BWW Review: THAT DRAG SHOW!, Proud Cabaret City
Fun, frisky and fabulous, That Drag Show! took to the stage at Proud Cabaret last night and delivered a stellar act from start to finish.
Laura Fuller
BWW Review: THE TEMPEST, The Duke Of Kent Ealing
In these troubled times, ita??s more important than ever to find innovative ways to keep live performance going.
BWW Interview: Tsemaye Bob-Egbe Talks PIPPIN at the Garden Theatre
Tsemaye is a Nigerian-born, London-based West End performer.
BWW Review: THE BOSS OF IT ALL, Soho Theatre
Based on the 2006 Danish film of the same name by Lars Von Trier, The Boss of It All was adapted into a play in 2013 by writer and director Jack McNamara for New Perspectives - an East Midlands based theatre company.
BWW Review: JANIE DEE: A NEW LIFE, Crazy Coqs
Sweeping into Crazy Coqs in a haze of red sequins, Janie Dee took to the stage last night at the intimate (yet socially distanced) cabaret venue to deliver her latest show entitled Janie Dee: A New Life.
BWW Review: SLEEPLESS: A MUSICAL ROMANCE, Troubadour Wembley Park Theatre
The Troubadour Wembley Park Theatre was certainly abuzz last night for the opening night of Sleepless - the first fully staged musical to take place in the UK since the beginning of lockdown.
BWW Interview: Harriet Thorpe Talks SLEEPLESS at Troubadour Wembley Park Theatre
Harriet Thorpe is perhaps best known for her work on Absolutely Fabulous and The Brittas Empire.
BWW Interview: THE GRINNING MAN's Louis Maskell Reveals His Favourite Showtunes
Louis Maskell is a leading theatre actor, with credits including: Benvolio/Dick in Doctor Faustus (Shakespeare's Globe), Bob/André in Flowers for Mrs Harris (Chichester & Crucible Theatre, Sheffield), Tony in West Side Story (National Tour), and Freddy Eynsford-Hill in My Fair Lady (Crucible Theatr
BWW Feature: How Drama Schools Are Responding To The Shutdown
The Coronavirus outbreak has, of course, had a major impact on drama schools.
BWW Interview: Nikolai Foster and Chris Stafford Discuss The Future of Curve Theatre
Curve Theatre in Leicester, currently led by Chief Executive Chris Stafford and Artistic Director Nikolai Foster, has developed a reputation for producing and programming bold and innovative work, with many productions going on to tour both in the UK and internationally.
BWW Interview: Finbar Lynch Talks INDECENT at Menier Chocolate Factory
Finbar Lynch has enjoyed an extensive acting career, spanning stage, film and television.
BWW Interview: Artistic Director Sean Foley Talks The New Season at Birmingham Rep
Today, Birmingham Rep has announced plans for its new season of work, with new Artistic Director Sean Foley at the helm.
BWW Review: NOT QUITE JERUSALEM, Finborough Theatre
Paul Kember's Not Quite Jerusalem received huge critical acclaim following its premiere at the Royal Court in 1980.
BWW Interview: Rachael Wooding Talks PRETTY WOMAN THE MUSICAL
Wooding talks to BroadwayWorld about her role as Kit de Luca in Pretty Woman The Musical, which opened this week at the Piccadilly Theatre.
BWW Review: ZORRO: THE MUSICAL IN CONCERT, Cadogan Hall
The legend of Zorro has proved to be a well-loved and enduring story - providing the basis for a novel by Isabel Allende, several popular movies, and a West End musical which toured internationally.
BWW Interview: Ricardo Afonso Talks ZORRO: THE MUSICAL IN CONCERT at Cadogan Hall
Ricardo Afoinso talks to BroadwayWorld UK about his next outing as Zorro/Diego in Zorro: The Musical in concert at Cadogan Hall on 23 February
BWW Review: BLITZ!, Union Theatre
Revival Blitz! forms part of Phil Wilmott's Essential Classics season, which commemorates the 75th anniversary of VE Day.
BWW Review: JOE ICONIS LIVE, The Other Palace
Currently in London overseeing the London transfer of his Broadway musical Be More Chill, composer Joe Iconis took to the stage last night at the Other Palace with Joe Iconis Live: a charming and authentic collection of his best-loved work.
BWW Review: A MIDSUMMER NIGHT'S DREAM, Wilton's Music Hall
Watermill Ensemble's production of A Midsummer Night's Dream (directed by Paul Hart) offers up a wonderful reimagining of one of Shakespeare's most well-loved plays.
BWW Review: CRYBABIES: DANGER BRIGADE, Soho Theatre
Absurd, completely silly and thoroughly entertaining, Crybabies: Danger Brigade is an hour of wall-to-wall laughs propelled by an array of bizarre and hysterical characters.
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