BWW Reviews: THE PERFECT MURDER, New Wimbledon Theatre, October 27 2014
Gary Naylor sees a well-crafted, old-fashioned murder mystery, the comic touches of which cannot quite compensate for the hideous characters portrayed.
Gary Naylor - Page 61
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BWW Reviews: THE RIVALS, Arcola Theatre, October 21 2014
Gary Naylor sees a classic of the English Stage delivered with verve and wit - he just hopes that the cast were enjoying it as much as they appeared to do!
BWW Reviews: OUR TOWN, Almeida Theatre, October 17 2014
Gary Naylor sees a slice of early twentieth century life in which not quite enough happens, but in an interesting and innovative way, beautifully acted and intelligently staged.
BWW Reviews: EAST IS EAST, Trafalgar Studios, October 15 2014
Gary Naylor sees a revival of one of the 90s classic comedies that retains plenty of punch, nearly twenty years on
BWW Reviews: ALICE ON THE UNDERGROUND, Chickenshed Studio, October 8 2014
Gary Naylor enjoys a wonderful life-affirming show that paints a grim picture of London yet leaves you with a spring in your step, the world a whole lot brighter for the experience.
BWW Reviews: THE MARRIAGE OF FIGARO, King's Head Theatre, October 6 2014
Gary Naylor sees another wonderful version of a most famous opera done in a way that is accessible for all yet pleases the aficionados too.
BWW Reviews: THE TAMING OF THE SHREW, Brockley Jack Theatre, October 3 2014
Gary Naylor sees a version of one of Shakespeare's more difficult plays set in the violent world of London's East End of the 1960s, but one with plenty of laughs too.
BWW Reviews: JULIUS CAESAR, Saatchi Gallery, October 2 2014
Gary Naylor sees the first ever drama production to be hosted by the Saatchi Gallery, Proud Haddock's smart Julius Caesar, set in the present day - and powerfully so.
BWW Reviews: FRANCES RUFFELLE - PARIS ORIGINAL, St James Theatre Studio, October 1 2014
Gary Naylor sees a fine cabaret that jumps in and out of French and English language songs before finishing with a classic in any language.
BWW Reviews: SINGLE SPIES, Rose Theatre, September 30 2014
Gary Naylor sees two beautifully written, splendidly acted timeless plays that say as much about England today as they did in the 1980s.
BEHIND THE SCENES: Live Cinema Broadcast of BILLY ELLIOT THE MUSICAL - A Teenager's View
What does a kid roughly the same age as Billy think about Billy Elliot The Musical? Linus Boselius gives his view of the show right here.
BEHIND THE SCENES: Live Cinema Broadcast of BILLY ELLIOT THE MUSICAL, Victoria Palace Theatre, September 28 2014
Gary Naylor sees his first Billy Elliot and marvels at a tremendous central performance while wondering if the show is just a little too manipulative for his tastes.
BWW Reviews: THE VERTICAL HOUR, Park Theatre, September 25 2014
Gary Naylor sees a play that remains as relevant today as on its Broadway premiere seven years ago: one that scores high on talk but, inevitably, low on solutions.
BWW Reviews: RUDY'S RARE RECORDS, Hackney Empire, September 24 2014
Gary Naylor enjoys a stage adaptation of a Radio 4 sitcom set in an old record shop in Handsworth, Birmingham, populated by a family falling out and making up the way families do.
BWW Reviews: SWEENEY TODD, Twickenham Theatre, September 19 2014
Gary Naylor sees a remarkable production of a classic musical, one that brings the audience right into Sweeney's shop for a shave almost too close for comfort.
BWW Reviews: LONG STORY SHORT, Charing Cross Theatre, September 18 2014
Gary Naylor sees a brilliant new play about new media's impact on traditional news values and on the men and women caught at the sharp end of an industry hurtling ever more quickly towards an ever more uncertain future.
BWW Reviews: PRICE OF MONEY, Albany Theatre, September 17 2014
Gary Naylor sees a company brimming with talent and anger deliver a crushing critique of capitalism through dynamic, demanding drama - and plenty of well-placed sweary bits.
BWW Reviews: BRAZOUKA, New Wimbledon Theatre, September 16 2014
Gary Naylor sees a show that makes up for its lack of any real story with energy, spectacle and a real connection with an audience who went off into the London night dreaming of Rio.
BWW Reviews: GHOST FROM A PERFECT PLACE, Arcola Theatre, September 15 2014
Gary Naylor sees a twentieth anniversary production of a play that caused outrage in the mid-90s but feels overly familiar and overtaken by events in the mid-teens.
BWW Reviews: MOTHER COURAGE AND HER CHILDREN, The Royal Arsenal, Woolwich, September 12 2014
Gary Naylor sees a bold and ambitious, and demanding, production of Brecht's classic anti-war play set in the unique and spectacular grounds of the Royal Arsenal, Woolwich.
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