BWW Reviews: MOLLY WOBBLY, Leicester Square Theatre, January 29 2015
Gary Naylor sees a show that tltillates, tickles and ultimately triumphs with a potent mix of superb songs and dubious jokes, as Rocky Horror meets the Carry-Ons.
Gary Naylor - Page 59
Latest Articles
BWW Reviews: SPAMALOT, Richmond Theatre, January 26 2015
Gary Naylor sees a now legendary show based on a legendary film and a legendary King.
BWW Reviews: MISS DIETRICH REGRETS, St James Theatre Studio, January 21 2015
Gary Naylor is invited into the presence of Marlene Dietrich and finds much that is unique, and much that is universal, in this towering figure of 20th century culture.
BWW Reviews: OTHELLO, The Lyric Hammersmith, January 19 2015
Gary Naylor sees a brilliantly staged update of Shakespeare's tale of jealousy, love and misunderstandings that reaches out to a young audience and may hook them forever.
BWW Reviews: MET OPERA - THE MERRY WIDOW, Cineworld Wandsworth, January 17 2015
Gary Naylor takes his seat to watch a live transmission of a classic operetta beamed from The Big Apple to The Big Smoke and losing little en route.
BWW Reviews: TITLE AND DEED, The Print Room, January 16 2015
Gary Naylor sees a poignant, funny, disorienting monologue about a man who is not from here, but appears to be inside all of us, somewhere.
BWW Reviews: BORIS GODUNOV, Brockley Jack Theatre, January 15 2015
Gary Naylor sees a production that squeezes an epic play into a tiny space, capturing its essence, if not quite its clarity.
BWW Reviews: THE RAILWAY CHILDREN, King's Cross Theatre, January 14 2015
Gary Naylor sees an adaptation of a children's classic that has depth and nuance to match the spectacle on stage - or is that on rail?
BWW Reviews: DONKEY HEART, Trafalgar Studios, January 8 2015
Gary Naylor sees a new play that examines life in present day Moscow through the eyes of three generations of a family as dysfunctional as the Russian state.
BWW Reviews: THE GRAND TOUR, Finborough Theatre, January 7 2015
Gary Naylor sees a bold, and ultimately fulfilling, revival of Jerry Herman's 1979 musical, one that makes up in drama and pathos what it lacks in characterisation.
2015 Theatre Preview: Gary Naylor's Picks
Gary Naylor looks ahead to another year of theatre in London ranging from the big West End spectaculars through to venues scarcely bigger than a large room.
BWW Reviews: LA BOHEME, King's Head Theatre, December 18 2014
Gary Naylor sees the second of OperaUpClose's valedictory season at the King's Head and finds its most famous and most garlanded production as fresh as ever.
BWW Reviews: THE MERCHANT OF VENICE, Almeida Theatre, December 15 2014
Gary Naylor sees an extraordinary production of Shakespeare's most controversial play, one full of ambiguity and vicious cruelty, both physical and mental.
BWW Reviews: MISS HAVISHAM'S EXPECTATIONS AND SIKES AND NANCY, Trafalgar Studios, December 12 2014
Gary Naylor sees two supercharged shows united by their format and their willingness to explore the darker side of the man who invented the modern Christmas.
BWW Reviews: IT'S A WONDERFUL LIFE, Bridge House Theatre, December 11 2014
Gary Naylor sees an imaginatively conceived and beautifully executed adaptation of a Christmas standard that never goes out of fashion.
BWW Reviews: NOEL COWARD'S CHRISTMAS SPIRITS, St James Theatre Studio, December 10 2014
Gary Naylor sees a beautifully judged show that revisits some of the most famous Christmas songs and poems and delivers them with panache and charm.
BWW Reviews: CINDERELLA, New Wimbledon Theatre, December 9 2014
Gary Naylor sees a panto packed with audience-pleasing routines and splendid performances, one that continues this venue's tradition of big shows with big stars.
BWW Reviews: THE ELIXIR OF LOVE, King's Head Theatre, December 6 2014
Gary Naylor sees a a fine start to OperaUpClose's swansong to the King's Head with a Donizetti classic adapted for a Beverley Hills mansion.
BWW Reviews: THE LION, THE WITCH AND THE WARDROBE, Rose Theatre, December 4 2014
Gary Nayloe sees a beautiful, Christmassy adaptation of the CS Lewis's classic tale of talking animals, the fight between good and evil and imposition of childhood responsibility.
BWW Reviews: CINDERELLA AND THE BEANSTALK, Theatre 503, December 5 2014
Gary Naylor sees another fringe panto full of enthusiasm, audience participation and laughs, the perfect alternative if you're tired of soap stars, high prices and special effects.
.jpg?format=auto&width=300)
.png?format=auto&width=365)
Tickets From $59
Tickets From $58
Tickets From $80
Tickets From $67
