Patrick Honoré
Latest Articles
Review: SINGIN' IN THE RAIN at Le Théâtre Du Lido
Robert Carsen turns the Lido’s cabaret heritage into a theatrical advantage, creating the most convincing production yet of its musical-theatre era.
Review: JOHN & JEN at La Grange at Bruxellons!
Tucked into La Grange's intimate corner of Bruxellons, Andrew Lippa's near-sung-through two-hander proves a musical can carry real psychological weight.
Review: A GENTLEMAN'S GUIDE TO LOVE AND MURDER at the Théâtre du Palais-Royal
A brilliantly cast, beautifully judged French production of A Gentleman’s Guide to Love and Murder, where British manners, French theatrical tradition and comic murder collide at the Théâtre du Palais-Royal.
Review: KINKY BOOTS at Château du Karreveld
Vincent Heden's bold, controversial Lola anchors a Kinky Boots that stumbles early and dances late — but Bruxellons' craft makes it sing regardless.
Review: LES BANNIES ONT DROIT D'AMOUR at Théâtre Rouge, Jardin D'Acclimatation
50+ professional voices, 5 musicians, and a program of Alan Menken rarities performed in French for the first time.
Review: ROCKY HORROR SHOW at Casino De Paris
Paris hit record temperatures Friday night & the Casino de Paris had no AC — but the cast of Rocky Horror Show refused to melt.
Review: DAVID MARINO SINGS MICHEL LEGRAND at Bal Blomet
A first solo concert in France that felt anything but: David Marino brought Michel Legrand's greatest film songs to the Bal Blomet on Thursday with warmth, authority, and an all-star band that once played these melodies with the composer himself.
Review: TOP HAT at Châtelet
Kathleen Marshall’s sumptuous revival of (Top Hat) transforms the Théâtre du Châtelet into a 1930s fantasia of tap brilliance, screwball romance, and Irving Berlin classics.
Review: MONTE-CRISTO, LE SPECTACLE MUSICAL at Folies Bergère
A sleek, pop‑rock Monte‑Cristo with standout video design.
Review: THE RISE at Dôme De Paris
A dystopian tap‑driven musical of colossal scale: 35 performers, explosive choreography, and a narrative that fuses revolution, identity, and dreamlike theatricality.
Review: NO, NO, NANETTE at Athénée Théâtre Louis-Jouvet
Les Frivolités Parisiennes revive No, No, Nanette with wit, fizz, and irresistible 1920s sparkle.
Review: AFANADOR at Châtelet
Marcos Morau and the Ballet Nacional de España bring Afanador to Paris — a hypnotic fusion of flamenco, contemporary dance, photography, and queer aesthetics.
Review: THE DROWSY CHAPERONE at Centre Culturel Jean Vilar
Feathers, farce and a touch of poignancy.
Review: I GET A KICK OUT OF YOU at Bal Blomet
Just witnessed @FrederikSteenbrink's electrifying 'I Get a Kick Out of You' concert at Bal Blomet—a masterclass in big band jazz! Cole Porter classics meet original compositions, backed by Paris's finest young talents.
Review: BROADWAY SYMPHONIC at Salle Pleyel
Bernstein, Sondheim & Loewe reimagined through full orchestral arrangements at Salle Pleyel.
Review: 42E RUE FAIT SON SHOW 2025 at Radio France
The 8th '42e Rue Fait Son Show' just dropped on @francemusique – 'La Vie d'Artiste' celebrates the highs & dreams of performers with stars like Sabine Devieilhe, Rosemary Standley, Lily Kerhoas, and a world premiere of MAGIC HÔTEL! Brass, tap, glitter, and that unbeatable live orchestra energy.
Review: CHICAGO at Casino De Paris
The Paris revival remains polished and efficient, but once again raises a familiar question: has Chicago become more concert than theatre?
Review: LA CAGE AUX FOLLES at Théâtre De Châtelet
La Cage aux Folles finally returns to its French roots at the Théâtre du Châtelet—and the homecoming is worth the wait.
Review: LE FANTÔME DE L'OPÉRA at Théâtre Antoine
Just days after its October 22nd 2025 premiere at Paris's Théâtre Antoine, Benoît Solès's bold French adaptation of Gaston Leroux's Le Fantôme de l'Opéra has already sparked a whirlwind of reactions.
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