![BWW Review: Layered stories trapped in the dense dialogue of [VEIL WIDOW CONSPIRACY] at Next Door @ NYTW](https://cloudimages2.broadwayworld.com/columnpic11/200200-8e25592ffbf8fcb4f33fbfc4eeb93398.jpg?format=auto&width=220)
Presented by NAATCO (National Asian American Theatre Company), the parentheses of the title [Veil Widow Conspiracy] hint at this play's structure.
La Mama Experimental Theatre Club has programmed a month-long series called the Stonewall 50 celebration.
Ever wanted to sit on the floor during a Presidential nominating National Convention? The opportunity is available in Brooklyn at the Irondale Center.
Seven women choreographers and their companies share resources and collaborate for this one week festival of dance.
There are no sure bets in theater.
In the 19th century, Eliza Lynch made her notoriety when she traveled from her native Ireland and became the mistress-wife of the president of Paraguay's son.
When you enter the downstairs space at La Mama, multi-colored fluorescent lights illuminate a multi-level stage.
Playwright Elise Forier Edie is often asked how much of The Pink Unicorn is true.
Flesh Mob is a performance collective which created this interdisciplinary dance-theater work about sexual education.
There are two apartments across the hall from each other in The Bigot.
Marigold Page is a Tohono O'odham woman.
When taking a seat in the Paradise Factory Theatre downtown, the stage backdrop suggests a large scrapbooking canvas.
A month ago I saw Austin Pendleton portray a teacher on Broadway in the fine play Choir Boy.
Based on a novella by Nobel Prize winner Gabriel Garcia Marquez, El Coronel No Tiene Quien Le Escriba is being presented in Spanish (with English supertitles) by Repertorio Español.
'Some people go to therapy to work out their stuff,' Nicholas Linnehan informs at the start of his autobiographical play, Identity.
