE IT at Shakespeare Theatre Company
Shakespeare Theatre Company’s production of 'As You Like It' is fun and playful, and it often feels that the cast, creative team, and audience are having an absolute blast together.
Review: MALAVIKA SARUKKAI: ANUBANDH – CONNECTEDNESS at The Kennedy Center
'Malavika Sarukkai: Anubandh – Connectedness' explores a narrative with a universalized touch – one that helped build the connections central to the piece itself.
Review: THE 39 STEPS at NextStop Theatre Company
NextStop Theatre Company’s kickoff to its tin anniversary is delightful, hilarious, and engaging.
Review: ONE JEWISH BOY at Theater J
In a stunning US premiere, Stephen Laughton’s beautifully moving 'One Jewish Boy' tells the heartbreaking story of a couple’s relationship, and examines the impact of trauma and the different ways we process it.
Review: HURRICANE DIANE at Avant Bard Theatre
'Hurricane Diane' is a fun and thought-provoking production, though you’ll certainly have more fun if you don’t think too hard about the technicalities of the show itself.
Review: UNSEEN at Mosaic Theater Company
'Unseen' is a heartfelt and heartrending production that covers difficult topics, but somehow manages to leave the audience feeling hopeful.
Review: JULIUS CAESAR at Avant Bard Theatre
Avant Bard’s production of Julius Caesar is thoughtful, charming, and thoroughly entertaining.
Review: SELLING KABUL at Signature Theatre
Covering a topic as fraught as the US involvement in Afghanistan can be difficult and deeply painful, but Signature’s production of 'Selling Kabul' manages to be honest, unflinching, and compassionate without losing sight of who matters in its tale.
Review: INCOGNITO at Constellation Theatre Company
'Incognito' is a beautiful, thoughtful play, and Constellation Theatre Company’s production is brimming with passion and talent.
Review: MANDY PATINKIN IN CONCERT: BEING ALIVE At Strathmore Music Center
The phrase “Mandy Patinkin in Concert” should always draw audiences, but this particular 'Being Alive' tour is just a lovely and loving performance, and it’s one well worth seeing.
Review: TWO JEWS WALK INTO A WAR. . . at Theater J
'Two Jews Walk into a War.
Review: WHICH WAY TO THE STAGE at Signature Theatre
'Which Way to the Stage' is a love letter – to New York, to the theater world, and to friendship.
Review: THE TEMPEST at Round House Theatre // Folger Theatre
It’s clear that a tremendous amount of talent, effort, and care has gone into this telling of The Tempest, and those affiliated certainly deserve high praise.
Review: INTIMATE APPAREL at Theater J
'Intimate Apparel' is a fascinating look at an intriguing woman, time period, and world, but the production just didn’t meet the standards Theater J has set for itself over the years.
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