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Guest Blogger: Jess Pillmore

Theatre Journalist Guest Blogger: Jess Pillmore has written 2 articles for BroadwayWorld since 2001, covering Broadway.

Guest Blogger: Jess Pillmore
JESS PILLMORE is co-founder and artistic director of Creatively Independent, a revolutionary arts education company. Using the performing arts towards self-efficacy, Jess has toured the past 20 years as an international guest artist (K-post grad, professional development, conferences), director/choreographer (International, Off-Broadway, fringe, regional, educational), singer/songwriter (3 Nat’l releases, 1 musical), sustainable artistry coach and published author. HowlRound features Jess’s Sustainable Artistry series her provocative essay on ageism towards children in education appeared in Psychology Today. Her book, "Creatively Independent: Life On Your Terms with Play, Community, and Awareness" was supported by international best-seller and frequent Ted speaker, Seth Godin. Currently, Jess is workshopping A Fire Just Waiting (working title), a Joan of Arc rebirth featuring Ani DiFranco’s music and lyrics. She is also co-writing “Shakespeare’s Ensemble: The Creative Ownership Project” with Chris Beaulieu, activating an ensemble focused process within classical theatre. TRAINING: MFA Interdisciplinary Arts (Goddard), BA Theatre (FSU), Royal Academy of Dramatic Arts, Movement Studio (NYC), Society of American Fight Directors, Pilobolus
AWARDS: Best Female Actor Combatant (Nat’l SAFD), Founder’s Award (Nat’l SAFD), Best Musical (Dir. /Chor., Minneapolis Fringe w/ Neo-Futurists)

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Most Popular Articles

Latest Articles

BWW Blog: Jess Pillmore - Play and Identity

BWW Blog: Jess Pillmore - Play and Identity

November 7, 2016

Here we are: settled in, fridge filled, local library visited and our children have books for days… Wonder twin power activate! Shape of a question mark! Form of a trickster!

BWW Blog: Jess Pillmore - Reimagining Art, Family, and Education

BWW Blog: Jess Pillmore - Reimagining Art, Family, and Education

November 3, 2016

If we can devise stories that change a culture's consciousness, why not a business model? If we can suspend disbelief on stage, why not in our day-to-day lives? If we can transform from role to role, yet still be ourselves, why not from profession to profession, city to city, and goal to goal? If we




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