After 20-odd years singing, dancing and acting in dinner theatres, summer stocks and the ever-popular audience participation murder mysteries (try improvising with audiences after they?ve had two hours of open bar), Michael Dale segued his theatrical ambitions into playwriting. The buildings which once housed the 5 Off-Off Broadway plays he penned have all been destroyed or turned into a Starbucks, but his name remains the answer to the trivia question, "Who wrote the official play of Babe Ruth's 100th Birthday?" He served as Artistic Director for The Play's The Thing Theatre Company, helping to bring free live theatre to underserved communities, and dabbled a bit in stage managing and in directing cabaret shows before answering the call (it was an email, actually) to become BroadwayWorld.com's first Chief Theatre Critic. While not attending shows Michael can be seen at Citi Field pleading for the Mets to stop imploding. Likes: Strong book musicals and ambitious new works. Dislikes: Unprepared celebrities making their stage acting debuts by starring on Broadway and weak bullpens.
Since its first publication in 1843, Charles Dickens' holiday classic, A CHRISTMAS CAROL, has been adapted countless times for various stages, screens and pages, but undoubtedly the most authentic presentations of the story of the miserly Ebenezer Scrooge and the ghosts who assist in his transformat
At least once a year, this reviewer feels compelled to take to his keyboard and urge any representatives of the MacArthur Foundation to bestow one of their a?oeGenius Granta?? fellowships to Company XIV's founding artistic director Austin McCormick, who throughout this young century has conceived, d
Late in the second act of Jagged Little Pill, the new musical with a score derived primarily from Alanis Morissette's same-titled 1995 album, a group of young people, outraged at both the occurrence of a rape at a recent party and the existence of a culture that discourages the victim from telling h
'We're going to bond, Alan, and that means you have to pay attention to everything I say,' the title character of George Eastman's HARRY TOWNSEND'S LAST STAND informs his son a minute or so into the proceedings.
Time stands still but life goes on might be one way of looking at Will Eno's charming and sweetly philosophical The Underlying Chris, receiving a fine premiere production directed by Kenny Leon at Second Stage.
Roughly two months ago American Theatre announced that for the second time in the past three seasons, Lauren Gunderson has topped their list of the most-produced playwrights in the country, her 33 professional productions among the 385 Theatre Communications Group's member theatres easily surpassing
Six years before the world premiere of part one of his eventual Pulitzer-winning, monumental theatre epic ANGELS IN AMERICA, Tony Kushner was an inexperienced 26-year-old playwright who, as inexperienced 26-year-old playwrights are wont to do, wrote and directed an Off-Off Broadway play about young,
'In this town you're either a slut or a snob, no in-betweens,' explains the put-upon wife of a local celeb racecar driver in Abbie Spallen's tryptic of character studies, Pumpgirl, now getting a very well-acted production at the Irish Rep.
There is a firm, but understated strength that permeates the atmosphere during Broadbend, Arkansas, the beautifully realized two-person chamber musical created by composer Ted Shen and librettists Ellen Fitzhugh and Harrison David Rivers, depicting an event during the 1960s Civil Rights Movement in
'He thought of all the men who died in those years and what they might have become, what the world would look like today had they been allowed to end their story on their own terms.
While there are many artistically pleasing moments to be savored on stage as the entrancingly funny Russian clown piece SLAVA'S SNOWSHOW returns to Broadway for a limited run through the holiday season, you can also have a heck of a good time if you just like having things thrown at you, dropped on
The cleverest part of adaptor/director Erica Schmidt's new musical based on Edmond Rostand's classic CYRANO DE BERGERAC is that the two times a character makes mention of the title fellow's very large nose, there is a pause before the word, making it clear that the speaker was about to say something
It's been a long-time point of pride among New Yorkers to be living in the most culturally and ethnically diverse spot on the planet, and given the history of the planet you can say that, comparatively, the city has done pretty well in encouraging a society of integration and acceptance.