Gary Naylor is chief London reviewer for BroadwayWorld (https://www.broadwayworld.com/author/Gary-Naylor) and feels privileged to see so much of his home city's theatre. He writes about cricket for The Guardian (https://www.theguardian.com/profile/gary-naylor) and is a lead commentator at Guerilla Cricket (https://www.guerillacricket.com/). He podcasts on 80s and 90s football at https://www.nessundormapod.com/. He writes on films at Letterboxd https://letterboxd.com/garynaylor999/. He tweets at https://twitter.com/garynaylor85.
September 19, 2018
BWW talks to Sarah Crabtree and Emma Southworth about the Royal Opera House's Open Up Project and the new season at the Linbury Theatre.
September 15, 2018
The Seagull gathers a fine cast, but fails to get to the heart of Chekhov's masterpiece, compromising characters and burying its theatrical elements in intrusive cinematic flourishes.
September 14, 2018
A spectacular re-imaging of Shakespeare's tale of mistaken identities, cross-dressing and cruelty time-traveled to a speakeasy populated by extraordinary actor-musicians.
September 7, 2018
This version of the life of Hamilton - not that one, Hamilton (Lewis) - is a lot of fun for anyone in that crossover in the venn diagram for fans of Formula One and Musical Theatre. And, fortunately for the box office, plenty that are not.
September 13, 2018
Sharon Small talks about her role as Alice in Still Alice and its impact on the dementia community and wider audiences.
September 6, 2018
Hobson's Choice is given a late 50s makeover in this fine revival of a play the themes of which remain as relevant today as ever they were.
September 5, 2018
A show that bursts with great tunes, witty lyrics and fine singing that puts the six wives of Henry VIII back into the narrative - and about time too.
September 4, 2018
Caterpillar takes us to a seaside town guesthouse within which three dysfunctional people circle each other, troubled and needy.
August 31, 2018
Come down to the Southbank for a little circus, a little cabaret and a little naughty banter with the singer, the tumblers and the fire breathing woman.
August 28, 2018
Pericles shows our nation what our nation is - a tremendous achievement by the National Theatre's Public Acts movement and a gamechanger for the concept of outreach.
August 24, 2018
Christopher Marlowe's tale of relentless, ruthless ambition has a Game of Thrones vibe and a distressingly familiar topicality
August 20, 2018
Charity Wakefield, currently appearing in Morgan Lloyd Malcolm's all-female Emilia, is the first woman to play William Shakespeare on the Globe stage.
August 15, 2018
What larks! Maybe not for the purists nor for anyone looking for a Chekhovian analysis of the human condition, but a guilty pleasure full the laughs.
August 9, 2018
BroadwayWorld has spoken to Pericles director Emily Lim, writer Chris Bush and composer Jim Fortune. Now, we hear from community members Sue and Rehma. Sue is a staff member at one of the National's community partners, of which Rehma is a member.
August 10, 2018
BWW talks to Priyanga Burford about The Winter's Tale (currently at The Globe), the forthcoming BBC series, Press, and the differences between acting for stage and screen
July 26, 2018
A demanding, but rewarding, production of Britten's opera about ancient Rome, with plenty of lessons for today.
July 24, 2018
The Simon and Garfunkel Story is a loving tribute to the multi-platinum selling 60s dup that suffers a little from presentational issues.
July 20, 2018
The tragic story of a student resistance group in wartime Munich told with skill and commitment by a talented cast.
July 13, 2018
Jukebox musical that should have stayed in the pub.
July 12, 2018
David Haig, whose extensive acting career encompasses stage and screen, is currently starring in Pressure at the Ambassadors Theatre - a play that he also wrote.
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