Jim Munson - Page 14

Jim has been hooked on theater ever since being dazzled by a high school production of “Damn Yankees” in Wilmington, Delaware way back in 1972 featuring his older brother in a cameo role. Fortunately, his horizons have expanded just a bit since then. A recent Maui transplant after 40 years in San Francisco, Jim remains an avid theater- and dance-goer in Hawaii, the Bay Area and beyond. He loves nothing more than the 3-show days that can occasionally be scheduled in New York City. For the record, he holds a BA in Theater Arts from SUNY Buffalo, but happily learned long ago that his skills as a discerning audience member far exceed his skills as an actor.

LEARN MORE ABOUT Jim Munson

First Show:

Raisin

Favorite Show:

Angels in America: Perestroika, Broadway, New Year's Eve 1993, the cast was on fire!

Favorite Stories:

Interview: Laura Benanti at the Lesher Center for the Arts is a Golden-Age Star for Our Times - They say never meet your heroes, but Benanti was so approachable, honest and generous with her time that it felt like talking to an old friend. Among other things, we took a deep dive into her conception of the character of Eliza Doolittle, a role she'd longed to play since she was a kid. Easiest interview I've ever done, and after it was published her husband told her it was the best interview she'd ever given.
Feature: MANON at San Francisco Ballet Showed How Great Dancers Can Put Their Own Unique Imprint on the Same Story - I love dance as much as I love theater so it's always a pleasure to cover San Francisco Ballet, one of the top companies in the world. I also rarely get a chance to issue a mea culpa, and in this case I had underestimated a ballet on opening night, yet subsequent viewings revealed depths and nuances I hadn't grasped on initial exposure so I appreciated the chance to correct the record.
Interview: Khori Dastoor of THREE DECEMBERS at Opera San Jose Is Up to the Job of Making Art That Is Relevant for Our Times - I don't get to cover opera as often as theater and dance so this was the first time I got to talk to the leader of an opera company. I went in not knowing what to expect, plus it was the afternoon of election day 2020 and I was feeling very anxious about where our country was headed. I decided to fess up about that first thing and Dastoor told me she was feeling the same way and thanked me for giving her something else to think about for the next hour. We had a delightful conversation and I went away impressed with - 1) what a kind and down-to-earth person she was and 2) how incredibly smart she was. As soon as I got off the phone, I remember telling my husband, "That woman is amazing. I'm surprised a larger company hasn't already snapped her up." About a month later, she was announced as the new general manager for Houston Grand Opera.
nterview: Francis Jue of TIGER STYLE! at TheatreWorks Silicon Valley Hits His Stride by Being True to Himself - I had interviewed Jue 5 years earlier and he'd been so delightful and forthcoming that I couldn't wait to talk to him again. He did not disappoint - so kind and honest, and it is a pleasure talking with theater artists who've been around long enough to know who they are in this world and no longer feel a need to play games. After the interview, I saw the play "Tiger Style" and reviewed it for BwayWorld. He was so fabulous in it that I thought to myself, "Francis is such an amazing actor. Why can't a guy like him ever win a Tony?" Bingo!
Interview: Hershey Felder of GEORGE GERSHWIN ALONE at Mountain View Center For The Performing Arts Reprises the Role that First Brought Him International Acclaim - I've had the pleasure of interviewing Felder over a dozen times and I could have chosen any one of those here. He's always super interesting, coming up with interesting facts and funny stories. As the child of immigrants who grew up in Montreal, yet largely makes his career in the U.S. and has chosen to reside in Florence, Italy he's just an intrinsically fascinating guy. Plus he's super intelligent and has a mind like a steel trap so you he keeps me on my toes. I love that!

BWW Review: SWAN LAKE at San Francisco Ballet Brings the 2022 Season to a Spectacular Close
May 2, 2022

BroadwayWorld reviews San Francisco Ballet's glorious production of Helgi Tomasson's 'Swan Lake' running through May 8th. It also marks the end of Tomasson's wildly successful 37-year run as SFB Artistic Director.

BWW Interview: Adam Strauss of THE MUSHROOM CURE & ADAM STRAUSS IS NOT UNHAPPY at The Marsh Berkeley Embraces Radical Uncertainty
April 29, 2022

BroadwayWorld talks to actor/playwright/comedian Adam Strauss about his two seriously funny solo shows, 'The Mushroom Cure' and 'Adam Strauss Is Not Unhappy' running at The Marsh Berkeley through May 27th.

BWW Review: OCTET at Berkeley Rep Finds the Humanity in Our Technology-Obsessed Culture
April 29, 2022

BroadwayWorld reviews Berkeley Rep's pitch-perfect production of Dave Malloy's beguiling acapella musical 'Octet' running live through May 29th

BWW Feature: HELGI TOMASSON: A CELEBRATION at San Francisco Ballet Was a Night for Cheers, Tears and Gratitude
April 26, 2022

BroadwayWorld reports on 'Helgi Tomasson: A Celebration' at San Francisco Ballet held on April 24th to honor the retirement of its transformative artistic director after an unprecedented 37 years at the helm.

BWW Interview: McKenna Rose of FUN HOME at 42nd Street Moon Portrays Alison Bechdel's Youngest Alter Ego
April 20, 2022

BroadwayWorld speaks with young McKenna Rose, who plays 'Small Alison' in 42nd Street Moon's new production of the groundbreaking, Tony-winning musical 'Fun Home' running at the Gateway Theatre April 21 to May 8.

BWW Review: FEFU AND HER FRIENDS at A.C.T. Delivers a Uniquely Compelling Theatrical Experience
April 11, 2022

BroadwayWorld reviews A.C.T.'s funny and moving new production of Maria Irene Fornes' multi-layered feminist classic, 'Fefu and Her Friends,' running through May 1st at the Strand Theater.

BWW Review: PROGRAM 6 at San Francisco Ballet Shows Off the Range of This Remarkable Company
April 8, 2022

BroadwayWorld reviews San Francisco Ballet's stunningly varied Program 6. This final mixed rep program of SFB's 2022 season includes 2 world premieres that show off the incredible range of this world-class company.

BWW Interview: Crystal Manich of WEST SIDE STORY at Opera San José Brings Her Puerto Rican Heritage to the Iconic Musical
April 7, 2022

BroadwayWorld talks to director Crystal Manich about her vibrant new production of 'West Side Story' at Opera San Jose, which runs April 16th to May 1st at the California Theatre. The Puerto-Rican born director brings her own heritage to this iconic piece of musical theater that she has loved since she was a child.

BWW Interview: Tim Bond of GEM OF THE OCEAN at TheatreWorks Silicon Valley Honors the Legacy of His Friend and Colleague August Wilson
April 6, 2022

BroadwayWorld speaks with TheatreWorks Silicon Valley Artistic Director Tim Bond about directing a new production of his friend & colleague August Wilson's enduringly relevant 'Gem of the Ocean' running live in Mountainview thru May 1.

BWW Review: PROGRAM 5 at San Francisco Ballet Showcases Its Dazzling Dancers
April 5, 2022

BroadwayWorld reviews San Francisco Ballet's dazzling new Program 5 running through April 16th, which includes a world premiere by Helgi Tomasson and a reprise of Yuri Possokhov's popular 'Magrittomania.'

BWW Review: PROGRAM 4 at San Francisco Ballet Makes Everything Old Feel New Again
March 17, 2022

BroadwayWorld reviews San Francisco Ballet's richly-rewarding Program 4, which runs lives onstage at the War Memorial Opera House through Sunday, March 20th. The dazzling program pairs the Bournonville Romantic-era classic 'La Sylphide' with Alexei Ratmansky's 'The Seasons,' a rambunctious, contemporary reimagining of a lost Petipa ballet.

BWW Review: Jeanna De Waal at Feinstein's At The Nikko Celebrates Life's Highs and Lows and Everything in Between
March 15, 2022

BroadwayWorld reviews Jeanna de Waal's new cabaret show at Feinstein's at the Nikko in San Francisco. The star of 'Diana, the Musical' explores life's highs and lows in an entertaining 60 minutes.

BWW Interview: Cindy Goldfield of A GRAND NIGHT FOR SINGING Offers a Fresh Take on Rodgers & Hammerstein
March 11, 2022

BroadwayWorld talks to director & choreographer Cindy Goldfield about 42nd Street Moon's production of the Rodgers & Hammerstein musical revue 'A Grand Night for Singing' running at the Gateway Theatre to March 27.

BWW Interview: Roger Guenveur Smith of OTTO FRANK at Campo Santo & Magic Theatre Explores the Enduring Relevance of the Holocaust Survivor
March 10, 2022

BroadwayWorld talks to Obie, Peabody and Bessie Award winning actor and writer Roger Guenveur Smith about 'Otto Frank' his new solo piece running as a Campo Santo production at the Magic Theatre in San Francisco. Guenveur Smith finds enduring relevance in the story of the Holocaust survivor.

BWW Interview: Paul Gordon And Robert Kelley of SENSE AND SENSIBILITY at TheatreWorks Silicon Valley Team Up to Bring Another Jane Austen Novel to Glorious Musical Life
March 4, 2022

BroadwayWorld talks to composer Paul Gordon and director Robert Kelley about their collaboration on a glorious new musical adaptation of Jane Austen's 'Sense and Sensibility' which runs live onstage at TheatreWorks in Palo Alto from March 9th to April 3rd.

BWW Review: Brian Stokes Mitchell in Concert at Lesher Center Leaves the Audience Floating on Air
March 1, 2022

BroadwayWorld reviews Brian Stokes Mitchell's glorious concert at the Lesher Center in Walnut Creek on February 25th. When Mitchell announces at the top of his show that his hope is for you to leave the theater feeling better than you did when you came in, you had better believe he means it. By the end, he leaves the audience floating on air.

BWW Review: DON QUIXOTE at San Francisco Ballet Celebrates the Joy of Dancing
February 28, 2022

BroadwayWorld reviews San Francisco Ballet's fizzy production of the classic 'Don Quixote' running live onstage at the San Francisco War Memorial Opera House through March 6th. The whole thing feels like a big ol' party.

BWW Interview: BRIAN STOKES MITCHELL at Lesher Center For The Arts Sings in Celebration of Life
February 22, 2022

BroadwayWorld talks to legendary actor and singer Brian Stokes Mitchell about the uplifting show he'll be performing at the Lesher Center for the Arts in Walnut Creek on February 25th.

BWW Review: THE KIND ONES at Magic Theatre Explores the Legacy of Domestic Violence in This Darkly Comic Thriller
February 11, 2022

Magic Theatre makes a welcome return to live performance with the world premiere of Miranda Rose Hall's 'The Kind Ones' playing thru February 20th. Hall combines gothic thrills & dark humor in her searing new play.

BWW Interview: Dan Hoyle of TALK TO YOUR PEOPLE at The Marsh Explores the Messiness of Our Shared Humanity
February 10, 2022

BroadwayWorld speaks with acclaimed actor-playwright Dan Hoyle about 'Talk to Your People,' his new show running live at The Marsh San Francisco through April 16th that uses his trademark observational humor to delve into issues of race, privilege, power and masculinity.

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