BWW Reviews: AS YOU LIKE IT (SCREENING), Noel Coward Theatre, November 16 2014
Gary Naylor sees a screening of a wonderful production of As You Like It that loses little over 20 odd years and on slightly grainy video - the magic of theatre prevails!
Gary Naylor - Page 60
BWW Reviews: AN EVENING WITH ARNOLD SCHWARZENEGGER, Lancaster Hotel, November 15 2014
Gary Naylor spends an evening with Arnold Schwarzenegger but comes away feeling that he knew as much on the way in as on the way out.
BWW Reviews: MACBETH, Clapham Omnibus, November 14 2014
Gary Naylor sees a promenade production of Shakespeare's notorious Scottish play, one that chills in more senses than one.
BWW Reviews: STREAMING, Pleasance Theatre, November 13 2014
Gary Naylor sees a magnificently realised play, the ambition of which never gets in the way of its storytelling, delivered through three of the strongest performances I have seen all year.
BWW Reviews: CANS, Theatre 503, November 7 2014
Gary Naylor sees a very fine debut from a new playwright that mixes comedy with reflection on the way the world has changed in little more than a generation and how that change impacts on a father, uncle and daughter.
BWW Reviews: MADE IN DAGENHAM, Adelphi Theatre, November 5 2014
Gary Naylor sees a spectacular musical that has its heart, if not always its sense of humour, in the right place as the Essex Girls of 1968 come out on top.
BWW Reviews: SWEENEY TODD, Harrington's Pie and Mash Shop, November 4 2014
Gary Naylor sees an extraordinary production of Stephen Sondheim's extraordinary musical, one embedded in a Pie Shop.
BWW Reviews: GIRLFRIENDS, Union Theatre, October 31 2014
Gary Naylor sees a musical performed with great commitment and skill let down by a plodding book and a half-hearted introduction of the question of morality in wartime.
BWW Reviews: THE PERFECT MURDER, New Wimbledon Theatre, October 27 2014
Gary Naylor sees a well-crafted, old-fashioned murder mystery, the comic touches of which cannot quite compensate for the hideous characters portrayed.
BWW Reviews: THE RIVALS, Arcola Theatre, October 21 2014
Gary Naylor sees a classic of the English Stage delivered with verve and wit - he just hopes that the cast were enjoying it as much as they appeared to do!
BWW Reviews: OUR TOWN, Almeida Theatre, October 17 2014
Gary Naylor sees a slice of early twentieth century life in which not quite enough happens, but in an interesting and innovative way, beautifully acted and intelligently staged.
BWW Reviews: EAST IS EAST, Trafalgar Studios, October 15 2014
Gary Naylor sees a revival of one of the 90s classic comedies that retains plenty of punch, nearly twenty years on
BWW Reviews: ALICE ON THE UNDERGROUND, Chickenshed Studio, October 8 2014
Gary Naylor enjoys a wonderful life-affirming show that paints a grim picture of London yet leaves you with a spring in your step, the world a whole lot brighter for the experience.
BWW Reviews: THE MARRIAGE OF FIGARO, King's Head Theatre, October 6 2014
Gary Naylor sees another wonderful version of a most famous opera done in a way that is accessible for all yet pleases the aficionados too.
BWW Reviews: THE TAMING OF THE SHREW, Brockley Jack Theatre, October 3 2014
Gary Naylor sees a version of one of Shakespeare's more difficult plays set in the violent world of London's East End of the 1960s, but one with plenty of laughs too.
BWW Reviews: JULIUS CAESAR, Saatchi Gallery, October 2 2014
Gary Naylor sees the first ever drama production to be hosted by the Saatchi Gallery, Proud Haddock's smart Julius Caesar, set in the present day - and powerfully so.
BWW Reviews: FRANCES RUFFELLE - PARIS ORIGINAL, St James Theatre Studio, October 1 2014
Gary Naylor sees a fine cabaret that jumps in and out of French and English language songs before finishing with a classic in any language.
BWW Reviews: SINGLE SPIES, Rose Theatre, September 30 2014
Gary Naylor sees two beautifully written, splendidly acted timeless plays that say as much about England today as they did in the 1980s.
BEHIND THE SCENES: Live Cinema Broadcast of BILLY ELLIOT THE MUSICAL - A Teenager's View
What does a kid roughly the same age as Billy think about Billy Elliot The Musical? Linus Boselius gives his view of the show right here.
BEHIND THE SCENES: Live Cinema Broadcast of BILLY ELLIOT THE MUSICAL, Victoria Palace Theatre, September 28 2014
Gary Naylor sees his first Billy Elliot and marvels at a tremendous central performance while wondering if the show is just a little too manipulative for his tastes.
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