Juliana Adame - Page 2

Todd Michael stars in his own THE ASPHALT CHRISTMAS- a hilarious holiday romp for a classic Christmas.

Now playing at Theatre Row, Nathaniel Sam Shapiro's Columbine drama THE ERLKINGS hits the audience like a ton of bricks.

Written and starring Gianmarco Soresi, this new 'unromantic' comedy takes a look at a new kind of young love in the world of actors and playwrights.

LOVE QUIRKS is a New York love story set to music. Hilarity ensues.

PigPen Theatre Co.'s THE OLD MAN AND THE OLD MOON is a dream: everything a young dreamer who grew up to be a fan of pastels and floral prints and Mumford and Sons with a love for the magic of theatre could ever imagine.

Harry Melling's premiere of PEDDLING at 'Brits Off Broadway' at 59E59 is an emotional thrilll ride of passion, grit, and whirlwind of emotion.

Charlie Polinger directs an attempted statement on several political and pop culture icons with the story of Bertolt Brecht and Kurt Weill's The Threepenny Opera thrown in there.

New York Theatre Ballet's CINDERELLA is a lovely spectacle of dance and magic.

Ryan Lee's reimagining of William Shakespeare's THE WINTER'S TALE is an interesting take on the famed classic.

James Ortiz's THE WOODSMAN, now playing at 59 E 59, is a creative spin on the familiar classic of The Wizard of Oz with an atmosphere remincent of a pleasant combonation of Spring Awakening, Peter and the Starcatcher, and Into the Woods.

Directed by Bob Degus, PRIVATE DANCER is the story is focused on the troubled life of the famed Rita Hayworth and is told additionally through film and dance. Sage Snakechalmer, however, the star and playwright, gives an awkward mess of a performance.

Patrick Barlow's (39 Steps) A CHRISTMAS CAROL has added a whole new color to the classic Dickens' tale.

Kelly Kinsella gives a sharp, gritty, bona fida performance in her original one-woman show WHEN THOUGHTS ATTACK.

First produced over twenty years ago, Retro Production's rendition of THE BALTIMORE WALTZ breathes new life into Paula Vogel's original play.

Victor Lesniewski's new drama CLOVEN TONGUES has it all: humor, suspense, and a strong cast.

Helen Sneed's FIX ME, JESUS, directed by Sam Pinkleton, delivers laugher, hard truth, and keeps the audience on the edge of their seats, all while never leaving a Neiman Marcus dressing room.

Conceived and directed by Bill Daugherty, ON THE RECORD at Stage 72 is a deliciously nostalgic musical throwback into ages past.