Jonas Schwartz-Owen - Page 2

During the opening number, the Troubadour Theatre Company, affectionately known to all as the Troubies, comment how thrilled the troupe, and the audience by extension, is to have returned to live theatre. The audience responded with glorious applause, and both the occasion and the Troubies deserve that adulation. The Troubies, who have rocked Los Angeles for the last 25 years, are one of the most creative teams in the city. Their imagination and gumption has entertained with parodies of classical works infused with a musical motif such as Alice In One-Hit Wonderland, Much ADoobie Brothers About Nothing, and A Charlie James Brown Christmas. Their latest, Lizastrata, based on both the Greek Aristophanes comedy Lysistrata and the songs made popular by Liza Minnelli, could have been a dazzler, but with a gossamer plot, too many recycled jokes, and a venue ill-equipped to allow the cast to sing with heft, the latest production is uninspired.

Good grief! You’re A Good Man, Charlie Brown Is Live But Sadly Not Alive. A combination of miscasting, poor direction, and a play that runs out of steam, this early production in the reemergence of live theater is a disappointment.

Anna LaMadrid’s one-person comedy The Oxy Complex explores humanity reaching its breaking point after 500 days with zero human touch.

Playwright Dan O'Brien made a splash in LA theatre back in 2017 when The House In Scarsdale: A Memoir For The Stage received multiple Los Angeles Drama Critics Circle Nominations. Now, O'Brien has published four of the essays under the title, A Story That Happens, as a primer for burgeoning playwrights.

The Geffen is hosting a game night and it's a goofy, geeky, glorious distraction from the gloom and doom of 2020. Created and led by puzzle enthusiast David Kwong, this latest version of the Geffen Stayhouse series, Inside The Box, is a perfect way to connect with others in these isolating times.

And now, the Supermodel of the World, RuPaul Charles has transferred her fierce Drag Queens to the Flamingo Hotel to recreate her award-winning reality show RuPaul's Drag Race where the audience gets to be the judge.

After three successful runs in Los Angeles in 2012, 2014, and 2017 at the Pantages, that smut-mouthed, but endearing musical comedy The Book Of Mormon has squatted downtown at the Ahmanson, and third time around, it has lost none of its luster, or its smut.

The Welk Resort Theatre, located at the Welk Resort in San Diego, launches the Pulitzer Prize/Tony-winning A Chorus Line as part of its 39th Season. Director/Choreographer Hector Guerrero makes his debut on the Welk Resort stage with this beloved musical created by Michael Bennett in 1975 with music by Marvin Hamlisch, lyrics by Ed Kleban, and a book by James Kirkwood Jr and Nicholas Dante. Guerrero spoke about his evolution as a dancer, choreographer, director as well as how this musical speaks to him.

Ballet, opera and musical theater director Daniel Pelzig helms the musical version of Irving Berlin's Holiday Inn, playing at Musical Theatre West. This is Pelzig's fourth production with MTW, after My Fair Lady in 2015, Mary Poppins in 2017 and The Little Mermaid earlier this year.

The musical Bandstand, which is now part of the American Theater Guild tour across the country, thrives when Andy Blankenbuehler's Tony-winning choreography is front and center. Restaged for this production by Marc Heitzman, who was Dance Captain in the Broadway production, the dances display vitality that makes audiences want to stand up and join in. The book and score do not hold up their end of the bargain, and in this production, Bandstand is further saddled with lackluster performances that should have been re-enlivened by tour director Gina Rattan.

BETWEEN RIVERSIDE AND CRAZY, which makes its Los Angeles debut at The Fountain Theatre, is a hard-hitting drama about wanderers, those unattached, ungrounded people who lack the support to make smart choices, but still deserve grace and hope. Winner of the Pulitzer Prize for Drama in 2015, the play features all that one expects from playwright Stephen Adly Guirgis: incisive dialogue, complex characterizations and relationships that are unique but also relatable. The cast and director Guillermo Cienfuegos serve the play well.

The California Premiere of Nick Dear's adaptation of Frankenstein features a heartbreaking performance by Michael Manuel as a creature born innocent but ugly, taught to hate and rebel against humanity. Manuel carries the production on his hulking shoulders, which becomes crippling due to a confounding script and unusually lifeless direction from Los Angeles star director Michael Michetti.

Erik Patterson has made a name for himself in the LA Theater community. A mentor to burgeoning playwrights and a stinging satirist who has racked up nominations and awards, such as the Los Angeles Drama Critics Circle Writing award for 2017's ONE OF THE NICE ONES, Patterson writes confrontational plays about that most rickety of life forms, humanity. Patterson's new play HANDJOB opens at Echo Theatre Company, directed by Chris Fields, and stars Steven Culp from Desperate Housewives and The West Wing.

RIVERDALE Scribe Explores The Fruits Of The Poisonous Trees in GOOD BOYS.

DEATH OF A SALESMAN, the Pulitzer Prize-winning play by Arthur Miller, is the American Hamlet for actors of a certain age. Its protagonist is a complex, frighteningly bare role, that provides an acting challenge relished by the greats. Rob Morrow, best known for Robert Redford's QUIZ SHOW and the quirky TV dramedy NORTHERN EXPOSURE, pulls off the tricky role by adding an impish quality to the crumbling man, bringing a fresh light to the production at Ruskin Group Theatre.