Gary Naylor - Page 73

Christopher Marlowe's tale of relentless, ruthless ambition has a Game of Thrones vibe and a distressingly familiar topicality

Charity Wakefield, currently appearing in Morgan Lloyd Malcolm's all-female Emilia, is the first woman to play William Shakespeare on the Globe stage.

What larks! Maybe not for the purists nor for anyone looking for a Chekhovian analysis of the human condition, but a guilty pleasure full the laughs.

BroadwayWorld has spoken to Pericles director Emily Lim, writer Chris Bush and composer Jim Fortune. Now, we hear from community  members Sue and Rehma. Sue is a staff member at one of the National's community partners, of which Rehma is a member.

BWW talks to Priyanga Burford about The Winter's Tale (currently at The Globe), the forthcoming BBC series, Press, and the differences between acting for stage and screen

A demanding, but rewarding, production of Britten's opera about ancient Rome, with plenty of lessons for today.

The Simon and Garfunkel Story is a loving tribute to the multi-platinum selling 60s dup that suffers a little from presentational issues.

The tragic story of a student resistance group in wartime Munich told with skill and commitment by a talented cast.

Jukebox musical that should have stayed in the pub.

David Haig, whose extensive acting career encompasses stage and screen, is currently starring in Pressure at the Ambassadors Theatre - a play that he also wrote.

A strange show about the strange relationship between a fake German count and his young, but dead, bride.

An all-singing, all-dancing old school musical that will delight fans of all ages.

A show about Judy, Audrey and Marilyn including songs by the gifted Beth Burrows - but does it tell us anything new?

Miss Littlewood pays tribute to a pioneer of British theatre whose work either side of the Second World War did more for what is called outreach these days, than any other figure before or since.

Courtroom drama set on the Western Front that doesn't convince in its script and staging but still presses the emotional buttons.

My Beautiful Circus brings a traditional entertainment to the village green but delivers it with 21st century savvy and morals.

As You Like It - wit, wisdom and flaws - done in the squares of London on beautiful summer evenings, What's not to like?

Britten's celebrated opera re-imagined for a summer evening pregnant with ill-resolved threat.

Moliere's masterpiece is given a 'fake news' update, but the narrative thrust gets lost in an avalanche of words.

The 80s West End hit is revived by the actor-musicians of the graduating class of Guildford School of Acting in a production that never quite settles on a tone that fits 2018 audiences' sensibilities.