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Olga El

Olga El is a performance activist, writer, and director. Movement—particularly martial arts; aerial arts; and dances from North Africa, West Africa, and the Diaspora—is seamlessly interwoven into her work. In March 2011, she founded The Kandake—a dance-theatre that combines activism and community engagement with folkloric, theatrical, and experimental artistry. She has performed for HBO, BAM, PlayStation Theater, Webster Hall, House of Yes, Dixon Place, TED Med, Park Avenue Armory, The Lincoln Center, and many other venues. She wrote 1001 Nights: Love Stories on Death Row (A Rock Opera), which saw several "downtown" commissions before the full script was solicited by Off-Broadway entities The Public Theater in 2015 and MCC in 2019 (along with her new play Jaguar Woman.) These dance-heavy works form two-thirds of a trilogy of socio-political, multidisciplinary plays. She is happy to combine her love of dance and writing for Broadway World and she's particularly interested in covering works by those underepresented in mainstream theater and dance arenas.

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BWW Interview: 'A Harlem Hafla' Creator Brandy Heyward

BWW Interview: 'A Harlem Hafla' Creator Brandy Heyward

August 7, 2017

On August 12, 2017 A Harlem Hafla will take place at the Harlem School of the Arts featuring workshops by renowned North African folk dancers Donna Mejia and Somra El Nubia followed by a showcase featuring performers of color from across the U.

BWW Interview: Felix Jarrar & Brittany Goodwin

BWW Interview: Felix Jarrar & Brittany Goodwin

July 6, 2017

Experimental and beautifully composed, Songs of the Soul Beams is a theatrical musical cycle by Felix Jarrar (composer, musical director, pianist) and Brittany Goodwin (librettist, stage director, Persephone) that fuses elements of opera, musical theater and dance in order to explore coping with dea

BWW Interview: KHASAN BRAILSFORD

BWW Interview: KHASAN BRAILSFORD

June 9, 2016

Khasan Brailsford is a professional dancer who's worked with mega stars such as Beyoncé, Rihanna, Katy Perry and more.

BWW Review: APAP Presenters Embody MLK Legacy Through Dance

BWW Review: APAP Presenters Embody MLK Legacy Through Dance

January 25, 2016

The interaction between Brown and her equally hardworking partner Catherine Foster portrayed a multidimensional mix of African-American culture and urban girlhood not often accessible to those without a similar background.

BWW Review: Baroque Opera Gets a Modern Makeover in YOU WE US ALL

BWW Review: Baroque Opera Gets a Modern Makeover in YOU WE US ALL

December 21, 2015

As the title implies You We Us All explores that which binds humanity, from the seeming ubiquity of shallow, Western pop-culture to archetypal human values and experiences embodied literally on the stage as the characters Hope, Virtue, Time, Death and Love.




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