Jade Kops - Page 39

The first show for Griffin Theatre Company's 2017 season, this Australian work will resonate loudly with all audiences as it looks at the corporate side of the accountability imposed on small to medium Not-for-Profit Arts companies and questions the freedom the industry has to nurture new talent and the propensity for workplace bullying in the corporate landscape.

Darling of stage and voice of Disney Princesses, Lea Salonga, with the help of the SYDNEY SYMPHONY ORCHESTRA, under the baton of Gerard Salonga, brought the Sydney Opera House audience to its feet in a flawless performance.

Dennis Kelly's work with a confronting title, OSAMA THE HERO, is presented with a raw honesty under the direction of Richard Hilliar at Kings Cross Theatre.

Jeanette Cronin's new work I HATE YOU MY MOTHER kicks off Old Fitz Theatre's year of exploring the stories that have been "unspoken" with a challenging collection of stories of the destruction youth and innocence.

Opera Australia's co-production with Royal Opera House and Dallas Opera's production of the rarely performed KRÓL ROGER (KING ROGER) is a magnificent expression of one man's inner conflict.

Richard Sidwell's (Arranger and Conductor) successful melding of Rock and Orchestral music in THE MUSIC OF QUEEN: A ROCK & SYMPHONIC SPECTACULAR returns to Sydney to delight audiences.

Opening Sydney Theatre Company's 2017 program, Colm Toibin's THE TESTAMENT OF MARY is a captivating alternative view of one of history's most iconic stories.

Rodula Gaitanou directs the revival of Damiano Michieletto's pairing of Pietro Mascagni's CAVALLERIA RUSTICANA and Ruggero Leoncavallo's PAGLIACCI for Opera Australia with varying results.

Capturing the not too distant past of 1950's Sydney, the heart-warming coming of age story of a young, intelligent woman comes to life with fabulous songs and fantastic fashion in LADIES IN BLACK.

Revisiting the excitement and wonder that enchanted crowds at the start of the 20th Century, CIRCUS 1903 recreates the magic that inspired many contemporary circuses.

Drawing on the slapstick comedy, bad acting and questionable singing of the English tradition of Pantomimes, BABES IN THE WOODS is an all Australian work purely for adults.

Australian Brandenburg Orchestra's Artistic Director Paul Dyer delivers another beautiful Christmas concert with 2016's NOËL NOËL.

Angus Cerini's one man play RESPLENDENCE challenges late night theater goers at The Old Fitz to examine their control on their lives.

The rarely performed 1930's American Opera, PORGY AND BESS is given a Staged Concert treatment by Director Mitchell Butel with the support of the Sydney Symphony Orchestra and the Sydney Philharmonia Choirs.

Wayne Scott Kermond revives the beauty and frivolity of vaudeville, burlesque and cabaret music halls with this new production SPIEGEL'ESQUE.

Cementing her position in Sydney's Cabaret scene, Catherine Alcorn shares a night incredible music and some personal patter in her new show CATHARTIC.

Trevor Ashley returns to Hayes Theatre, this time to direct Jerry Herman (Music) and Michael Stewart's (Book) a moving MACK & MABEL.

Lane Cove Theatre Company brings Rudyard Kipling's THE JUNGLE BOOK to life in a family friendly Community Theatre stage adaptation.

David Mamet's satirical look inside the world of Hollywood movie making unfolds with simplicity in SPEED THE PLOW.

Georges Feydeau's early 20th Century French farce is given further complexity in Andrew Upton's adaptation of A FLEA IN HER EAR. Under the Simon Phillips direction, Sydney Theatre Company presents a hilariously delicious layered confection of cotton candy stickiness and fluff.